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Michael Wright
Kramer Pacer Deluxe
Superstrat or Bust
On rare occasions, the zeitgeist – not some lucky designer – creates a guitar that captures hearts and minds. Such was the case in 1982, when tastes in popular music and the rising skills of players conspired to birth “superstrats” like the Kramer Pacer Deluxe. Though he rose to fame playing a parts guitar with…
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Michael Wright
The Hagstrom EDP46 DeLuxe
World War II was responsible for an unbelievable amount of what we today know as the modern world, from computers to plastics. Even though there was a previous similarly named conflagration, WWII was our only truly “world” war, where virtually no part of the globe went untouched. It was the aftermath of WWII that gave…
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Michael Wright
Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Michael Wright
Teisco SD-4L
In an age of rampant globalization, brand names have become virtually independent of place of manufacture. Few people care where something is built, as long as the quality and price are right. But that wasn’t always so. Time was, where a guitar was built made all the difference in the world. Like in 1963, when…
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Michael Wright
Guild S-100NB
Some guitars just don’t seem to be in the right place at the right time. Sometimes they’re close, but no cigar. One good example is the oak-leaf carved 1974 Guild S-100NB. Guild was founded in the early ’50s as a result of the chaos that followed labor troubles at the Brooklyn-based Epiphone. After Epiphone packed…
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Michael Wright
Aria Pro II PE-R80
There’s nothing like a guitar with a pedigree, and you couldn’t ask for much more than the one attached to this Aria Pro II Prototype! A thoroughbred all the way, its family lines include an underrated brand, a legendary manufacturer, and a legendary guitar designer. The brand is Aria, which almost always takes a back…
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Michael Wright
Gibson EDS-1275 and EMS-1235
It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…
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Michael Wright
Yamaha Weddington Custom
A Better “Classic”
In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their first appearance in the early ’50s. Thus it was a little cheeky when Yamaha tried to improve on these “dinosaurs” (as their ads put it), but the result was one of the company’s most-successful guitars,…
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Michael Wright
1962 Premier E-727
One of the least un-derstood aspects of American guitar history is the role of musical instrument distributors. It’s one thing to be able to manufacture guitars, but quite another to get them to customers, especially in an era when your purchase was likely to be from a local store or teacher (excepting mail order). Enthusiasts…
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Michael Wright
VG Q&A: Odd Dots
Import fretboard markers, and Kay’s Model 1961
In the mid ’60s, why did some Japanese electric-guitar manufacturers put the marker on the 10th fret rather than the ninth? – Joe Bigley Very few Japanese makers put dot markers at the 10th fret. A survey of numerous catalogs of Japanese builders and American distributors from the early to mid ’60s turned up only…
