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Pop ’N Hiss: Marshall Crenshaw’s Field Day
Marshall Crenshaw’s brief chart run remains a bright spot of 1980s rock – effectively, the final blast of New Wave before the genre was...
The (Way) Back Beat: A Pretty Girl is Like a Melody
Last month, we began looking at some of the more entertaining fretted instrument advertising of the 20th century, in what could be loosely called...
Steve Dawson
Calling Steve Dawson a “roots” artist seems a disservice to a musician so eclectic and wildly talented. On Eyes Closed, Dreaming, he effortlessly mixes...
Ben Reynolds
If you’re into heavy, swampy rock and roll, the Chickasaw Mudd Puppies first album in decades, Fall Line, will satisfy your jones.
Discovered over 30...
Henry James Schneekluth
Henry James Schneekluth handles the groovy guitar parts in Robert Jon & The Wreck. While impassioned Southern rock might be an easy category to pigeonhole...
Louis Stewart
Next to Jameson whiskey, Louis Stewart remains Ireland’s leading export – and his playing can be just as intoxicating. The consummate creative jazz artist,...
Gibson’s “Non-Reverse” Firebirds
Some guitars get no respect, at least historically. At the dawn of the ’70s, Gibson’s original (1963-’65) Firebirds were already being hailed as classics,...
Joe Louis Walker
A member of the Blues Hall of Fame, Joe Louis Walker’s music always has unmistakable blues elements. His latest album, Weight of the World,...
Classics: June 2023
From learning a first lick to playing an entire song with friends, musicians thrive on motivations big and small. Growing up in Hempstead, New...
Gibson’s Experimental Archtop
Orville Gibson invented the carved-top guitar in the 1890s, and his company refined the design with f-shaped sound holes in 1922, then brought the...