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Newswire | Vintage Guitar® magazine - Part 185

Category: Newswire

  • Traveler Intros EG-2

    Traveler Guitar’s Escape EG-2 is a 25½"-scale electric guitar with a double-cutaway body, three-ply pickguard, maple neck and fretboard and two-tone sunburst finish.

    At 29 ½" long, the EG-2 stows easily in airline overhead compartments and weighs less than five pounds. Two single-coil pickups feed into the EG-2’s built-in Pocket RockIt headphone amp, which is designed to produce classic clean and distortion sounds through headphones or when plugged into an amplifier. Players can also go passive into their amp of choice. Additional controls include Tone & Volume knobs and a 3-way pickup selector.

    The Traveler Guitar Escape EG-2 also boasts more traditional guitar features such as an alder body, standard strap pins and a fully adjustable truss rod. Learn more at travelerguitar.com.

  • DBZ Guitars to Unveil Z-Glide Neck

    DBZ Guitars is unveiling its Z-Glide reduced-friction neck at next week’s NAMM show in Anaheim, California.

    Available as an option on DBZ USA Custom Shop Guitars, the new neck utilizes a surface designed to let the player’s hand move more easily on the neck, eliminating the sticky/clammy feeling gloss-lacquered necks are known to produce.

    Invented by company founder Dean Zelinsky, the Z-Glide is achieved by precisely engraving carefully tested patterns into the back of the neck which reduce surface area while trapping moisture and sweat. To learn more, visit dbzguitars.com.

  • Saint Blues Moves Custom Shop Back to Memphis

    Saint Blues Guitar Workshop has announced suspension of its imported Pro Series, and is moving its U.S.-made Workshop Series and Custom production back to Memphis, where the brand started in 1984. The company is citing two primary reasons for these moves: the desire to focus on production in the U.S., and the shrinking margins for imported guitar brands.

    The Workshop Series, available since 2009, had previously been built in Nashville. While St. Blues’ focus had been on the imported line, it became evident reverence for hand-crafted guitars built in the U.S. was strong as ever. Due to this interest, the decision was made to move production to the workshop in Memphis and under the oversight of Tom Keckler, the original designer and co-founder of St. Blues, to ensure the highest quality standards.

    "I’ve talked to other smaller boutique brands who also import from China and Korea, and because of the pressure to buy and sell in volume due to rising costs in materials, labor, and shipping overseas, their gross margins are barely enough to make the business viable," said Saint Blues owner Bryan Eagle. "Bringing production to Memphis creates jobs in the U.S. and allows us flexibility and innovation that mass production never will. Keeping the jobs here and building in small batch production is a sustainable long-term business."

    "The writing was on the wall," added Brian Halley, Director of Sales and Marketing. "When you combine the industry’s race to the lowest selling price due to big box and internet competition with increased costs for a smaller boutique brand like St. Blues, it is a no-brainer to return to where the brand started. We’re excited at being solely focused on small-batch production of very high quality instruments, each with a story that starts in the capable hands of Memphians."

    The Workshop series consists of the same base models St. Blues has offered for years. The original Bluesmaster, Mississippi Bluesmaster, Blindsider, and 61 South will be the core offerings, with custom models available as well. Workshop Series guitars feature only handpicked, finest select woods, components produced by the most renowned boutique builders, and expertly finished in nitro cellulose lacquer. This level of quality and detailed craftsmanship is only available in small batch production.

    The decision comes in conjunction with St. Blues’ effort to further establish their Memphis location as a destination location for the over one million music-related tourists that visit Memphis each year. The City of Memphis has even chipped in with several grants to support St. Blues’ production move and retail expansion. With a full renovation of its offices slated for a February completion, St. Blues will offer visitors to Memphis a retail environment featuring St. Blues branded products as well as items from other local attractions like the Smithsonian’s Rock and Soul Museum and the Stax Museum. The décor will feature a combination of Memphis-music history, retail items, and guitar workshop. In the workshop, visitors can witness several stages of the building of the guitars, and interact with the technicians, including builder Tom Keckler. Says Keckler, "This is where St. Blues guitars began, and this is where rock and roll was born, built with that in mind. This will be cool, same as it was for Tom Anderson and me building the original late ’70s & early ’80s Schecter axes, and then again what we did with St. Blues in the ’80s here in Memphis. It’s time to invest in making things in America again."

    Learn more at saintblues.com.

  • Orange Unveils OPC Musician’s PC

    Orange Amplifiers will debut its all-in-one computer amplifier speaker, the OPC, at this week’s NAMM show.

    The OPC is a guitar amplifier and recording studio workstation designed for musicians and songwriters, offering one-stop playing, recording, editing and computing capabilities with pre-installed software.

    The OPC has an integrated audio interface, enabling the user to plug in a guitar or microphone using a standard 1/4" jack plug. It also has built-in speakers. Learn more at orangeamps.com.

  • Richard Thompson Named Officer of the OBE

    Guitarist Richard Thompson was named to the 2011 Honour’s List as an Officer of the Order of the British Empire (OBE).

    In February, 2010, Thompson took to the road with his band, making the unusual move of recording an album of all-new material in front of live audiences on a West Coast swing. The resulting work, <em>Dream Attic</em>, was released in August and is nominated for a Grammy.

    In June, Thompson served as artistic director of London’s prestigious Meltdown Festival, during which he showcased a range of performers from the worlds of classical to punk to comedy to folk. His own festival performances included 1000 Years of Popular Music, the UK debut of Cabaret of Souls, a night of guitar greats (James Burton, Nokie Edwards, Dennis Coffey, and more), Loud &amp; Rich (with Loudon Wainwright III), and a tribute to the late Kate McGarrigle.

    He was named 2010 recipient of the MOJO Les Paul Award for guitar players, and has been nominated for a Musician of the Year statue at the upcoming BBC Folk Awards. Learn more at ichardthompson-music.com.

  • Saul Koll to Exhibit at "Celebrate the Small Shop Luthier" at NAMM

    Saul Koll is one of the luthiers participating in NAMM’s "Celebrate the Small Shop Luthier" exhibition at this year’s winter NAMM. The exhibit will feature a custom guitar from Saul’s Super Glide series.

    "Our exhibit is born of the view that the small shop luthier is often a point of conversion, where innovation, craftsmanship, artistry, vision and education come together and find expression in instruments of exquisite depth and insight, as well as sonic and visual art" Carolyn Grant, Executive Director of NAMM’s Museum of Making Music. "While a few examples of this type of work are sometimes peppered throughout a show, I would like NAMM attendees to be able to see more of it, in one spot."

    The exhibit is in Booth #1800, Hall E. For more, visit museumofmakingmusic.org.

  • Orange Launches Two Terror Bass Combos

    Orange Amps’ new Terror Bass combos use the company’s Smart Power Isobaric loudspeaker concept, which mounts two lightweight Neodymium speakers in the cabinet, one immediately behind the other. This means a lower frequency can be delivered and more output realised with a smaller sized cabinet.

    The Terror Bass Combo TB500C uses a 500-watt hybrid amplifier, with a tube preamp and a class D power section which drives two 12" speakers.

    The TB300C is a 300-watt hybrid amp with tube preamp and class D power section as well as two 10" speakers.

    To take a look at the Terror Bass Combo as well as all the other Orange Amps go to Orange Music Booth 4674 Hall C. Learn more at orangeusa.com.

  • Nash2o Auctions Ending This Week

    The final round of Nash2o auctions ends this Saturday, (January 8), benefitting flood victims and featuring several stunning pieces.

    The star of this round is the Lucite Esquire, built by Fender especially for for Nash2o and filled with actual Cumberland River flood water (see the feature in the February issue of <em>VG</em>).

    Other new instruments in this round include a gorgeous Collings 360 electric, a PRS DGT solidbody signed by Paul Reed Smith, and a Martin acoustic. You can also bid on one of Tommy Emmanuel’s favorite acoustic, a century-old mando from Marty Stuar, as well as flood-damaged pieces with serious history behind them; Brent Mason’s ’67 Rickenbacker 12-string, a one-off Tele made for Vince Gill by Steve Ripley, an early-’60s Framus Florida archtop owned by songwriter John Hiatt, and more. Check out the worthy cause and cool axes by clicking the "Auctions" button at www.nash2o.org. To read the February ’11 feature, go to or read it at http://www.vintageguitar.com/newswire/detail.asp?newsID=2802).

  • Allman Brothers Band Adds Five Beacon Dates

    The Allman Brothers Band annual residency at New York City’s Beacon Theatre just got a little longer, with five additional shows (March 21, 22, 24, 25, and 26) now added to the eight previously announced (March 10, 11, 12, 14, 15, 17, 18, and 19) performances.

    The band has performed multi-night residencies in New York City since 1989, and this year’s run will bring the total number of career performances at The Beacon to 200. For the 2011 shows, the group expects to welcome special guest musicians and will also celebrate the 40th anniversary of At Fillmore East, their iconic live album. Cited by Rolling Stone magazine as #49 of the 500 Greatest Albums of all Time, At Fillmore East was recorded March 12-13, 1971 and was chosen by the Library of Congress to be included in the National Recording Registry.

    The Rock &amp; Roll Hall of Fame inductees celebrated their 40th anniversary in 2009 with a 15-show run at the Beacon that included special guests Eric Clapton, Sheryl Crow, Trey Anastasio, Billy Gibbons, Bob Weir and Phil Lesh. Learn more at allmanbrothersband.com.

  • Awesome Musical Products Pickguards

    AweSome Musical Instruments Stratocaster pickguards have the company’s Pickup Tone Multiplier (PTM) switching system. Using six switches, they produce 30 additional pickup tones. They are offered in four colors and made to fit a standard American right-hand Stratocaster. They accept three user-provided single-coil pickups and install with no soldering needed. Learn more at AweSome-Guitars.com.