• Beat Portraits: Burns Volume 8

    Peter Stuart Kohman

    Beat Portraits: Burns Volume 8

    Late ’65: Transistors, Troubles, and Takeover!

    In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 7 and 8 for this special edition of VG Overdrive. Watch for the complete history in the upcoming weeks. By 1965, Ormston-Burns Ltd. had become the major guitarmaker in the U.K. and, to a…

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  • Beat Portraits: Burns Volume 7

    Peter Stuart Kohman

    Beat Portraits: Burns Volume 7

    1965: Summer Of The Hollowbodies

    The Way Back Beat survey of instruments designed by James Ormston Burns continues with the final products developed by his company before it was bought out by U.S. keyboard manufacturer Baldwin in late 1965. Despite the preponderance of Beat groups in the U.K., Burns’ heart seemingly retained a soft spot for the jazz players who…

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  • Beat Portraits: Burns Volume 6

    Peter Stuart Kohman

    Beat Portraits: Burns Volume 6

    1964: Nu-Sonics and Transistor Trials

    In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of VG Overdrive. Watch for the complete history in the upcoming weeks. Recent installments of “The (Way) Back Beat” have followed the London-based Ormston Burns Ltd.…

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  • Beat Portraits: Burns Volume 5

    Peter Stuart Kohman

    Beat Portraits: Burns Volume 5

    1964: Solid Heyday

    In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of VG Overdrive. Watch for the complete history in the upcoming weeks. In Beat Portraits: Burns Volume 4, we looked at Burns’ best-remembered instruments – the…

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  • Beat Portraits: Burns Volume 4

    Peter Stuart Kohman

    Beat Portraits: Burns Volume 4

    Shadows and Light

    In Beat-era England, before The Beatles, one band reigned supreme – The Shadows. Starting as Cliff Richard’s backing group, this foursome launched an incredibly successful string of guitar instrumental hits with “Apache” in 1960. Far and away the most influential musical act in Britain, their trademark sound was achieved with Fender Guitars and Vox amplifiers.…

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  • Beat Portraits: Burns Volume 3

    Peter Stuart Kohman

    Beat Portraits: Burns Volume 3

    Backbone Instruments 1962-’64

    In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG Overdrive. Watch for the complete history in the upcoming weeks. The striking Black Bison was Ormston Burns’ flagship instrument, but was expensive and, let’s say,…

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  • Beat Portraits: Burns Volume 2

    Peter Stuart Kohman

    Beat Portraits: Burns Volume 2

    The Black Bison Leads the Herd

    In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG Overdrive. Watch for the complete history in the upcoming weeks. James Ormston Burns’ solo foray into the electric-guitar market began at the start of 1960;…

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  • Beat Portraits: Burns Volume 1

    Peter Stuart Kohman

    Beat Portraits: Burns Volume 1

    Beginnings – The Early 1960s

    In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG Overdrive. Watch for the complete history in the upcoming weeks. Before American guitars became obtainable, most guitars supplied to the ’60s “Beat” era players in…

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  • Rickenbacker 375F

    Peter Stuart Kohman

    Rickenbacker 375F

    Seven Siblings

    Every guitar company has had its odd ducks, its failures, its forgotten models. While some are consigned to the scrapheap of history for good reason, there are always instruments that just plain never caught on. Often, this is due more to an accident of history than any fault in the actual instrument. The late-’50s Rickenbacker…

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  • Hofner 185

    Peter Stuart Kohman

    Hofner 185

    Have you heard the line, “If Hendrix had a Magnatone, Strats would be worth $200 now?” A highly debatable proposition, for sure! But if Paul McCartney had not used a Höfner bass through much of the Beatles’ career, few collectors would remember the Höfner line today. Unlike other German-brand guitars, such as Klira, Hopf, or Framus,…

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