• Vince Gill & Paul Franklin

    Rich Kienzle

    Vince Gill & Paul Franklin

    Homage to Ray Price

    Vince Gill and longtime friend, collaborator, and pedal-steel giant Paul Franklin share a love of country music history. Bakersfield, their 2013 collaboration, paid homage to the timeless, twang-heavy music of Buck Owens and Merle Haggard. Sweet Memories: The Music of Ray Price and the Cherokee Cowboys celebrates the late, iconic Texas singer and his Western-swing

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  • Hot Tuna

    Rich Kienzle

    Hot Tuna

    Live at Sweetwater / Live in Japan

    Jorma Kaukonen, who started as an acoustic folk-blues guitarist, returned to that style in 1969 when he and bassist Jack Casady formed Hot Tuna. Recordings from their early gigs at Bay Area clubs made up their 1970 debut LP. While the lineup has varied over the past half-century, the duo’s roots focus remains a constant.

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  • Tommy Emmanuel

    Rich Kienzle

    Tommy Emmanuel

    Accomplice Two

    On this rich, diverse collection of duets, Emmanuel and Billy Strings get right to it with an exuberant medley of Doc Watson’s “Doc’s Guitar/Black Mountain Rag.” Emmanuel’s free-flowing fingerstyle kicks things off, followed by Strings and his flawless flatpicking. He and Mavericks vocalist Raul Malo create a nuanced, reflective, rendition of the pop ballad “Faraway

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  • Cash Box Kings

    Rich Kienzle

    Cash Box Kings

    Oscar’s Motel

    For two decades, the Cash Box Kings have stood apart from the multitudes of “blues bands” that focus on bar-band rock, not actual blues. Inspired by the 1940s-’60s Chicago sounds of Muddy Waters, Howlin’ Wolf, and Little Walter, the Kings stay true to the roots, even on original tunes. Singer/harmonica player Joe Nosek, vocalist Oscar

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  • Mighty Poplar

    Rich Kienzle

    Mighty Poplar

    Ace: Mighty Poplar

    The term “supergroup” is overused in every musical genre, but Mighty Poplar is one; mandolinist Andrew Marlin is part of the folk duo Waterhouse, bassist Greg Garrison hails from Leftover Salmon, guitarist Chris Eldridge and banjoist Noam Pikelny hail from Punch Brothers, and fiddler Alex Hargreaves backs Billy Strings. Unlike their regular bands, Poplar specializes

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  • Rob Ickes & Trey Hensley

    Rich Kienzle

    Rob Ickes & Trey Hensley

    Living in a Song

    Resonator-guitar whiz Ickes and singer/guitarist Hensley blend traditional and outside elements, sometimes on bare-bones acoustic. On others, they create an amalgam of bluegrass and the classic country of the ’80s and ’90s enhanced by rhythm sections, amplified instruments and B3 organ. Their harmonies are tight, the songs solid. Vocally, Hensley, inspired by Randy Travis and

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  • Billy Strings

    Rich Kienzle

    Billy Strings

    Me/and/Dad

    Grammy-winning flatpicking wizard Billy Strings was everywhere in 2022. Rightly seen as part of the vanguard of a new generation of Appalachian-inspired players rooted in the sounds of Doc Watson, Tony Rice, Clarence White and other past icons, for the young phenom, this project is deeply personal. It’s a return to his roots with his

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  • John Monteleone

    Rich Kienzle

    John Monteleone

    The Chisels Are Calling

    Captured in this documentary, John Monteleone’s hand-crafted fretted instruments draw inspiration from the past. His chief inspirations are legendary guitar craftsmen John D’Angelico and Jimmy D’Aquisto, and he incorporates untraditional design ideas such as oddly placed holes and sophisticated Art Deco inlays. The filmmakers capture Monteleone jamming with friends in his shop, and selecting wood

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  • Rich Kienzle

    Elizabeth Moen

    Wherever You Aren’t

    Moen is a Chicago-based singer/songwriter who does much of her own guitar work on songs that are often deeply personal. This, however, is no pompous, acoustic-driven collection of bland Americana fare; the sound is amplified, her vocals edgy and teeming with attitude. Accompanists, including guitarist Dan Padley on many tracks, focus on organically integrating guitar

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  • Rich Kienzle

    Willie Nelson

    At Budokan: 2/23/84

    On a late-February day in 1984, a robust 50-year-old Willie and “Trigger,” his beloved Martin N-20, hit the fabled Tokyo stage running. In particularly powerful voice, he delivered an explosive 28-song performance covering favorites, Outlaw anthems, and pop chestnuts from his Stardust album. This particular band packed added wallop – lead guitarist and former Nashville

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