Don’t we guitarists just love gear that looks like it was salvaged from our mom’s kitchen circa 1961? Give us something in high-gloss pastel, with Formica styling, gas-cooker knobs, plenty of chrome, and an emblem lifted off a fridge door and we go weak in the knees every time. When it comes to kitchen kitsch,

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While most of the instruments featured in this space are high-end, often elaborately ornamented models that were expensive when new and command high prices today as collectible, the L-00 was the least-expensive guitar offered by Gibson when it was introduced in the March/April, 1931, issue of Gibson’s Mastertone newsletter. The announcement said the guitar, which

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1964 Fender 6G6-B Bassman Preamp tubes: four 7025 (12AX7 types) Output tubes: two 5881 (a more-rugged 6L6 type), fixed-bias Rectifier: solidstate Controls: Bass Instrument channel: Volume, Treble, Bass; Normal channel: Volume, Treble, Bass; shared: Presence Output: 50 watts RMS Utter the word “Bassman” in guitar circles, and most players’ minds rush to the tweed-covered 4×10″

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Preamp tube: one 6SL7 Output tube: one 6V6GT Rectifier: 5Y3 Controls: Volume, Tone Speaker: 8″ Rola speaker Output: 5 watts RMS We dig old Valco-made amps wearing Supro, National, Airline, Oahu, Bronson and other badges for the way they deliver a sweetly burnished, chocolatey overdrive at studio-friendly levels when you inject a six-string electric and

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Sometimes it takes just the slightest aesthetic twist to get an amp nut all worked up. This 1960 Premier Twin 12 is a case in point; over the years, Premier also made these amps with a straight-edged front fascia, but somehow we’re much more excited to dive into this one, with the “widow’s peak” front

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Preamp tubes: one 12AY7, two 12AX7 Output tubes: two 6L6s, fixed biased Rectifier: 5U4G tube Controls: Volume, Volume, Treble, Bass, Presence Output: 28 watts RMS +/- Speaker: three 10″ Jensen P10R Two decades ago, when renewed appreciation of Fender’s narrow-panel tweed amps of the late ’50s really started to boom, the Bassman was generally considered

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As prolific as the Radio Shack chain was in the ’60s, it’s surprising we don’t see more vintage Realistic guitar amps today. Maybe they were never valued enough to be handed down, much less hunted down. If anything, you’re likely to have stumbled on the Carnival 34, a straightforward 1×12″ combo, but even those are

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Preamp tubes: Two 6U8A, two 12FQ7, in addition to more-common types Output tubes: eight 33JV6 horizontal-output tubes Rectifier: solidstate Controls: Volume, Treble, Mid, Bass, Resonance, Distortion; Echo effect: Mix, Repeat, Delay; Tremolo: Speed, Intensity. Pushbuttons for voicing. Output: 300 watts RMS +/- Speaker: two 12″ and four 10″ Eminence speakers You’d be forgiven for assuming

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1961 Danelectro Viscount Preamp tubes: two 12AX7, one 6AU6 Output tubes: two 6V6GT Rectifier: 6X5 Controls: Volume, Tone, Vibrato Strength, Vibrato Speed Output: 12 watts RMS Amp nuts of yesteryear likely aspired to the delights of Fender, Vox, or Marshall, or maybe hankered after high-end creations from Mesa/Boogie or others who were pushing the envelope

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