Paul Hartmann Stormy Monday

Travel Tunes

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Price: $1,500 (as tested) www.phguitars.com

The typical “travel guitar” is a small, budget-minded instrument that offers varying levels of construction and quality, often forcing compromise in playability and usefulness. Luthier Paul Hartmann takes a different route, offering portable, custom-made solidbodies as good as most full-sized instruments. The Stormy Monday is one of several variations.

Using neck-through construction, our test guitar sandwiched pieces of mahogany (for tone) and maple (for strength and visual appeal). Bolt-on necks are available, and the body shape is small and functional, offering enough curves to rest it comfortably on your lap. The flamed top on the tester was a gorgeous combination of blue/green/gray-stained maple with two bands of chocolate-brown mahogany.

While Hartmann offers custom pickup choices, the tones on ours came courtesy of two Seymour Duncan Pearly Gates humbuckers, the bridge splittable via the push/push Volume pot near the input jack (instead of the usual spot below the bridge pickup). Hardware includes a Hipshot string-through-body bridge and Grover locking tuners.

The star of the show is the Stormy Monday’s neck, which Hartmann says is virtually identical to a ’70s Martin. In hand, it has an incredible-feeling carve with a 25.5″ scale, 15″ radius, and 24 frets. It may also remind you of a vintage Gibson profile with the way it perfectly sits in the palm.

Plugged into a tube Vox clone, digital sims, and a Boss Katana, the Stormy Monday was bright and clear, effortlessly cutting through the band at a jam session. The only debit is (not surprisingly) a bit of neck dive when played on a strap, but that goes with the small-body design.

In all, the Stormy Monday is a “wow” travel guitar with astonishing build quality and better playability than a lot of full-sized guitars. Plus, its looks are killer and it brings a full 24 frets. Better yet, it’s a custom plank, so Hartmann will build one to your specs.

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This article originally appeared in VG’s December 2023 issue. All copyrights are by the author and Vintage Guitar magazine. Unauthorized replication or use is strictly prohibited.

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