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Tag Archives: overdrive

Vox AC50

 
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Vox AC50 Preamp tubes: one ECC82 (12AU7), three ECC83 (12AX7) Output tubes: two EL34s, fixed-biased Rectifier: solidstate Controls: Volume, Treble and Bass for each channel. Output: nominally 50 watts RMS, but upward of 70 watts flat-out. Where the evolution of guitar amplification in general traces musicians’ needs to be louder, the history of Vox follows, […]

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Johnny Marr

Brit Gets a Git
 
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When pop-music fans in the U.K. talk about guitar heroes, they tend to put more stake in the way a player’s work fits, contextually, into that of his band. To wit, in a 2006 poll, BBC listeners were asked to choose the best guitarist to emerge since 1980, and many of the 30,000 who responded […]

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Three Small Tweeds

Fender Princeton, Deluxe, and Tremolux
 
Fender Princeton, Deluxe, and Tremolux

From 1954 through ’59, the Fender Electric Instrument Mfg. Co. built guitar amplifiers with controls mounted atop using “chickenhead” knobs that go to 12, and covered with “the finest airplane luggage linen.” This line represents the company’s classic “tweed era,” and from the diminutive Champ to the mighty Twin, it remained virtually unchanged throughout the […]

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Ampeg R-12-R Reverberocket

 
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1962 Ampeg R-12-R Reverberocket Preamp tubes: two 6SL7, two 6SN7 Output tubes: two 6V6, cathode-biased Rectifier: 5Y3 Controls: Volume, Tone, Dimension (reverb), Speed, and Intensity (tremolo) Speakers: Jensen Special Design C12R Output: approximately 18 watts RMS In the view of Ampeg main man Everett Hull, rock and roll was not a musical form to which […]

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Custom Color Stratocasters

 
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The Stratocaster was born in 1954. A solidbody with three pickups, contoured back and top, vibrato, and bolt-on neck, it was different. And it changed the way people looked at, thought of, heard, and played guitar. With the exception of opera and classical music, it has played a considerable role in modern music. Over the […]

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Mark Tremonti

Rock Star, Amp Snob!
 
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Many of the people we today consider “guitar heroes” – Eddie Van Halen and Stevie Ray Vaughan, to name a couple – spent more than their fair share of time stowed away in their bedrooms, playing guitar while other kids in the neighborhood played baseball, kick the can, or spin the bottle. Rock guitarist Mark […]

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Gibson Tal Farlow

 
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The Tal Farlow is one guitar in a quartet of full-depth Gibson Artists models first cataloged in the early 1960s. Introduced in ’62, it was based on the ES-350 – the guitar Farlow used with Red Norvo and his own trio in the mid ’50s. A truly professional instrument, built in the tradition of ’50s Gibson […]

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Nick Moss

Musical Horizons Beyond Chicago
 
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Since 2007, guitarist/vocalist Nick Moss has released five albums on his Blue Bella label, including two live discs. And while Moss still loves his Chicago-style blues, his most recent effort, Here I Am, is an adventurous album. Though it begins with a raucous Windy City-type rave-up called “Why You So Mean,” by the third/title track, […]

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Epiphone Zephyr De Luxe Regent and Zephyr Amplifier

 
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The Zephyr De Luxe Regent was Epiphone’s second-from-the-top electric guitar produced from the late 1940s through the mid ’50s. The instrument went through several name changes, from Zephyr De Luxe Cutaway, in 1948, to Zephyr De Luxe Regent, in 1950, to the DeLuxe Electric, by 1954. In Epiphone nomenclature, the word “Zephyr” indicated “electric” and […]

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Fender Jazz Bass

 
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“Stack-knob” is a catch phrase that for decades has perked the ears of collectors; these relatively rare examples of the earliest Fender Jazz Bass are among the first electric basses to be “collected” instead of just bought, sold, and played! Along with the ’50s Precision, they stand as the ultimate Fender bass – sought for […]

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