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Author Archives: Willie G. Moseley

The G&L El Toro

 
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At the beginning of 1983, Leo Fender was just more than three years into his last guitar-manufacturing venture when he decided to diversify the company’s bass lineup. Until that point, G&L had marketed the one-pickup L-1000, the two-pickup L-2000, and the no-frills SB-1 and SB-2 models – all with fairly traditional, straightforward designs. The brand’s […]

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The Rickenbacker 4000

 
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The model 4000 was not only Rickenbacker’s first foray into the electric-bass market, it was decidedly different from Fender’s Precision – the original electric bass. Beyond frets, four strings, and their role in a musical combo, they have little in common. In the 1950s, F.C. Hall forged Rickenbacker into a modern guitar manufacturer. Striving to […]

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Gibson Basses in The ’70s

Plucky Trio from the “Downer Decade”
 
Gibson Basses in The ’70s

Guitar enthusiasts have long heard that the 1970s were the “downer decade” for Fender and Gibson, both of which introduced a few duds and struggled with quality control. Their travails continued until both were sold to new owners – Fender in ’85, Gibson in ’86. Exemplary of those unsuccessful instruments was a trio of solidbody […]

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Fender Precision Bass

The “Final” Configuration
 
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The Fender Precision Bass was the first commercially successful solidbody electric bass. Played somewhat like a guitar and sporting a fretted neck, the “P-Bass” won over players in almost every genre who previously had to contend with the cumbersome upright bass. In its original configuration, the instrument, introduced in 1952, had a maple neck with […]

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Humble Pie At the Fillmore

Frampton Reflects
 
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By the time Humble Pie reached “breakthrough” status in the U.S. thanks to its live album, Performance – Rockin’ the Fillmore, Peter Frampton had departed and begun to beat the odds by forging a successful solo career. “When the album started selling like hotcakes, I wondered if I’d (more…)

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Ed Sanner

Fuzz Redux
 
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While not well-known in California guitar lore, Ed Sanner’s electronics designs have been heard by millions of guitar fans, and he has recently returned to building unique stomp boxes. Sanner didn’t take up guitar until the age of 18, but his interest in electronics began earlier. “I used (more…)

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Marty Walsh

With a Little Help From Friends
 
Marty Walsh

Marty Walsh has plied his trade for decades, though relatively few may be familiar with his efforts. A Los Angeles native, the guitarist gravitated to his father’s old Martin when he was 15. The first guitar he called his own was a Gibson ES-1403/4 he bought from his brother and eventually traded (and $10) for […]

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Carvin DN640K

 
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Doubleneck instruments have always been a unique niche in the guitar market, for good reason. They’ve also carried an air of superiority or the insinuation that they were intended for pro players; i.e., those who could deftly switch from one instrument to another (more…)

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Jerry Riggs

Heavy Metal Forever
 
Jerry Riggs

Jerry Riggs grew up in the ’60s/early ’70s, and though his hometown of Knoxville, Tennessee, wasn’t a mecca like Nashville or Macon, he says, “I was lucky to be exposed to a lot of great music, from Chet Atkins to James Brown, from Hendrix to (more…)

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Remembering B.B. King

 
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Ed. Note: Everyone associated with Vintage Guitar magazine is saddened to learn of the passing of B.B. King. In 1995, Mr. King sat for an interview with VG‘s Willie G. Moseley, and we offer it here as part of our remembrance of the King of the Blues. Riley B. King was born on a cotton plantation in […]

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