• Michael Wright

    Univox et al Merson/Unicord

    Part 1

    While most think of the history of American guitars in terms of American manufacturers, if you’ve followed this column you know the tradition is much richer. Among the major players in the American market were the many importers and distributors who enriched the guitar landscape with instruments – usually at the lower ends of the…

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  • Michael Wright

    Gibson Guitars

    The Experimental '70s

    That guitar collectors are a conservative lot has always struck me as curious. You’d think that the instrument which “killed fascists,” in the immortal Woody Guthrie’s phrase, would inspire a more progressive attitude, at the very least. But no, most folks would like a ’50s Les Paul. Who could blame them? But some of us…

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  • Michael Wright

    Gibson Guitars

    The Experimental '70s

    That guitar collectors are a conservative lot has always struck me as curious. You’d think that the instrument which “killed fascists,” in the immortal Woody Guthrie’s phrase, would inspire a more progressive attitude, at the very least. But no, most folks would like a ’50s Les Paul. Who could blame them? But some of us…

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  • Michael Wright

    Acoustic Black Widow

    Black Widow Guitars

    In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean power with none of that awful tube distortion. Cool bands played through Standels and tuck-and-rolled Kustoms. Entire bands were run through a single 350-watt Mosrite…

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  • Michael Wright

    Acoustic Black Widow

    Black Widow Guitars

    In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean power with none of that awful tube distortion. Cool bands played through Standels and tuck-and-rolled Kustoms. Entire bands were run through a single 350-watt Mosrite…

    Read more >>

  • Michael Wright

    Fresher Guitars

    Fresher Guitars

    Epic poetry is great, but all these long treatises on the massive guitar pedigrees of Kay and Aria have made me feel a bit like a Milton scholar, a fate not to be wished anyone. The Fall was bad enough. So, how about a little lyric poetry, something fresh for a change, some lighter fare…

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  • Michael Wright

    Fresher Guitars

    Fresher Guitars

    Epic poetry is great, but all these long treatises on the massive guitar pedigrees of Kay and Aria have made me feel a bit like a Milton scholar, a fate not to be wished anyone. The Fall was bad enough. So, how about a little lyric poetry, something fresh for a change, some lighter fare…

    Read more >>

  • Michael Wright

    G&L F-100

    1981 G&L F-100-I If guitars are in your blood – really in your blood – you can’t walk away from them. That was certainly the case with Clarence Leonidas Fender, born August 10, 1909 (100 years ago), in Fullerton, California. There’s no point in cataloging Leo Fender’s contributions here. If guitars are in your blood,…

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