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Vinnie Moore

...ave their own unique tonal characteristics, so they were selected on a part-by-part basis, depending on what was right for the part. As far as effects, I’m using a Roland 1680 Digital Studio Work Station and that has built-in effects. So when I’m recording, I pretty much use the delays and reverb and everything I need right from the Roland itself. I have some outboard gear, and one thing that’s really important is a Daking 52270 mic pre-amp. It’s...

Geddy Lee

...ongwriter is more apparent, and with the compositional help of guitarist/co-writer Ben Mink (K.D. Lang), the disc offers track after track of commanding bass lines, substantial guitar leads, and a consistent drumbeat supplied by Matt Cameron (Pearl Jam/Soundgarden) on 10 of the 11 tracks (Jeremy Taggart provides it for the other). The album kicks off in thundering form with the bass-driven title track, which will remind fans of work from Test For...

Online Digital Issue FAQs

...stream.nxtbook.com, metrics.nxtbook.com, etc. How do I log in and view my online digital issue? (subscription-based issues only) When you sign up to for Nxtbook (or are signed up as a gift), you should immediately receive an email with a receipt of your order and a link to your first issue. Simply click on the link provided and it will take you to a login screen. Your username is either your email or your account number. Your password is either p...

John Paul Jones

...-neck guitar I used to use in Zeppelin, so I had him build this beautiful F-5-style mandolin with a carved back and three necks; a regular mandolin at the top, octave mandola in the middle, and a bass mandolin on the lower neck. It’s a long, fat, neck with a gorgeous sound. I had to think of how I could use it on the record, and I chose “Down To The River To Pray,” which I’d seen in O Brother, Where Art Thou? I’m a big fan of Alison Krauss, and I...

Richie Sambora

...ustics and that particular guitar sound was recorded with a big old Guild F-50 12-string that was a factory second I picked out at the Guild factory. I had a friend who knew someone at the Guild factory and they were nice enough to let me go up to the factory and pick out a six-string and a 12-string. They were both factory seconds due to things like finish flaws. I didn’t really do a good job of picking out the six-string because it never recorde...

Earl Slick

...ler, Boss DD-3 Digital Delay, and Ibanez DE7 Stereo Delay/Echo, which is a cheap-ass pedal and it’s really cool. I think it’s digital because you can get really long delaysthat you can’t get with analog pedals. Then I’ve got an Ibanez CF7 Stereo Chorus/Flanger that does some very cool stuff, and a Voodoo Labs Micro Vibe. I’ve also got a Dunlop Dual Distortion, and I’m using two Tube Screamers – one original model and one new model. I’m using the o...

Earl Slick

...ler, Boss DD-3 Digital Delay, and Ibanez DE7 Stereo Delay/Echo, which is a cheap-ass pedal and it’s really cool. I think it’s digital because you can get really long delaysthat you can’t get with analog pedals. Then I’ve got an Ibanez CF7 Stereo Chorus/Flanger that does some very cool stuff, and a Voodoo Labs Micro Vibe. I’ve also got a Dunlop Dual Distortion, and I’m using two Tube Screamers – one original model and one new model. I’m using the o...

Steve Winwood

...up’s second American album, I’m A Man, was released, the singer/organist/co-writer of its hit-single title track had left the band and was already laying the foundation for one of the most revolutionary bands in rock history: Traffic. Drummer Jim Capaldi, guitarist Dave Mason, sax and flute player Chris Wood, and Steve Winwood moved into a caretaker’s cottage on an estate in Berkshire, so they could jam any time of the day or night without botheri...

Steve Winwood

...up’s second American album, I’m A Man, was released, the singer/organist/co-writer of its hit-single title track had left the band and was already laying the foundation for one of the most revolutionary bands in rock history: Traffic. Drummer Jim Capaldi, guitarist Dave Mason, sax and flute player Chris Wood, and Steve Winwood moved into a caretaker’s cottage on an estate in Berkshire, so they could jam any time of the day or night without botheri...

Mark Sampson: Matchess

...I battleship. The venerable old Vox and sleek new Matchless amps exist side-by-side, one informing the other. Of course, Matchless has long outgrown Sampson’s garage. There’s a new factory in Pico Rivera. The product line has been expanded from the original DC-30 amps to a full range of heads, cabinets and combos of all sizes, and there’s also a series of heavy duty active pedals featuring analog-friendly 12AX7s. Sampson’s journey began in another...
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