Month: February 2008

  • February 2008

    FEATURES

    JOHN PORTER
    A Life in Guitar: Producing, Picking, Collecting
    Player, producer, unabashed guitar enthusiast and astute collector, his professional credits are diverse and voluminous and include Clapton, Hooker, Santana, Stephen Stills, and more. By Wolf Marshall

    AMP-O-RAMA
    The Gibson GA-79RVT
    Gibson amps from the 1950s and ’60s are generally seen as “poor man’s Fenders.” But this tone machine stands alone as the last truly groovy amp of the golden years to wear the Big G logo. By Dave Hunter

    WEISSENBORN STYLE #4
    Highly specialized instruments, Weissenborns were made for guitarists who played Hawaiian music in the late 1910s and ’20s. With their koa construction and square, hollow necks, they were unsuitable for virtually any other style. By George Gruhn and Walter Carter

    DAVE WRONSKI
    Three Decades of Reverb-Drenched Instrumentals
    One of surf rock’s most innovative heroes, his work blends ferocious double picking, chilling glissandos, and vibrato bends with a reverb-drenched twang that ricochets between serene and menacing. By Damian Fanelli

    SLINGERLAND MAY BELL
    The historical guitar landscape is littered with brand names most of us know little or nothing about. In 1933, Slingerland (known for making drums) offered this guitar, which appears to be a resonator guitar, but carries a story with interesting context. By Michael Wright

    BASS SPACE
    The Martin EB-18
    Martin’s solidbody E series guitars debuted in 1979. Among them was the company’s first venture into the electric bass market. Unfortunately, despite being well-made, it didn’t set the world ablaze. By Willie G. Moseley

    DEPARTMENTS

    Vintage Guitar Price Guide

    Builder Profile
    Sommatone Amplifiers

    Upcoming Events

    Vintage Guitar Classified Ads

    Dealer Directory

    Readers Gallery

    FIRST FRET

    Reader Mail

    News and Notes
    Fender Acquires Kaman, Clapton and Winwood concerts, New Wishbone Ash, In Memoriam, Stolen Gear, more!

    Paul BollenbackTribute to Those Who Came Before
    By John Heidt

    Joe Friedman Stops and Starts By John Heidt

    Seth Walker
    Plenty of Ways to Play the Blues
    By John Heidt

    Patterson Barrett
    Austin Fixture Finally Goes Solo
    By Willie G. Moseley

    Ask Zac
    By Zac Childs

    Leslie West
    Master of Tone
    By Lisa Sharken

    Damon Johnson
    Cooper to Country
    By Steven Douglas Losey

    Mem Shannon
    NOLA Funkmeister
    By Willie G. Moseley

    COLUMNS

    The (Way) Back Beat
    Fab Gear, Pre-“Invasion”
    By Peter S. Kohman

    Q&A With George Gruhn

    Acousticville
    Arlington ’07
    By Steven Stone

    Guitars With Guts
    An Early Manuel Ramirez
    By R.E. Bruné

    “401K” Guitars
    1955 Gretsch White Falcon
    By Gil Hembree

    Fretprints
    Rory Gallagher
    By Wolf Marshall

    TECH

    Guitar Shop
    Built For Comfort
    By Tony Nobles

    Dan’s Guitar Rx
    What’s Up With That?: “F Stamp” Tuners on a ’62 Telecaster
    By Dan Erlewine

    Talkin’ Amps With…
    Roy Blankenship: Regulating Power to Your Amplifier
    By David Jung

    REVIEWS

    The VG Hit List
    Tom Petty box, Neil Young, Song of America, Bruce Springsteen, Emmylou Harris, The Soul of Tone, more!

    Check This Action
    Dynamic Duo of the Blues
    By Dan Forte

    Vintage Guitar Gear Reviews
    Composite Acoustics GX Performer, Trinity College TG-100/TG-222, Smit Boosted Classic and Bucker Lite pickups

    Gearin’ Up!
    The latest cool new stuff!