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<title>News From Vintage Guitar</title>
<link>http://www.vintageguitar.com</link>
<description>The lattest guitar news.</description>
<language>en-us</language>
<pubDate>Wed, 03 Feb 2010 00:00:00 GMT</pubDate>
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<title> Jeff Beck Wins Fifth Grammy, Announces June U.S. Dates</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2388</link>
<description><![CDATA[Jeff Beck has announced the second leg of the worldwide tour promoting his first album in seven years, &lt;em&gt;Emotion &amp;amp; Commotion&lt;/em&gt;. The first leg of the U.S. tour will begin on April 16 in San Francisco and head through the world famous New Orleans Jazz Festival on May 1, while the newly-added second U.S. leg starts on June 3 in Boston and hits Atlanta, New Jersey, Detroit, and Indianapolis.
 
Continuing the wave of critical success in the early months of this year, Beck was just awarded a 2010 Grammy for his  take on The Beatles &quot;A Day in the Life.&quot;  In addition, Beck and his band, accompanied by Irish rockabilly sensation Imelda May, performed Les Paul's &quot;How High the Moon&quot; on the show in a stirring and memorable tribute to the late, great, guitar virtuoso. Shortly after Sunday's Grammy performance at the Staples Center in Los Angeles, Beck said, &quot;I've often sung his praises to the press, but to actually get to play in tribute to him... it's such an honor.&quot;

Prior to the official kick-off of the &lt;em&gt;Emotion &amp;amp; Commotion&lt;/em&gt; tour, Beck will unite with fellow Hall of Fame guitarist, Eric Clapton, in February for a series of exclusive shows in London, New York City, Toronto, and Montreal. Both famed guitarists are former members of the Hall of Fame Yardbirds. Accompanying Beck at these special engagements, as well as the World Tour, will be a brand new touring band, including the Grammy award winning producer and songwriter Narada Michael Walden on drums, Rhonda Smith on bass, and Jason Rebello on keyboards.]]></description>
<pubDate>Wed, 03 Feb 2010 00:00:00 GMT</pubDate>
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<title>John Mayer to play Rock in Rio-Lisbon</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2389</link>
<description><![CDATA[John Mayer will make his Portuguese debut and Xutos &amp;amp; Pontap&amp;eacute;s, the greatest Portuguese rock band of all time and one of the most voted names during Rock in Rio-Lisboa 2010 band survey, will return. 

John Mayer will come to Rock in Rio-Lisbon 2010 to present the best songs from his career and, especially, &lt;em&gt;Battle Studies&lt;/em&gt;. 

Xutos &amp;amp; Pontap&amp;eacute;s will be present on the World Stage of the largest music and entertainment event of the world for the fourth time, to once again delight an audience made up of various generations that don't want to lose their concert in the &quot;City of Rock&quot;.

After celebrating their 30th anniversary, touring across Portugal and having an audience of more than 40,000 people at their last concert, the Rock in Rio-Lisbon organisation positively answered to the public's request which placed them among the most desired bands to be part of the list of artists for the 2010 edition.

About Rock in Rio

Rock in Rio is the largest music and entertainment event of the world, receiving already in its 7 editions in Brasil, Portugal and Spain, more than 4.6 million people. Using music as an universal language that brings people from all over the world together, Rock in Rio is a communication vehicle of emotions and causes.

One of the event's focuses is the Social Project. Launched in 2001, in Rio de Janeiro, &quot;For a Better World&quot; project was born to get people's attention to social causes and make them improve their daily behaviors. In seven editions of the event, thousands of people in Brasil, Portugal, Spain and in many other countries benefited by the donations that resulted from ticket sales and campaigns developed by its partners, which makes a total of 2.5 million euros. 

In the last two editions in 2008, in Lisbon and Madrid, the largest event of music and entertainment of the world has chosen climate changes as main theme of its Social Project, for a Better World. In the 2010 edition, the main theme is Sustainability, launching as first initiative the Rock in Rio Solar School Contest. Learn more at rockinrio-lisboa.sapo.pt.
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<pubDate>Wed, 03 Feb 2010 00:00:00 GMT</pubDate>
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<title>Traveling Wilburys Book</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2390</link>
<description><![CDATA[The Traveling Wilburys was not a carefully planned band, not formed from deep premeditation. Rather, the band was created in a casual blending of genuine friends one ordinary afternoon, which turned out to be anything but ordinary.

Genesis Publications proudly celebrates this supergroup of friends featuring George Harrison, Jeff Lynne, Bob Dylan, Tom Petty and Roy Orbison with the release of the extraordinary, limited edition book &lt;em&gt;The Traveling Wilburys&lt;/em&gt;.  This 144 page, hand-bound collectible book features unseen photographs, Polaroids, drawings, log book entries and handwritten lyrics.
 
&quot;George said to me, 'We should have a group, me and you.' I said, 'Great, who would we have in it?' He said, 'Well, I'll have Bob Dylan.' I said, 'Can we have Roy Orbison?' We thought Tom Petty would be a great member of the group too; luckily so did Tom.&quot; Jeff Lynne, from his foreword to the book.

The photographs, many by the Wilburys themselves, plus handwritten, often unfinished lyric sheets run throughout the book.  Song arrangements, notes and sketches, many of which are hand-pasted onto and between the pages as individual reproductions, are also included in the publication.  This unique book has been many years in the making.  The result is an inside look at how five of the greatest singers, songwriters, musicians and friends joined together in a series of kitchens and living rooms to write two albums of unforgettable songs.
 
&quot;It really had very little to do with combining a bunch of famous people, it was a bunch of friends that just happened to be really good at making music.&quot; Tom Petty
 
The &lt;em&gt;Traveling Wilburys&lt;/em&gt; is a fine-bound book published in a numbered, limited edition of 3,000 copies, each hand-signed by Jeff Lynne and presented in a cloth-bound slipcase.  Each book is accompanied with a uniquely numbered lithograph of the lyrics to &quot;Handle With Care,&quot; handwritten by George Harrison and available exclusively with the book.]]></description>
<pubDate>Wed, 03 Feb 2010 00:00:00 GMT</pubDate>
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<title>Dropkick Murphys Confirm Vans Warped Tour Dates</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2386</link>
<description><![CDATA[Dropkick Murphys have signed on to play the final seven dates of this summer's Vans Warped Tour, starting with the August 7 show at the Utah State Fairgrounds in Salt Lake City, UT and ending at the Washington County Fairgrounds in Hillsboro, OR on August 15.

Meanwhile, Dropkick Murphys are currently on the road in Europe in advance of the March 16 release of their live CD/DVD &lt;em&gt;Live on Lansdown, Boston, MA&lt;/em&gt; on the band's own Born &amp;amp; Bred Records (ILG).  Headlining U.S. dates kick off February 24 in Montclair, NJ, concluding with the band's annual run of hometown shows at Boston's House of Blues St. Patrick's Day week (March 12-17). Learn more at dropkickmurphys.com/news.]]></description>
<pubDate>Tue, 02 Feb 2010 00:00:00 GMT</pubDate>
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<title>Coco Montoya CD Slated for March 9</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2387</link>
<description><![CDATA[Ruf Records announces a March 9 release date for &lt;em&gt;I Want It All Back&lt;/em&gt;, the new release from acclaimed blues guitarist, Coco Montoya, distributed in the U.S. by the Allegro Corporation. Produced by Keb' Mo' and Jeff Paris,&lt;em&gt; I Want It All Back&lt;/em&gt; showcases Montoya in his most innovative setting thus far, tapping into his roots of blues, soul, rock, rhythm and blues and doo wop, while showcasing a soulful, passionate vocal sound that will serve as a revelation to those who only know him for his guitar prowess. 

&quot;People know where I'm at with the guitar, but here the vocals are being concentrated on,&quot; said Coco about the new album. &quot;There will certainly be guitar, but the focus has been on song structure and my vocals. I think it's healthy to take chances. It's being able to humble myself and take direction and guidance. As co-producers, Keb' and Jeff have been working extensively with my vocals. I'm very proud of the performance they're getting outta me.&quot;

The producers assembled a cast of stellar musicians to back Montoya on &lt;em&gt;I Want It All Back&lt;/em&gt;, including a core all-star rhythm section of Reggie McBride (Keb' Mo, Stevie Wonder, B.B. King) on bass and Stephen Ferrone (Average White Band, Eric Clapton, Tom Petty) on drums, with Keb' Mo' adding rhythm guitar and Jeff Paris playing keyboards. Rod Piazza on harmonica and &quot;Miss Honey&quot; Alexander on piano are special guests on a torrid cover of the Buster Brown classic, &quot;Fannie Mae.&quot; Other song highlights of the new CD include the Motown sound of &quot;Forever&quot; (originally done by the Marvelettes) and The One Who Really Loves You&quot; (Mary Wells' hit); the soulful &quot;Cry Lonely,&quot; and &quot;As Close As I Have Come,&quot; both co-written by award-winning songwriter Gary Nicholson; a modern take on Jackson Browne's &quot;Somebody's Baby;&quot; and a funky cover of The Penguins' doo-wop classic, &quot;Hey Senorita.&quot;

Born and raised in Southern California, Montoya grew up listening to a wide variety of music. His first blues apprenticeship came when he joined the band of blues legend Albert Collins as his drummer. After picking up the guitar, Montoya soaked up all the intensity, emotion and soul he could from playing with a blues master such as Collins. He later spent an extensive stint with another mentor, the great John Mayall, with whom he recorded three albums, before leaving to go solo.

Montoya released three critically acclaimed albums with Blind Pig Records in the '90s and was voted Best New Artist by the Blues Foundation in 1996. In 2000, he signed with Alligator Records, releasing three more albums that continued to build his reputation as one of the most exciting contemporary blues guitarists in the world.  

For more, visit cocomontoya.com.]]></description>
<pubDate>Tue, 02 Feb 2010 00:00:00 GMT</pubDate>
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<title>Wariner Wins Grammy for Best Country Instrumental Performance</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2378</link>
<description><![CDATA[Award-winning recording artist, songwriter and guitarist Steve Wariner won the Grammy for Best Country Instrumental Performance with &quot;Producer's Medley&quot; from &lt;em&gt;Steve Wariner, c.g.p., My  Tribute to Chet Atkins&lt;/em&gt; at the 52nd Annual Grammy Awards.
 
Produced by Wariner, the album honors the legendary guitarist and producer who was also his friend, mentor, producer and former employer. The abbreviation &quot;c.g.p.&quot; stands for &quot;Certified Guitar Player,&quot; a title that Atkins himself bestowed on only four guitar pickers:  Tommy Emmanuel, John Knowles, the late Jerry Reed, and Wariner.
 
&quot;Producer's Medley&quot; features classic songs by artists Atkins produced, including &quot;And I Love You So&quot; by Perry Como; &quot;Welcome to My World&quot; by Jim Reeves; &quot;The Three Bells&quot; by The Browns; &quot;I Can't Stop Loving You&quot; by Don Gibson; &quot;Java&quot; by Al Hirt; &quot;Let It Be Me&quot; by the Everly Brothers; &quot;End of the World&quot; by Skeeter Davis; and &quot;When You're Hot You're Hot&quot; by Jerry Reed.
 
&quot;I wouldn't be here today if it weren't for the great Chet Atkins,&quot; said Wariner, as he accepted the award from presenters Colbie Caillat and Mick Fleetwood. 
 
&quot;Receiving this award means so much to me because it recognizes and honors Chet's genius. There is only one godfather of guitar, Mr. Chet Atkins.  I'm so thankful to his daughter, Merle, to the late Leona Atkins and their entire family for their support and their blessing of this project.&quot;
 
This is the fourth Grammy Award Wariner has received, and his first as a solo performer and producer.  He won in 1992 for Best Country Collaboration with Vocals, and in 2000 and 2009 for Best Country Instrumental Performance.
 
&lt;em&gt;Steve Wariner, c.g.p., My Tribute to Chet Atkins&lt;/em&gt; was released on Wariner's own SelecTone Records and is distributed by Allegro Media Group.  It was engineered, mixed and mastered by Randy Gardner.  Every player on the album had worked with or was very close to Atkins.
 
Wariner arranged the tracks on &lt;em&gt;My Tribute to Chet Atkins&lt;/em&gt; as a rough timeline of Atkins' life, taking the listener on a journey through the wide range of material he recorded-from his early days playing the mountain music of his native Luttrell, Tennessee, to swing, rockabilly, pop, folk and jazz.  Wariner included his versions of some of the songs that Atkins recorded or performed--&quot;Back Home Again in Indiana,&quot; &quot;John Henry,&quot;  &quot;Blue Angel&quot; and &quot;Producer's Medley&quot;-but the bulk of the album consists of original songs Steve wrote in the various styles that Atkins made famous. 
 
While Wariner grew up listening to Atkins' music, it wasn't until he was 18 years old and playing bass in Dottie West's band that he met his musical idol during a tour of Europe that included several RCA artists.  Atkins produced Wariner's first records at RCA Studio B, after guitarist Paul Yandell heard Wariner during a recording session for his then-boss, Bob Luman, and took a tape to Atkins.  Following Luman's death, Atkins hired Wariner to play bass in his band.  When Wariner scored his first top-10 hit with &quot;Your Memory,&quot; Atkins promptly &quot;fired&quot; him, saying that he needed to embark on his own solo career.
 
During his career Wariner has charted over 30 top-10 singles, including 14 #1 hits.  In 1998 he won the Country Music Association's Single and Song of the Year awards for his #1 hit, &quot;Holes in the Floor of Heaven,&quot; which was also the Academy of Country Music's Song of the Year in 1999.  He joined the Grand Ole Opry in 1996.  As a songwriter he has earned 16 BMI Country Awards and 15 BMI Million-Air Awards (for songs receiving over one million on-air plays).]]></description>
<pubDate>Mon, 01 Feb 2010 00:00:00 GMT</pubDate>
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<title>	Slayer, Megadeth Announce Rescheduled American Dates</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2379</link>
<description><![CDATA[Slayer and Megadeth are thrilled to announce the new, confirmed routing for the American Carnage North American Tour, which will commence with the rescheduled Canadian Carnage East dates in Quebec City on Friday, July 23. Slayer will then head to Europe for a run of festival dates, returning to kick off the American Carnage leg in Albany, NY on August 11. American Carnage will play 26 dates across the United States and Eastern Canada up to the Labor Day weekend, ending in Portland, OR on September 4. Testament will be Special Guest on all shows. Tickets purchased for the American Carnage shows when they first went on sale late last year will be honored for these rescheduled dates. 

Due to venue availability and other conflicts, the shows originally scheduled in El Paso, Houston, Nashville, Duluth, and Louisville cannot be rescheduled at this time, and ticket holders may obtain refunds at point of purchase. However, new cities have been added to the American Carnage itinerary, with dates now scheduled in Cleveland, Kansas City, San Diego, and Sacramento. Complete information can be found at slayer.net, megadeth.com, and testamentlegiions.com.
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<pubDate>Mon, 01 Feb 2010 00:00:00 GMT</pubDate>
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<title>GC Offers Chance to Writer, Record with Slash</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2380</link>
<description><![CDATA[Continuing its support of aspiring artists, Guitar Center, the world's largest musical instrument retailer, today announced Guitar Center Presents Your Next Record with Slash a first-of-its-kind, unsigned band competition that provides emerging artists the chance to win the ultimate career-altering opportunity: record a 3-song EP with legendary producer, Mike Clink (Guns N' Roses, M&#246;tley Cr&#252;e, Megadeth) and have Slash write, record and perform on the winning artists' single. Starting today, through April 30th, 2010 bands across the United States are invited to submit their music at YourNextRecord.com (www.yournextrecord.com) for a chance to win the aforementioned prize package, which also includes:

A management development deal with &quot;The Collective&quot; (Linkin Park, Slash, Avenged Sevenfold), distribution of winning artists' music through Tunecore, a $10,000 Guitar Center Shopping Spree, endorsement deals from Ernie Ball Music Man, and an opening slot on Slash's Monster Energy Bash.

&quot;The formula that used to work for discovering new artists has been decimated and the opportunities for really talented bands to be heard is extremely limited,&quot; said Slash. &quot;That's why it's so important to me and Guitar Center to provide a situation where new talent can be discovered. This is an incredibly interesting way to find and help launch a really great band that hasn't been able to get their foot in the door otherwise.

Guitar Center is also a primary partner of Ernie Ball's Shred with Slash promotion which offers musicians the chance to win over $50,000 in prizes, including a private master class with Slash, upon finding one of five custom, limited edition Slash guitar picks in select packs of Ernie Ball electric guitar strings sold exclusively at Guitar Center between February 1st and April 30th. Picks and corresponding prizes are as follows:

Gold Pick: (20 winners) A private 2-hour Master Class with Slash
Silver Pick: (10 winners): A custom Ernie Ball Music Man guitar or bass of winner's choice
Red Pick: (20 winners): A $500 Guitar Center shopping spree
Black Pick: (100 winners) Signed copy of Slash's new solo album
White Pick: (1,000 winners) Free pack of Ernie Ball electric guitar strings

The opportunity coincides with what will be Slash's first true solo album. Slash announced today his CD will release in April. The album features an all-star roster of guest musicians including Ian Astbury, Chris Cornell, Rocco DeLuca, Fergie, Dave Grohl, Myles Kennedy, Kid Rock, Lemmy Kilmeister, Adam Levine of Maroon 5, Duff McKagan, M. Shadows of Avenged Sevenfold, Ozzy Osbourne, Iggy Pop, and Andrew Stockdale of Wolfmother. learn more at YourNextRecord.com. ]]></description>
<pubDate>Mon, 01 Feb 2010 00:00:00 GMT</pubDate>
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<title> Steve Earle's &lt;em&gt;Townes&lt;/em&gt; Garners Grammy Win</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2381</link>
<description><![CDATA[Steve Earle was honored by the Recording Academy with a Grammy Award for his album, &lt;em&gt;Townes&lt;/em&gt; (New West Records) in the Best Contemporary Folk Album category during their 52nd annual ceremony last night in Los Angeles.  This honor marks Earle's third consecutive Grammy Award win (2004's &lt;em&gt;The Revolution Starts...Now&lt;/em&gt; and 2008's &lt;em&gt;Washington Square Serenade&lt;/em&gt; were both awarded the Grammy in the same category as well).
 
Speaking about &lt;em&gt;Townes&lt;/em&gt;, Earle stated, &quot;This may be one of the best records I've ever made.  hat hurts a singer-songwriter's feelings. Then again, it's some consolation that I cherry picked through the career of one of the best songwriters that ever lived.&quot;
 
&lt;em&gt;Townes&lt;/em&gt;, a 15-song set, is comprised of songs written by Earle's friend and mentor, the late singer-songwriter, Townes Van Zandt.  The album debuted at number 19 on the Billboard Top 200 chart, the highest Top 200 debut in his career.  Townes also debuted at #6 on the Billboard Country Chart.  It garnered worldwide critical acclaim. Of the songs, &lt;em&gt;Rolling Stone&lt;/em&gt; stated that Earle &quot;...delivers them with the ease of breathing...&quot; and in &lt;em&gt;Best Life&lt;/em&gt; magazine, Anthony DeCurtis said the album is &quot;beautiful and scarifying.&quot;  &lt;em&gt;Townes&lt;/em&gt; features guest appearances by Tom Morello (Rage Against The Machine/Street Sweeper Social Club/The Nightwatchman), Earle's wife, singer-songwriter Allison Moorer, and his son, Justin Townes Earle. 

For more, visit SteveEarle.com.]]></description>
<pubDate>Mon, 01 Feb 2010 00:00:00 GMT</pubDate>
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<title>Schecter Intros Raiden Basses</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2382</link>
<description><![CDATA[Schecter Guitars debuts the Raiden Special &amp;amp; Raiden Elite Basses for the feature driven, price conscious player. Showcased at winter NAMM, the Raidens are the newest edition to the brood of basses coming out of Schecter. With 34&quot; scale, six-bolt necks, these babies pack a serious punch and gorgeous tops.

The Raiden Special has a basswood body and quilted maple top that will certainly give the beginning player a whole lot to show off. With the 24 X Jumbo fret Rosewood board and Maple neck, the coil tappable Schecter Super Rock pickup will keep you busy in bands of many different styles. The beautiful quilted maple top will garner your first set of groupies right out of the gate.

For the more discerning performer, the multi laminate Maple &amp;amp; Walnut neck Raiden Elite 4- or 5-strings bring heat to the fire with its EMGHZ pickups designed for the aggressive sounds of today's generation. Adding fuel to it is the EMG Active two-band EQ w/ selectable frequencies, giving you the ability to shape and define your sound perfectly. A Master Blend improves on the versatility paired with its Master Volume.

Both basses are equipped with Schecter's top-load or string-thru-body bridge; allowing for the tension required of drop-tuned players. Black Chrome hardware courtesy of Schecter and cr&#232;me dot inlays round out the selections. 

For more info, please visit schecterguitars.com
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<pubDate>Mon, 01 Feb 2010 00:00:00 GMT</pubDate>
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<title>Professor Louie Preps New CD</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2383</link>
<description><![CDATA[Woodstock Records and MVD Audio are proud to announce the CD release of  Professor Louie &amp;amp; The Crowmatix - &lt;em&gt;Whispering Pines&lt;/em&gt; on March 9, 2010.
 
Many fans of the Rock 'n' Roll Hall Of Fame group The Band, are familiar with the name Professor Louie &amp;amp; The Crowmatix, but not all fans are familiar with the group's authentic and original blend of roots, rock, country, and blues. As The Band's fan base continues to grow and as younger generations continue to discover them -- Professor Louie is producer, singer, songwriter and multi-instrumentalist Aaron Louis Hurwitz, who worked with The Band in a number of significant capacities in the second half of the '80's and throughout the '90's. Professor Louie is the name that Rick Danko bestowed on Hurwitz when they were performing together as a duo and the moniker stuck. Members of The Crowmatix also have a history of recording and performing with The Band and Dylan.  
 
&lt;em&gt;Whispering Pines&lt;/em&gt; is Professor Louie &amp;amp; The Crowmatix seventh studio CD, whose title song is a beautiful rendition of (and touching homage to) The Band classic &quot;Whispering Pines&quot;. This version is simply stunning and at times sounds like a lost track from the Beach Boys' classic &lt;em&gt;Pet Sounds&lt;/em&gt; album, with its lush production values, layers and textures and has been gaining notoriety on youtube. 
 
The CD features 10 songs from The Crowmatix' vast repertoire, including covers of two other Band classics, &quot;The Weight&quot; and &quot;Ain't No More Cane&quot;. The big finish is the stunning International award winning original song &quot;Melody of Peace&quot; performed with The Prague Radio Symphony and Kuhn Choir and recorded in the Czech Republic with orchestral arrangement by Crowmatix members Burke, Miss Marie and Professor Louie.
 
&lt;em&gt;Whispering Pines&lt;/em&gt; has Professor Louie handling the lion's share of the vocals as well as keyboards and accordion, Miss Marie singing and playing percussion, famed drummer Gary Burke, bassist Frank Campbell and guitarist Josh Colow rounding out the Woodstock band.
 
These days, Professor Louie &amp;amp; the Crowmatix are busy both in the studio and on the road, performing over 100 shows a year building a following throughout the US, Canada and abroad.
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<pubDate>Mon, 01 Feb 2010 00:00:00 GMT</pubDate>
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<title>Green Day Wins Grammy For Best Rock Album</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2384</link>
<description><![CDATA[Reprise Records' Green Day won a 2010 Grammy Award for &quot;Best Rock Album&quot; for their 2009 album &lt;em&gt;21st Century Breakdown&lt;/em&gt;. The band accepted the award during last night's ceremony held at the Staples Center in Los Angeles. They also performed the album's two-time Grammy-nominated platinum single &quot;21 Guns&quot; live with the Broadway cast of the stage musical American Idiot, which opens in New York City on April 20th.
 
This is the fourth Grammy win for Green Day. The band has previously won in the &quot;Best Rock Album&quot; category for their blockbuster 2004 album &lt;em&gt;American Idiot&lt;/em&gt;, as well as in the &quot;Record of the Year&quot; category for the American Idiot single, &quot;Boulevard of Broken Dreams,&quot; and in the &quot;Best Alternative Music Performance&quot; category for their Diamond-certified 1993 album Dookie.
 
Last year, Green Day, which is singer-guitarist Billie Joe Armstrong, bassist Mike Dirnt, and drummer Tre Cool, won three 2009 MTV Video Music Awards for &quot;21 Guns&quot; (&quot;Best Rock Video,&quot; &quot;Best Cinematography,&quot; and &quot;Best Direction&quot;), an MTV Europe Music Award for &quot;Best Rock,&quot; and an American Music Award for &quot;Favorite Alternative Rock Music Artist.&quot;
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<pubDate>Mon, 01 Feb 2010 00:00:00 GMT</pubDate>
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<title>Jakob Dylan Releases &lt;em&gt;Women and Country&lt;/em&gt;</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2377</link>
<description><![CDATA[Jakob Dylan will release his sophomore solo album, &lt;em&gt;Women and Country&lt;/em&gt;, on Columbia Records on April 6.  Soulful yet striking and ripe with sublime beauty, &lt;em&gt;Women and Country&lt;/em&gt; is the follow up to the artist's 2008 critically acclaimed debut, &lt;em&gt;Seeing Things&lt;/em&gt;. This  new collection finds him reuniting with acclaimed Grammy and Golden Globe winning producer T Bone Burnett (Robert Plant, Alison Krauss, Crazy Heart), who produced the Wallflowers' 1996 breakthrough album &lt;em&gt;Bringing Down the Horse&lt;/em&gt;.  On the release, Jakob is also joined by Neko Case and Kelly Hogan, who provide back-up vocals to 8 of the album's 11 tracks.

&quot;I'm so happy to be collaborating with Jakob at this exciting and vital time in his life as an artist,&quot; said T Bone Burnett. &quot;I think this new album is an important work from a great musician.&quot;

Recorded in Los Angeles, CA, &lt;em&gt;Women and Country&lt;/em&gt; is the full realization of a journey Jakob Dylan began on his previous solo releaseSeeing Things, which hearkens back to the timeless artistry of American roots music and country blues masters. Seeing Thingsgarnered significant critical praise for Dylan including The Los Angeles Times who called him &quot;a gifted storyteller&quot; and USA Today who said the release was &quot;an evocative acoustic album that reveals the poetic grace of his lyrics and the maturity and moving power of his voice.&quot; On Women and Country Jakob reaches new majestic heights with his voice and song-writing that are as distinct as. This, coupled with T Bone Burnett's haunting production and the stirringly rich vocals by Neko Case and Kelly Hogan, creates a powerful and melancholic experience for the listener.

Backing Dylan up on the album's 11 songs are T Bone Burnett's s acclaimed group of musicians including Dennis Crouch (bass), Jay Bellerose (drums), David Mansfield (fiddle &amp;amp; mandolin), Marc Ribot (guitar), Keefus Ciancia (keyboards), Greg Leisz (pedal steel), Darrell Leonard (trumpet), Ira Nepus (trombone) and George Bohanon (horns).  Standout tracks include the opener&quot;Nothin' But the Whole Wide World,&quot; which sets the tone of the album, the pensive ballad &quot;Down on Our Own Shield,&quot;&quot;Everybody's Hurting,&quot; which showcases Jakob and Neko's moving harmonies and &quot;Truth for a Truth&quot; that features great guitar work from Marc Ribot.

Track Listing for Jakob Dylan's new album &lt;em&gt;Women and Country&lt;/em&gt; is as follows:
  
1. Nothing But The Whole Wide World
2. Down On Our Shield
3. Lend A Hand
4. We Don't Live Here Anymore
5. Everybody's Hurting
6. Yonder Come the Blues
7. Holy Rollers for Love
8. Truth For A Truth
9. They've Trapped US Boys
10. Smile When You Call Me That
11. Standing Eight Count

For more, go towww.jakobdylan.com.]]></description>
<pubDate>Thu, 28 Jan 2010 00:00:00 GMT</pubDate>
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<title>Ziggy Marley Presents &lt;em&gt;Dancehall Originators, Vol. 1&lt;/em&gt;</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2371</link>
<description><![CDATA[Multiple Grammy winning artist Ziggy Marley, and Tuff Gong Worldwide present &lt;em&gt;Dancehall Originators Vol 1&lt;/em&gt;, the first in a new series of dancehall reggae albums designed to pay homage to the groundbreaking original artists that paved the way for dancehall artists today. The album, which will be released on February 2nd, features tracks by Chaka Demus, Yellow Man and Buju Banton, among others (track list below).

In 1992, producer/songwriter Phillip Smart, founder of Long Island's HC&amp;amp;F Studios, created the scorching &quot;Hot This Year&quot; riddim, whose bouncy keyboard riffs and resounding bass were considered groundbreaking at the time.

From its initial release, &quot;Hot This Year&quot; inspired numerous other artists, including Shaggy, Yellow Man, Buju Banton, and Chaka Demus, to use it as a basis for their own songs. It also inspired the durable and popular song &quot;Hot This Year&quot; by the late DJ Dirtsman, which crossed over into other radio formats.

&quot;There weren't that many reggae records that crossed over to R&amp;amp;B radio at the time, and Dirtsman's song went from reggae radio shows to getting airplay in regular rotation on New York stations,&quot; recalls Phillip Smart. &quot;So that put it in a different format and the song became a favorite in clubs that didn't play a lot of reggae.&quot;

Because it so deftly illustrates such an important era of dancehall reggae history, Dancehall Originators is a must-have for any knowledgeable dancehall devotee, as well as more recent reggae converts.

The Tuff Gong label was founded in 1965 by Bob Marley, with the vision of producing, distributing and promoting his music free from the constraints of corporate label politics. In a time decades before artist-owned record labels were commonplace, the legendary Bob Marley's vision was characteristically well ahead of its time. Now, nearly a half-century later, his dream is being realized.]]></description>
<pubDate>Wed, 27 Jan 2010 00:00:00 GMT</pubDate>
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<title>Jeff Beck Announces U.S. Tour Dates, New Band Lineup</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2372</link>
<description><![CDATA[Jeff Beck, has announced plans for a worldwide tour beginning in Seoul, South Korea on March 20th before heading onwards to Hong Kong, Australia, Japan and the United States.  The two-time Rock and Roll Hall of Fame inductee will be showcasing songs from his latest studio album, &lt;em&gt;Emotion &amp;amp; Commotion&lt;/em&gt;, his first in seven years.  The first leg of the U.S. tour will begin on April 16 in San Francisco and wrap up at the world famous New Orleans Jazz Festival on May 1st, with more dates for the second U.S. leg to be announced soon.

Beck will unite with Eric Clapton in February for a series of exclusive shows in London, New York City, Toronto, and Montreal. The guitarists - both former members of the Yardbirds - will each play separately before taking the stage to perform together.

Accompanying Beck at these special engagements, as well as the World Tour, will be a brand new touring band, including the Grammy award winning producer and songwriter, Narada Michael Walden on drums, Rhonda Smith on bass and Jason Rebello on keyboards.  Walden has collaborated with Stevie Wonder, Aretha Franklin and Tom Jones.  He was also featured on and composed four tracks for Beck's classic 1976 album &lt;em&gt;Wired&lt;/em&gt;.  The compelling Smith has played bass for Beyonce, Justin Timberlake and Prince, while keyboardist Rebello has performed previously with Beck, as well as Sting and Chaka Khan.

&quot;I'm thrilled to be working with Narada Michael Walden, he's an inspiration to me,&quot; Beck said. &quot;I've been lucky enough to have been working with Jason since 2006 and Rhonda came highly recommended by Narada; I was blown away when I heard her play.&quot;

For Beck, the new album and tour follow in the wake of a triumphant 2009 - his most successful year ever. Among the many highlights were a sold-out world tour; his second induction into the Rock and Roll Hall of Fame; the release of the platinum-selling &lt;em&gt;Performing This Week... Live At Ronnie Scott's&lt;/em&gt;, which earned a Grammy nomination for his breath-taking live performance of &quot;A Day In The Life&quot;; and magnificent performances with his band at the 25th Anniversary Concert of the Rock and Roll Hall of Fame at Madison Square Garden.
 
 
Jeff Beck Tour Dates (with Eric Clapton)
February
13        London                  O2 Arena
14        London                  O2 Arena
18        New York City      Madison Square Garden
19        New York City      Madison Square Garden
21        Toronto                 Air Canada Center
22        Montreal                Bell Centre
 
Jeff Beck's Emotion &amp;amp; Commotion Tour (First Leg of U.S. Tour):
April
16        San Francisco         Nob Hill Masonic Centre
17        Los Angeles            Nokia Theatre LA Live
18        Temecula                Pechanga Resort &amp;amp; Casino
19        San Diego               4th &amp;amp; B
24        Houston                  Verizon Wireless Theatre
25        Dallas                     Nokia Theatre at Grand Prairie
27        Tulsa                       Brady Theatre
28        Kansas City             Starlight Theatre
29        St. Louis                  Fox Theatre
30        Memphis                 Beale Street Music Festival
 
May
1          New Orleans            Jazz Festival (Gentilly Stage)]]></description>
<pubDate>Wed, 27 Jan 2010 00:00:00 GMT</pubDate>
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<title>Axl Badwater Pro Gets Upgraded Features</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2373</link>
<description><![CDATA[The AXL Badwater Pro is our response to requests for a Badwater guitar with upgraded professional components and hardware. Built with a resonant ash body, then hand-distressed like all Badwater models, we've added a patented Trem-King bridge that allows string bending both up and down so players have ultimate expressive control over their playing.

The satin finished maple neck makes this guitar feel already worn in, and the 3 single coil EMG-designed Alnico pickups give guitarists the chance to dial in a variety of tones. Quality Grover tuners help to keep the Badwater Pro perfectly in tune after tremolo dive-bombs.

The AXL Badwater Pro gives players pro features and one-of-a-kind style in a guitar that demands attention. The Badwater Pro is the newest addition to the popular AXL Badwater Series guitars. For more on AXL guitars, visit axlguitars.com.
]]></description>
<pubDate>Wed, 27 Jan 2010 00:00:00 GMT</pubDate>
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<title>GITC Supporters Find A Way To Fill A Need In South Florida</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2374</link>
<description><![CDATA[At the same time music education programs at schools throughout the United States are being reduced due to economic cut-backs, community support has allowed significant growth of Guitars In The Classroom's (GITC) innovative music integration programs at many locations around the country. One geographic area that has seen an unprecedented expansion of GITC fund-raising and instructional activity has been the state of Florida, where a high number of ELL (English Language Learners) and at-risk students has created a need for programs like GITC that increase students' positive feelings about school as well as their academic success.

The recent increase of grass roots support throughout Florida has allowed GITC to establish new music integration programs that will bring the benefits of music participation to students in Jacksonville, Miami and Ft. Lauderdale. Awareness and funding in these cities is being generated by local advocates and activists who are choosing to make a difference in their communities by helping Guitars in the Classroom provide crucial training to teachers.

Jessica Padron, a 24-year old resident of Miami and the founder of the south Florida online music magazine, Grunge Kat, worked day and night for weeks to launch the first of several awareness and fund-raising events for GITC. Dedicating her energies to securing, planning, promoting and staffing a music performance booth at the recent Miami Music Festival, Jessica was able to raise enough money to launch GITC's first teacher training program in Miami. Partnering with Jessica was Florida-based Luna Guitars and Yvonne deVilliers, who donated a beautiful, limited-edition, Henna Oasis Cedar acoustic guitar for silent auction.

 
&quot;I created Grunge Kat Magazine to support the advancement of local musicians and also to raise awareness of the importance of education through music because I believe music is a key component in a child's healthy development both socially and mentally,&quot; says Jessica. &quot;As an organization that combines music and education, GITC gave Grunge Kat an opportunity to support music integration and contribute to giving teachers the tools they need to introduce education through music to their students. I am extremely grateful to Jessica Baron and the entire GITC organization and look forward to our next event.&quot;

In another generous and astoundingly profound effort to support GITC, South Florida residents Al and Colleen Glass reached out to the organization after their adult son Alex passed away tragically in September, 2009. Honoring his passion for music and guitar, and the difference the instrument made in their son's life, the Glasses have contributed to GITC and asked all of Alex's friends and loved ones to do likewise. Through this concerted effort the family has raised enough funds to support GITC programs in multiple locations while also creating a living legacy for Alex and assuring that his five-year old son Connor, along with thousands of other youngsters, will share his father's love of music every day through GITC's classroom music programs.

Guitars In The Classroom is a non-profit organization that provides innovative musical training for classroom teachers so all students can experience the joy and essential benefits of making music. Its programs deliver ongoing instruction, access to instruments, and educational materials that weave music across the academic curriculum in sustainable, grassroots programs, nationwide. Go to guitarsintheclassoom.org.]]></description>
<pubDate>Wed, 27 Jan 2010 00:00:00 GMT</pubDate>
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<title>Tech 21 Adds 3 New Guitar Pedals to SansAmp Character Series</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2375</link>
<description><![CDATA[Tech 21 has expanded their SansAmp Character Series with the addition of 3 new pedals: Oxford, Leeds and U.S. Steel. The Oxford's tones range from '70s London glam to modern stoner rock. The Leeds spans from the '60s classic UK rock to '70s prog rock. U.S. Steel delivers tones from '90s Valhalla to the aughts Nu-metal chunk.

Following the same design formula as the existing Blonde, British, California, Liverpool and VT Bass pedals, each of the continuously-variable Character controls sweeps through an entire tonal range of possibilities. By simply twisting a few knobs, you can build the most sought-after tones and hot rod your own. From rare vintage classics to roaring modern icons, every variation is delivered in the distinctive voicing of that amp style.

Being genuine SansAmps, each Character Series pedal can be used as a stand-alone pre-amp to drive a power amp, a studio mixer, or a PA system, or used as a stompbox with an amp. Other features include built-in, defeatable speaker simulation, which is individually tuned to match each of the speaker/cabinet configurations associated with each type of amplifier; 3-band active EQ, Drive and Level controls; and 100% analog circuitry. Each are operable with 9V battery or DC power supply. Learn more at tech21nyc.com.]]></description>
<pubDate>Tue, 26 Jan 2010 00:00:00 GMT</pubDate>
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<title>Tech 21 Introduces Red Ripper Fuzz for Bass</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2376</link>
<description><![CDATA[Tech21's Red Ripper distortion has active three-band EQ, Level and Drive controls, a Low Pass Filter, buffered bypass and silent-switching.Go to tech21nyc.com.
]]></description>
<pubDate>Tue, 26 Jan 2010 00:00:00 GMT</pubDate>
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<title>Allman Brothers Band Adds Five Shows in NYC</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2365</link>
<description><![CDATA[Five shows have been added to the ALLMAN BROTHERS BAND's annual New York City residency: March 22, 23, 25, 26, and 27. This year, the iconic Rock &amp;amp; Roll Hall of Fame group will call the 3200-capacity United Palace Theatre (formerly known as the 175th Street Theatre) their springtime home beginning March 11 for a 13-show run. Tickets for the new dates go on sale to American Express cardholders Friday, January 29 through Friday, February 5 and to the general public Saturday, February 6.

For the first time since 1989, the Brothers will move the show uptown to this new venue due to a scheduling conflict at the Beacon Theatre. But as always, expect the band--GREGG ALLMAN (vocals and keyboards), BUTCH TRUCKS (drums and tympani), JAIMOE (drums), WARREN HAYNES (vocals, lead and slide guitar), DEREK TRUCKS (slide and lead guitar), OTEIL BURBRIDGEMARC QUINONES (congas and percussion)--to welcome a wide variety of special guest musicians to join them. (bass) and

Aside from this spring residency, the ABB will only make a few other live appearances this year to allow various members to work on their other projects.  These performances will be at some high-profile festivals including their fifth appearance at the Wanee Festival (April 16 &amp;amp; 17, which the band hosts), followed a week later at the New Orleans Jazz &amp;amp; Heritage Festival (weekend of April 23-25).

For more go to allmanbrothersband.com.]]></description>
<pubDate>Tue, 26 Jan 2010 00:00:00 GMT</pubDate>
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<title>New Wave of English Folk Crossing into America</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2366</link>
<description><![CDATA[Looking for a New England, an exciting and provocative assemblage of Britain's most critically acclaimed new wave of English folk artists, will be arriving on America's shore for two special performances in March. All of the featured acts are on the vanguard of the emerging scene and performers such as Jim Moray, the &lt;em&gt;The Daily Telegraph&lt;/em&gt; calls &quot;the greatest leap forward in folk for 30 years', are helping to take British folk mainstream. Other performers include Olivia Chaney, Jackie Oates, Trembling Bells and Gadarene.

The first Stateside appearance of Looking for a New England will be in New York March 16, then travel to Austin, where they'll be joined by The Unthanks, as part of the annual South By Southwest Music Conference and perform March 19.

Looking for a New England will also host the SXSW panel Where Goes English Folk? March 18. Chaired by writer and broadcaster Will Hodgkinson and including Moray and Trembling Bells. More info to be announced.

The tour is produced by British Underground, a publicly funded music development agency which has been sponsoring SXSW showcases since 2002, introducing American audiences to artists such as Amy Winehouse, Jamie Cullum, KT Tunstall, Elbow, Gabriel Prokofiev, Sway, and many more.

Inspired by the British music magazine, fRoots' &quot;Looking for a New England&quot; cd compilation, British Underground are working with Arts Council England, Sound and Music, English Folk Dance and Song Society, fRoots, Mojo Magazine and Ballad of Britain to produce a state of the art showcasing campaign taking the new generation of young, free-thinking and bold folk artists to the rest of the world. As the crest of the current English folk revival continues to rise, last year was an exciting time for English folk music and it was decided to take a sampling of these original young performers to the world's premier musical showcase event of it's kind.
]]></description>
<pubDate>Tue, 26 Jan 2010 00:00:00 GMT</pubDate>
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<title>Seasick Steve Joins Springsteen for Best International Male Nominee at Brit Awards</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2367</link>
<description><![CDATA[Seasick Steve received his second ever Brit Award nomination Monday night in London, UK for Best International Male Solo Artist.  He finds himself in amazing A-list company with Bruce Springsteen, Eminem, Jay-Z, and Michael Buble being the other four nominees in the category. The Brit Awards will take place on February 16 at Earls Court in London.

Ryko will be releasing Seasick Steve's latest album: &lt;em&gt;Man From Another Time&lt;/em&gt; on March 30, 2010 here in the U.S.  The tale of Seasick Steve is that of an anomaly in modern recorded music - signed in his 60's, the US-born musician came to see a platinum-selling album in the UK, become the oldest Brit Award nominee in history and the winner of Mojo's Best Breakthrough Act.

Seasick Steve's &quot;sudden&quot; career rise started in 2006 after a UK television appearance on Jools Holland's 'Annual Hootenanny' BBC TV show. His electrifying performance immediately propelled him into the UK public's consciousness.  As his star rose, crowds flocked to his live events worldwide, including in a sold-out performance at the Royal Albert Hall in London, and appearances such at festivals such as: UK Reading, Leeds, Glastonbury (UK), Coachella, All Points West (U.S.) and Fuji Rock Festival (Japan).

&quot;Every time I walk out in front of these thousands of people, I think 'Goddamn, how can someone who's not young, and didn't used to be famous already have all this success out of the blue?&quot; Seasick Steve remarked. &quot;My belief is I've come at the right time. People are tired of everythin' bein' so fancy. I guess they kinda like hearin' me with an acoustic guitar stompin' on a box.&quot;

Born in Oakland, CA, Seasick Steve ran away from home at age of 13.  He spent his adolescence living rough, grabbing work where an underage labourer could find it.  By 16, he was busking and starting to become the musician that close to fifty years later immerged as Seasick Steve.  Through this journey, his feet took him through Europe, back to the U.S., and then ultimately back overseas. 

While living in the Pacific-Northwest, he opened a small studio in Olympia producing albums for acts as diverse as Bikini Kill and Modest Mouse, and found some success in the Washington music scene.  In 2001, at the insistence of his wife, he returned to Oslo with his three sons (he has five children).  In 2003, he recorded his first album under the moniker Seasick Steve, titled &lt;em&gt;Cheap&lt;/em&gt;; which began to establish a foothold in the UK for him.

With momentum in hand, devastation struck when in 2004 he suffered a heart attack.  While home and finding a way of life he could sustain post-heart attack, his wife pressed him to start recording on his 4-track.  Those sessions would become the 2006 release, Dog House Music; which was independently released on the Bronzerat label (200,000+ copies sold).  His follow up album, &lt;em&gt;I Started Out With Nothin' And I Still Got Most Of It Left&lt;/em&gt;, found Seasick Steve landing his first platinum album and critical success overseas.]]></description>
<pubDate>Tue, 26 Jan 2010 00:00:00 GMT</pubDate>
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<title>Devo to Perform at Winter Olympics</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2368</link>
<description><![CDATA[Devo, one of post modern rock's most visionary and influential bands, have been invited to perform live at the 2010 Winter Olympic Games in Vancouver on Feb 22, 2010.  This performance will conclude a Victory Ceremony and will be broadcast live on NBC Networks. It's your duty as citizens of the earth to tune in, watch, listen and learn.

This exclusive appearance comes in anticipation of the band's first studio album in nearly 20 years. With an estimated 3 billion worldwide television viewers, this is probably Devo's biggest single event audience and one of many future opportunities to expose their music, knowledge and message to the world. Devo will perform old favorites as well as future favorites from the upcoming album.  

The announcement of Devo completes the lineup of 15 top North American headline acts for the Whistler Victory Ceremonies, which also includes Feist, Usher, Our Lady Peace, and The Fray. Each act will perform for one night from February 13 to 27 during the Games at Whistler Medals Plaza. For more information on the lineup, visit www.vancouver2010.com.

This news follows the announcement last year that Devo have signed a unique, ground-breaking worldwide partnership with their original label home Warner Bros. Records that exhibits the band's long-time commitment to innovation in all aspects of their career.  
&gt;
&gt; And now, the fine print:  Formed in Akron, OH in 1974 as a multi-media experiment, DEVO caught the attention of such pop music luminaries as Iggy Pop, David Bowie, Neil Young, as well as an equally curious and loyal fan base whose support led to a recording contract with Warner Bros. Records. The label released the Brian Eno-produced &lt;em&gt;Q: Are We Not Men? A: We Are Devo!&lt;/em&gt;  in 1978 and suddenly the world, for all intents and purposes, was now both round and flat.  &lt;em&gt;Duty Now for the Future&lt;/em&gt; followed in 1979. In 1980, DEVO released its commercial breakthrough album &lt;em&gt;Freedom of Choice&lt;/em&gt;, which featured the timeless Top 20 hit &quot;Whip It.&quot; Rounder and flatter than ever, &lt;em&gt;New Traditionalists&lt;/em&gt; came next in 1981, 1982's &lt;em&gt;Oh, No! It's Devo&lt;/em&gt;, and 1984's &lt;em&gt;Shout&lt;/em&gt;, its last album for Warner Bros. Records. After releasing 1988's &lt;em&gt;Total Devo&lt;/em&gt; and 1990's &lt;em&gt;Smooth Noodle Maps&lt;/em&gt; on Enigma Records, the band went on hiatus.

Now original members Gerald Casale, Bob Casale, Mark Mothersbaugh, and Bob Mothersbaugh are joined by drummer Josh Freese (Nine Inch Nails, Weezer, Guns N' Roses) and are currently activating massive scale maneuvers to be unveiled at the appropriate time and place. De-evolution 2010 will include the release of new musical adventures and recordings (featuring an eclectic cast of producers and collaborators), international festival appearances, and a proper tour of North America, Europe, Japan, Australia, and South America.
]]></description>
<pubDate>Tue, 26 Jan 2010 00:00:00 GMT</pubDate>
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<title>Gibson's James &quot;Hutch&quot; Hutchins Passes</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2369</link>
<description><![CDATA[One of Gibson Guitar's most accomplished and dedicated luthiers, James &quot;Hutch&quot; Hutchins,  who spent 45 years at Gibson, passed away from an undisclosed illness surrounded by his family last evening. &quot;Hutch&quot; as many of his Gibson friends called him, had a a career that's spanned two states, three changes of ownership, and thousands of priceless Gibson guitars. Hutch began his career in the original Kalamazoo, Michigan plant, making a name for himself there before transferring to Nashville in 1983. He had worked every job from maintenance to pattern making with an unflinching attention to detail and an abiding pride in the Gibson name. &quot;Hutch&quot; chose the Gibson family as his own often defining the company's legacy, heritage and tradition by the many guitars and people he touched on a daily basis. He was 72.
 
Many a times while he walked the Gibson plant floors he would tell his fellow workers of his clear recollection of the day he was hired by Gibson on March 25, 1963. While working as a cab driver in Kalamazoo, Hutch stopped by Checker Cab to pick up his paycheck one afternoon, and spotted the Gibson smokestack billowing across the way. He said to his wife 'I wonder what they do,&quot; and the rest soon became history.

Though he didn't play guitar Hutch was a well-trained machinist. His first interview for employment at Gibson was with Julius Bellson and Ted McCarty., two of Gibson's most legendary executives, known for heading the company during the years that Gibson produced the Les Paul, ES-335, Flying V, Explorer, and the humbucker. 

On his first day at Gibson in 1963, Hutch was assigned a work station nine benches down from &quot;the senior guy at the front of the line, who had been there over 39 years.&quot; He couldn't have imagined then that his own longevity at the company would eventually surpass his boss'. Hutch often recalled the close-knit Gibson team that connected inside of work and out-on bowling teams, canoeing trips, and get-togethers that still exists today. Musical members of the staff even formed a couple bands, among them the venerable Green Valley Boys, fronted by Ron Allers, who worked for Gibson for 26 years.
 
During a part of Hutch's tenure,  Gibson was owned by the Chicago Musical Instrument Company, which acquired Gibson in early 1944. At the time there were nearly 1,000 employees stationed in several large plants in Kalamazoo but out of the 1,000 no one stood out more than &quot;Hutch.&quot;  His longtime dedication would have him working double shifts, six days a week and always with a smile.

Blessed with the esteem of McCarty and Bellson, Hutch became the plant's liaison for legendary artists who wanted custom guitars. He was integral to designing the Chet Atkins Country Gentleman, becoming friends with Atkins in the process. &quot;Chet, I'll build you whatever you want. You tell me what you want, and we'll go from there',&quot; said Hutch recently. &quot;I think that was the part that really hooked Chet on coming to Gibson-that we were willing to do whatever he wanted, much like we tried to do everyday.&quot; Disenchanted after a partnership with Gretsch, Atkins met with Hutch over many a lingering lunch to determine the specs for the great Gibson signature model. During his tenure at Kalamazoo, Hutch saw the Atkins guitars through from design into their production in 1982. Over the years, Hutch also worked closely with archtop jazz giants like Howard Roberts, Johnny Smith, Wes Montgomery, and Herb Ellis to name a few.

In the meantime, CMI merged with Ecuadorian brewery ECI to form Norlin in 1969. Gibson's new ownership signaled the beginning of a dark period in company history. &quot;Norlin didn't put anything in, just took everything out,&quot; Hutch once said.  &quot;All they were after was money.&quot; As the production naturally slowed, Hutch's commitment to the company went unrattled. Over the years Hutch would spread the word of Gibson's newfound dedication and commitment to quality when it was purchased in 1986 from Norlin by now Gibson CEO and Chairman Henry Juszkiewicz, Gibson President Dave Berryman, and Gary Zebrowski. Juszkiewicz rolled up his sleeves, and through hard work and determination, was able to restore the company to a position of unrivaled prominence in the industry. &quot;Hutch was a remarkable man, with a talent all his own, said Henry Juszkiewicz, CEO and Chairman of Gibson Guitar. &quot;His light will shine forever through every corner, every hall and with every team member of the company. His legacy will live on.&quot;
 
Hutch was quoted in an interview a few years back as stating &quot;Henry put every penny right back into it. This company didn't grow by not putting a lot back in. Fortunately, when Henry bought Gibson he believed in the company and what it was going to take, which was the best people and the best wood. He said to me, 'What do you need?,' and I said, 'Well, we need help,' and Henry said, 'Get 'em, and hire the best you can, So I did.&quot;

Hutch's dedication and newfound leadership in management from the new owners fostered a rebuilt Gibson with a highly skilled team and ramped up its production numbers. &quot;Hutch&quot; took great pride in showing anyone who would listen the carving instruments that were dated back to the turn of century yet still used to create some of the world's best guitars. He took great pride in the product and his Gibson family. He never let the word &quot;family&quot; go away in anything he did. Hutch retired March 31, 2008.

&quot;Hutch&quot; loved to hunt and fish and spend time with his three grown sons, all of whom live in the Nashville area. He is survived by his wife Gail, sons Kim and Todd and grandsons Aaron and Jaimie. Many of Gibson team members and people across the industry agree that his contribution to the Gibson Guitar company was so incredible that it will take years to truly indentify all the ways he influenced it.

One can only imagine the depth of meaning in a recent quote Hutchins himself stated:  &quot;You've got to have pride. If you don't have pride in what you're doing, it's not going to come out at the end of the line. Ain't nobody ever gonna knock this name off,&quot; he said, tapping the headstock of a nearby Custom Shop Les Paul. &quot;I don't know how much longer I'll be around, but I know Gibson, and I know that's a name that can't be beat.&quot;]]></description>
<pubDate>Tue, 26 Jan 2010 00:00:00 GMT</pubDate>
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<title>Scorpions Slate Final Album/Tour</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2362</link>
<description><![CDATA[After the release of their new album, &lt;em&gt;Sting in the Tail&lt;/em&gt; (set for release March 23) and a planned three-year tour across five continents, the Scorpions will be ending their career. 

&quot;While we were working on our album these past few months, we could literally feel how powerful and creative our work was - and how much fun we were still having, in the process,&quot; said Klaus Meine. &quot;We want to end the Scorpion's extraordinary career on a high note. We are extremely gracious for the fact that we still have the same passion for music we've always had since the beginning.&quot; &quot;So at some point,&quot; added guitarist Matthias Jabs, &quot;it came to us to end our career with this exceptional album.&quot; Rudolf Schenker stated, &quot;The three year tour through five continents is meant to be a huge blowout, where we can party with our fans and say good-bye.&quot; &quot;When I started out, I had a lot of wishes,&quot; Schenker noted. &quot;It's crazy, I achieved more than I ever even dreamed of.&quot;

During their 40-year career, Scorpion sold more than 100 million albums and received many awards, such as the World Music Award and several Echos--the German comparison to the Grammy. Today they still play sold-out venues around the world. Not long ago, 152,000 South Americans came to 15 band's concerts between Rio de Janeiro and Mexico City. Their song &quot;Wind of Change&quot; has become an anthem for the fall of the Iron Curtain.

The tour will launch in Germany, then hit North America and continue worldwide until 2012.

Learn more at the-scorpions.com.]]></description>
<pubDate>Mon, 25 Jan 2010 00:00:00 GMT</pubDate>
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<title>Burriss Amps Intros Dirty Red</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2363</link>
<description><![CDATA[Burriss Amps' new Dirty Red is a Class A/medium-to-high-gain amp with an an EH EZ81 rectifier, two J/J EL84s, and three Mullard 12AX7s. With full EQ, a footswitchable effects loop (pedal optional), Master Volume, multi-tap outputs, and a universal power supply. It measures 11.5&quot; x 6.75&quot; x 7.13&quot; and weighs 12.7 pounds.

&quot;For the rock and roller, Dirty Red delivers the intensity, the tone and the gain their looking for in a cool looking package they can afford and can easily carry from gig to gig. You can crank Dirty Red up for a show or dial it down to get that nasty sound even if you're practicing in an apartment,&quot; says Bob Burriss.

The optional Power Loop footpedal provides control over the effects loop and front-of-stage power to drive multiple pedals.

See more at burrissamps.com.]]></description>
<pubDate>Mon, 25 Jan 2010 00:00:00 GMT</pubDate>
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<title>Megadeth Announce Tour Dates</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2364</link>
<description><![CDATA[The mighty Megadeth will join forces with Testament and Exodus for a month-long jaunt that will find these thrash titans crisscrossing the nation on the 'Rust in Peace' 20th anniversary tour. These will be incredibly special shows that will delight Megadeth fans, as the band will be playing their landmark, genre-defining album, 1990's &lt;em&gt;Rust in Peace&lt;/em&gt;, in its entirety, in addition to other Megadeth set list favorites.

Megadeth's latest, &lt;em&gt;Endgame&lt;/em&gt;, was released in September and received some of the highest critical accolades of the band's career. The band performed on Late Night With Jimmy Fallon and was nominated for yet another Grammy - the eight nomination of their storied career- for &quot;Head Crusher.&quot; Megadeth also enjoyed heaps of praise in the press, from outlets as varied as New York to Revolver to VH1's &quot;That Metal Show&quot; to PopMatters. With &lt;em&gt;Endgame&lt;/em&gt;, Megadeth have once again ascended to the top of the metal world.

The tour will kick off on March 1 and run through the end of that month. ]]></description>
<pubDate>Mon, 25 Jan 2010 00:00:00 GMT</pubDate>
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<title>Reggae Legend Lynn Taitt Dies</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2358</link>
<description><![CDATA[Lynn Taitt, the Jamaican guitarist widely credited with creating the &quot;rocksteady&quot; bassline, died January 20 in Canada after a battle with cancer. He was 70. 

Born Nerlynn Taitt, in Trinidad, before taking up the guitar at age 14, he got his start playing in steel drum bands. Later, he would play with major ska and early reggae groups like the Skatalites and the Sheikhs. In the mid '60s he founded his own group, Lynn Taitt and the Comets.

Though known for his guitar playing in the rocksteady genre, Tait helped globalize reggae, particularly for popularizing the music in Canada. Taitt remained active as a musician in Montreal, recording with The Kingpins (&quot;Let's Go To Work&quot; CD 1999) as well as performing with the Montreal Ska All Stars and at the Montreal International Jazz Festival with The Jets in 2002 and the Fabulous LoLo sings Rocksteady  in '06.

Taitt was the subject of the 2006 documentary Lynn Taitt: Rocksteady, directed by Generoso Fierro]]></description>
<pubDate>Fri, 22 Jan 2010 00:00:00 GMT</pubDate>
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<title>Mr. Musichead Gallery to Host Marley Exhibit</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2359</link>
<description><![CDATA[L.A.'s Mr. Musichead Gallery will host an exhibit of Bob Marley imagery on Saturday, February 6, featuring the work of renowned photographers and contemporary artists.

Marley is one of the world's most prolific and powerful musical visionaries of the 20th century. A prophet whose message transcended all categories and classes, his music remains timeless and truly universal in both its melodies and its messages. A truly fascinating man that was taken from the world too soon, his legacy after death remains as influential as it was during his life, if not greater.  It is with great pride that Mr. Musichead Gallery presents the first annual visual tribute to this hero on what would have been his 65th birthday. Gallery director and exhibit curator Sam Milgrom has gathered classic and rare photographs and artworks from around the world. This exhibit will also include iconic album cover images, original paintings, mixed media, wood stain, mosaic tile and rare concert posters. Notable photographers include Adrian Boot, Dennis Morris, Lynn Goldsmith, Lee Jaffee John Rowlands, Arthur Gorson, Leni Sinclair, and Ian Dickson. Artists include Cedella Marley, Michael Reinhardt, Gary Houston, Chico Munson, Leah Devorah, Jim Doody, Scott Rockland, and Neil Ratnavira.
 
Mr Musichead Gallery features album cover art, poster art, fine art, and photography. For more, go to mrmusichead.com.

]]></description>
<pubDate>Fri, 22 Jan 2010 00:00:00 GMT</pubDate>
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<title>Rod Stewart Lost Album Available</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2360</link>
<description><![CDATA[&lt;em&gt;If ONCE IN A BLUE MOON&lt;/em&gt; hasn't exactly been the Holy Grail for the Rod Stewart faithful, it's only because they didn't know what they were missing - until now. Recorded in the summer of 1992 with producer Trevor Horn, this unique collection of covers captures Stewart at his interpretive best - his magnificent voice yearning, pleading and shouting in all its gravelly glory through a superb selection of songs.

&lt;em&gt;ONCE IN A BLUE MOON - THE LOST ALBUM&lt;/em&gt; is available now exclusively from www.rhino.com. Reminiscent of the year when it was originally slated for release, the CD comes packaged in a vintage long box.
 
While each of the album's 10 songs were previously released in various countries in different mixes, six have never been available in the U.S. in any form until now. To celebrate the long-overdue release of this lost classic, the CD contains two hidden tracks - both unreleased - recorded during the album's sessions. Together, they form an exciting whole that places &lt;em&gt;BLUE MOON&lt;/em&gt; squarely in the upper reaches of Stewart's classic catalog.
 
Stewart opens album with a majestic reading - complete with soaring orchestration - of The Rolling Stones' 1967 #1 smash &quot;Ruby Tuesday&quot; before shifting into a driving interpretation of the Bob Dylan b-side, &quot;The Groom's Still Waiting At The Altar.&quot; The collection also features the singer's take on the 1983 Stevie Nicks' classic (co-written by Prince) &quot;Stand Back.&quot; It's worth noting that a trio of tracks on &lt;em&gt;BLUE MOON&lt;/em&gt; - &quot;Windy Town,&quot; &quot;The Downtown Lights&quot; and &quot;This&quot; - eventually appeared as key songs on Stewart's 1995 album &lt;em&gt;A Spanner In The Works&lt;/em&gt;.

Prior to the album's scheduled release in late 1992, an edited version of Stewart singing the Tom Waits favorite &quot;Tom Traubert's Blues&quot; was released in the U.K., peaking at #6 on the British Singles chart. The reason &lt;em&gt;ONCE IN A BLUE MOON&lt;/em&gt; was abandoned remains a mystery, but one factor could be that Stewart recorded his &lt;em&gt;Unplugged...And Seated&lt;/em&gt; in early 1993. Released just three months later, the album sold three million copies in the U.S. alone. Whatever the reason for its disappearance, fans can celebrate that the album is here at last. ]]></description>
<pubDate>Fri, 22 Jan 2010 00:00:00 GMT</pubDate>
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<title>Big John Bates and the Voodoo Dollz Spring Tour</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2361</link>
<description><![CDATA[Feb 25th to April 18th and spanning North America, the punk-blues of Big John Bates &amp;amp; the Voodoo Dollz stretch the shadows out of the alleys and onto the stage for their first tour of 2010.  Ten years in the making, this world-renowned group unveils their latest show featuring songs from their newest album Bangtown (Rookie Records); where nighttime ladies hold their gaslight s&amp;eacute;ances and Erte meets Alice Cooper.  Death is no excuse for missing the deadly combination of neo-burlesque fusions with retina-burning numbers!

Led by the guitar-wielding barker Big John Bates (&quot;Alongside the Reverend Horton Heat as a voodoo guitarist to watch&quot; -Total Guitar (UK), this musical harmonium is coming to grind you in their gears. With percussive hitman JT Brander on the skins, murderous bass from Katie Kerosine and eight months of touring behind them in 2009, musical mayhem is a guarantee!  And featuring burlesque showgirls Little Miss Risk and Lola Lockheart, the butterflies in your stomach will be knives. And, as an added bonus, medicine man the Reverend Deadeye will be joining them across the continental divide of the USA  -  putting the &quot;cult&quot; back into &quot;culture&quot;.  Shoot a Jager and get ready for the clockwork dance party to begin!

Check bigjohnbates.com ]]></description>
<pubDate>Fri, 22 Jan 2010 00:00:00 GMT</pubDate>
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<title>Lonestar Debuts &lt;em&gt;Party Heard Around the World&lt;/em&gt;</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2352</link>
<description><![CDATA[The New Year of 2010 launches with the promise of the much-anticipated return to the charts of a true country music super-group - Lonestar -whose career path to date has been marked by countless multi-platinum milestones.
 
The band is releasing their first studio album in four years-cause enough for celebration to the universe of country/pop cross-over fans who have long embraced them. And the news gets better. &lt;em&gt;Party Heard Around The World&lt;/em&gt;, their 10thalbum, is a total 'hands on' creative effort, produced by the band with eight of the ten tracks written by the foursome. Noted lead guitarist and original member Michael Britt said in a recent interview: &quot;We feel that this album is a complete reflection of the group, circa 2010. It's personal and powerful music that reflects the core values of Lonestar through lyrics, performance and production.&quot;
 
Lonestar's commitment to open the new decade with a new chapter of music will have the full label support of Saguaro Road Records and be the subject of a major multi-phase national retail/radio/media/marketing campaign set to roll-out in advance of the April 27 street date.
 
Known both for their strong country roots as well as their multi-genre crossover appeal that's led to a history of success on the pop/rock charts, Lonestar has only their own career records to break. To date, the band has RIAA certified sales in excess of 10 million album units since their national launch in 1995. The Texas bred band has had an impressive list of hit singles on the country charts, including ten #1's as well as nine Top 40 songs on the pop charts. Signature songs in the mid-90's included early #1 hits such as &quot;No News,&quot; and &quot;Come Cryin' To Me.&quot; Their 1999 album release, &lt;em&gt;Lonely Grill&lt;/em&gt;, produced Lonestar's biggest crossover smash to date, the ballad &quot;Amazed,&quot; which spent eight weeks at the #1 spot on the country charts as well as reaching #1 on the Billboard Hot 100. The dual win made them the first country act since Kenny Rogers &amp;amp; Dolly Parton's &quot;Islands In the Stream&quot; in 1983 to accomplish this career milestone. Three more singles from the band (&quot;Smile,&quot; &quot;What About Now,&quot; and &quot;Tell Her&quot;) followed to #1 as the &lt;em&gt;Lonely Grill&lt;/em&gt; album was certified multi-platinum. Lonestar dealt listeners a follow-up platinum hand with the release of their &lt;em&gt;I'm Already There&lt;/em&gt; album (2001) with the title track lead-off single spending six weeks at #1 as the album was on the way to platinum certification.  
 
In addition to garnering music accolades, Lonestar has been oft- lauded for their continuous outreach in the arena of humanitarian goodwill. The band was recognized by The Academy of Country Music with the coveted Home Depot Humanitarian Award in 2003 for their continued commitment to help build the dreams of those in need-this in recognition to the group's single handed dedication to the building of a playground for children in tornado ravaged Jackson, Tennessee. America's military forces have been a major focus for concert and fund raising efforts by the band as has St. Jude's Children's Research Hospital, to mention only a few of their ongoing humanitarian interests.
 
Lonestar consists of original members Dean Sams, Keech Rainwater, and Michael Britt, as well as lead vocalist Cody Collins who joined the group in 2007.
 
&lt;em&gt;Party Heard Around The World&lt;/em&gt; is set to make a legion of new fans, as well as re-connect Lonestar to a universe of dedicated fans for whom their latest studio project has been eagerly awaited. Tour dates in support of the new album release are expected to be announced within the next few weeks.
 
About Saguaro Road Records and Direct Holdings:
Saguaro Road is an imprint launched by Direct Holdings Americas Inc, the company that markets and sells audio and video entertainment products under the Time Life brand, using it under license from Time Warner Inc.  The label focuses on artists that have a uniquely American roots oriented sound and has recently released albums from Patty Loveless, the Blind Boys of Alabama, Tanya Tucker, Joan Osborne and Edwin McCain.
 
Time Life and the Time Life logo are registered trademarks of Time Warner Inc. and affiliated companies, used under license by Direct Holdings Americas Inc., which is not affiliated with Time Warner Inc. or Time Inc.  Headquartered in Fairfax VA, Direct Holdings Americas Inc.'s history began in 1961 as a direct marketing division of Time Incorporated specializing in music and books.  The business has been operated as a separate company since the mid-1970s when it relocated to Virginia, and has since grown to become one of the world's largest direct marketers of audio and video products throughout North America, Europe and Australia.  The Company has set the standard in the direct response industry by pioneering direct marketing techniques and building one of the most trusted and recognized brands in commerce.  The Company now also sells its products through major traditional and non-traditional retailers around the world as well as via the Internet.  The Company was sold in 2003 to private investors. Saguaro Road Records is a trademark of Direct Holdings Americas Inc.]]></description>
<pubDate>Thu, 21 Jan 2010 00:00:00 GMT</pubDate>
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<title>Korn, Rob Zombie Headline Mayhem Fest</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2353</link>
<description><![CDATA[The ROCKSTAR ENERGY DRINK MAYHEM FESTIVAL featuring KORN and ROB ZOMBIE will kick off Saturday, July 10 in San Bernardino, CA and will roll through 24 cities in the U.S. and Canada between early July and late August (a full itinerary will be announced in the coming weeks). Mayhem presale tickets go on sale April 2 and tickets go on sale to the general public on April 16th at LiveNation.com. Check www.mayhemfest.com for more info.

The ROCKSTAR ENERGY DRINK MAYHEM FESTIVAL has become the summer's hottest ticket by giving fans the opportunity to experience a thrilling mix of hard music's most influential artists and exciting young voices. This summer's lineup turns up the heat with a main stage lineup that sees KORN and ROB ZOMBIE joined by LAMB OF GOD and FIVE FINGER DEATH PUNCH. The JAGERMEISTER stage will feature HATEBREED, CHIMAIRA, SHADOWS FALL, WINDS OF PLAGUE and the JAGERMEISTER Battle of The Bands Winner. The second stage will spotlight ATREYU, NORMA JEAN, IN THIS MOMENT and 3 INCHES OF BLOOD. Visit mayhemfest.com.]]></description>
<pubDate>Thu, 21 Jan 2010 00:00:00 GMT</pubDate>
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<title>Power Chord Academy Announces 2010 Locations</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2354</link>
<description><![CDATA[Power Chord Academy, the nation's leading summer camp for amateur and pre-professional musician training, is excited to announce new locations for Summer 2010!

Brand-new destinations are launching in Atlanta, Pittsburgh, Philadelphia, Minneapolis, Houston, and St. Louis, in addition to established session locations in New York, Chicago, Boston, San Diego, Miami, Seattle, Denver, Dallas, San Francisco, Los Angeles, and Washington DC!

Summer 2010 marks the 12th year of our original program, and promises to be our biggest, most exciting summer ever with expanded facilities, renowned recording and video production, amazing mystery guests, and Power Chord Academy's world-class staff!

Since its inception in 1999, Power Chord Academy has witnessed an exponential growth directly attributable to the intrinsic value of its acclaimed curriculum, where dedicated musicians ages 12-18 are put through the most inspirational, educational, and intensive weeks of their young careers.

PCA attendees experience a week of virtual rock stardom!  At Power Chord Academy, music and creativity are larger than life.  Students professionally record a CD single with an established producer, shoot an MTV-caliber music video with a renowned director, and perform several huge concerts for awestruck friends and family.  Students also receive guidance, inspiration, technical pointers, and exclusive performances from some of today's most prominent and influential bands and industry executives.  This is truly a dream experience for teen musicians.

For complete info, go to powerchordacademy.com.
]]></description>
<pubDate>Thu, 21 Jan 2010 00:00:00 GMT</pubDate>
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<title>New From Backbeat &amp;amp; Hal Leonard: &lt;em&gt;Gibson's Fabulous Flat-Top Guitars&lt;/em&gt; and &lt;em&gt;The Hofner Guitar: A History&lt;/em&gt;</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2355</link>
<description><![CDATA[Backbeat and Hal Leonard have released new, expanded editions of two of its titles.

&lt;em&gt;Gibson's Fabulous Flat-Top Guitars&lt;/em&gt;
By Eldon Whitford, David Vinopal &amp;amp; Dan Erlewine
Foreword By Steve Earle
Second Edition

The Gibson Flat-Top is more than just an acoustic guitar. Its birth and evolution is entangled with close to 90 years of political, social, and musical history. Manufactured in Bozeman, MT, far away from the heat and humidity of the factories that produce the company's electric guitars, each flat-top is assembled by hand from the finest wood and mounted with top-of-the-line hardware. It is the standard by which all other acoustic guitars are measured, and if you doubt that just ask one of the many legends who brandish one. Over the years that list has included Bob Dylan, Woody Guthrie, Emmylou Harris, The Everly Brothers, Gram Parsons, Doc Watson, Gene Autry, Roy Smeck, and hundreds of others. Even in genres that have themselves undergone massive change and upheaval, the renowned Gibson Flat-Top remains a cornerstone.

Authors Dan Erlewine, Eldon Whitford, and David Vinopal are more than mere fans of the flat-top. Through their professional roles consulting with the luthiers in Bozeman who craft these guitars, they have gained immense knowledge about the instrument. Illustrated with over 200 B&amp;amp;W photos throughout, plus two 16-page color inserts, this book takes the reader through the development of the Gibson Flat-Top from its introduction in 1926 to the plethora of variations and custom jobs that the guitar has seen over its lifetime. This revised edition includes numerous reference charts showing which styles were produced where and when, as well as detailed serial number info, body and series type specs, basic repair instructions, and endless historical trivia.

&lt;em&gt;The Hofner Guitar: A History&lt;/em&gt;
Expanded Edition
By Gordon Giltrap and Neville Marten
Hofner guitars occupy a special place in the hearts of discerning music fans and vintage guitar connoisseurs. These German-built instruments are immediately recognizable by their rectangular control panels, deep-amber wood grains, and intricate headstock inlays. During the 1960's many instruments found their way into UK guitar shops and subsequently ended up in the hands of quite a few British Invasion stars. The Hofner brand finally landed in the general consciousness via the model most closely associated with the company, the violin-shaped 500/1 bass, recognizable the world over as Paul McCartney's instrument of choice.

Beyond the &quot;Beatle Bass&quot; Hofner produced a number of unique instruments. The beautiful archtops are favored in jazz picking circles. In the late 1960's the company launched designs inspired by (but by no means carbon copies of) the Fender Stratocaster and the Gibson Les Paul and ES-335. Today these guitars, some of which were only produced for a very short time, have garnered a following of their own equal to, and in some cases greater than, their better-known cousins.

Hal Leonard Books is proud to bring back this long out-of-print and highly sought-after book in a new, updated edition. With the revised edition of The Hofner Guitar: A History, authors Gordon Giltrap and Neville Marten present the most complete and in-depth resource available on these revered guitars. The book tells the entire Hofner story from the early 1960's through the present day. Included are exclusive interviews and memories of Hofner instruments from Ritchie Blackmore, David Gilmour, Justin Hayward, Roy Wood, Midge Ure, Albert Lee, and many others as well as a wealth of information on body, pickup, and headstock types, electronics configurations, and dating and pricing guidelines. The book is illustrated throughout with beautiful full-color photos of rare Hofner instruments and reproductions of rarely seen early advertisements and other ephemera.]]></description>
<pubDate>Thu, 21 Jan 2010 00:00:00 GMT</pubDate>
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<title> 65Amps Intros Tupelo model</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2356</link>
<description><![CDATA[65amps Tupelo is rooted in the same design as its brother, the 65amps Lil Elvis, but based on a 6V6 power section. The Tupelo's circuitry and custom transformers create a platform that reveals the true character of the power tubes to a surprising level. The 6V6 power section produces an outstanding example of American circuitry from the late '50s through the mid '60s while at the same time removing all the bad behaviors of those old amps. The Tupelo is a must for players whose ears are tuned to American circuits and sounds.
 
The Tupelo delivers 20 watt output and has an astonishing vocabulary, touch sensitivity, and harmonic richness. Its lush, soulful clean tone easily rolls over into harmonically complex distortion, offering the best of both worlds to players of all music genres. Loaded with 65amps' proprietary Master Voltage power technology, which keeps the entire vocabulary, authority, and response down to two or three watts, the Tupelo sounds and feels right at any volume, from bedroom to coffee house to small clubs. The Tupelo particularly shines as a tonally and harmonically flexible studio amp. 

The Tupelo also has a passive FX Loop, two speaker outs, and 65amps' unique bias tremolo. 

Find out more at 65amps.com.
]]></description>
<pubDate>Thu, 21 Jan 2010 00:00:00 GMT</pubDate>
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<title>Founder of McCabe's Guitar Shop Passes</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2357</link>
<description><![CDATA[Gerald McCabe, founder of the landmark Santa Monica MI store McCabe's Guitar Shop, recently passed away at age 82.

McCabe, born Jan. 30, 1927, and though he intended the store to focus on furniture design and restoration, his focus changed after he began to repair damaged guitars. The store recently celebrated its 50th anniversary. 
]]></description>
<pubDate>Thu, 21 Jan 2010 00:00:00 GMT</pubDate>
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<title>SNL's Christine Ohlman Releases CD</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2346</link>
<description><![CDATA[Christine Ohlman, a.k.a. &quot;The Beehive Queen,&quot; whose &quot;day job&quot; is that of the flashy, gritty long-time featured vocalist with the Saturday Night Live Band, has completed her first new album in five years, &lt;em&gt;The Deep End&lt;/em&gt;, to be released by the Horizon Music Group through Selct-O-Hits on April 6, 2010. 

Having won the respect of many fellow artists over the years, Ohlman recruited a stellar group of them to contribute to the new CD, including Marshall Crenshaw, Dion DiMucci and Ian Hunter as duet partners, as well as an all-star list of accompanists: G.E. Smith, Eric &quot;Roscoe&quot; Ambel from the Del-Lords, NRBQ veteran Big Al Anderson, Catherine Russell, the Asbury Juke Horns (Chris Anderson and Neal Pawley) and more.

Working in a swampy, guitar-driven style of contemporary rock/R&amp;amp;B, Ohlman and The Deep End co-producer Andy York (John Mellencamp) crafted 15 songs of life and love tempered by loss. It is Ohlman's first album of new work since 2004; her recording hiatus followed the deaths of both long-time producer and mate Doc Cavalier and guitarist and founding member of Ohlman's Rebel Montez band, Eric Fletcher. (The band presently includes Michael Colbath, bass; Cliff Goodwin, guitar; and Larry Donahue, drums.)


A Connecticut native and resident, Ohlman played with G.E. Smith in the Scratch Band in the 1970s, leading to her long association with Saturday Night Live. Her stint in fabled Studio 8H of Rockefeller Center includes the Sinead O'Connor and Ashley Simpson meltdowns (she was present for both) and the current season's hilarious &quot;Swine Fever&quot; commercial parody, featuring a magnificently beehived Ohlman in full Dolly Parton regalia.]]></description>
<pubDate>Thu, 21 Jan 2010 00:00:00 GMT</pubDate>
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<title>Frampton Preps &lt;em&gt;Thank You Mr Churchill&lt;/em&gt; </title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2349</link>
<description><![CDATA[Following his Grammy-winning instrumental album, &lt;em&gt;Fingerprints&lt;/em&gt;, Peter Frampton returns with his most personal collection to date, &lt;em&gt;Thank You Mr Churchill&lt;/em&gt; (A&amp;amp;M/New Door/UMe) April 27.  

The 11-song set, co-produced and co-engineered by Frampton, is highlighted by the two-part, 8-minute instrumental, &quot;Suite: Libert&amp;eacute;.&quot;

 &quot;This album is very autobiographical,&quot; Frampton says. &quot;It starts with my birth, which I thank Mr. Churchill for bringing my father back from the second World War.&quot;

Recorded at his home studio in Cincinnati, &lt;em&gt;Churchill&lt;/em&gt; is deeply intimate, weaving tales of loss, love and redemption and the lessons learned along the way. &lt;em&gt;Churchill&lt;/em&gt; also includes Frampton's reflective take on troubling world events, including the Wall Street bailout (&quot;Restraint&quot;) and even the tragic case of Megumi Yokota, a Japanese girl kidnapped more than 30 years ago by South Korea (&quot;Asleep At The Wheel&quot;).

Frampton wrote all tracks on &lt;em&gt;Churchill&lt;/em&gt;, penning many with longtime collaborator Gordon Kennedy. His co-producer/co-engineer, Chris Kimsey, was the engineer on Frampton's first solo record, 1972's &lt;em&gt;Wind of Change&lt;/em&gt;. It marked the first time the two, who reunited via Facebook, have worked together in 30 years. Co-engineer Don Gunn (Death Cab For Cutie) also contributes to &lt;em&gt;Churchill&lt;/em&gt;. Guests include Pearl Jam drummer Matt Cameron, who also played on &lt;em&gt;Fingerprints&lt;/em&gt;, and the legendary Funk Brothers, who appear on Frampton's Motown homage, &quot;Invisible Man.&quot;]]></description>
<pubDate>Thu, 21 Jan 2010 00:00:00 GMT</pubDate>
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<title>Mr. Musichead Gallery to Feature Photos by Blakesberg</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2350</link>
<description><![CDATA[Mr Musichead Gallery, Los Angeles, will host an exhibit and book signing for rock photographer Jay Blakesberg on Thursday, March 4. 

Blakesberg is a San Francisco-based photographer and video director whose work appears regularly in many magazines, including&#160;Rolling Stone&#160;and&#160;Guitar Player. Over the last 30 years his photographic rock and roll journey has seen him work with many legendary artists including The Grateful Dead, Carlos Santana, Tom Waits, Neil Young, Joni Mitchell, Radiohead, Phish, Dave Matthews and John Lee Hooker to name just a few.&#160; He has published several volumes of his work that includes books on The Grateful Dead, Primus, and The Flaming Lips. Recently, he directed live concert video for The Flaming Lips, REM, Spearhead, Gov't Mule, Jackie Greene, Widespread Panic, and The Allman Bros. His most recent book is 'Traveling on a High Frequency' which is a 30-year retrospective of his music photography.

The event is a Los Angeles premiere exhibit and will feature over 40 images of recognizable faces from the past and present musical landscape. The range of artists featured includes Nirvana, Willie Nelson, Jerry Garcia, Pearl Jam, Widespread Panic, U2, Joni Mitchell, Phish, Dave Matthews, ZZ Top and many more. Copies of his latest release, 'Traveling on a High Frequency' will also be available for signing.

Opened in 1998, Mr Musichead Gallery is L.A.'s first gallery devoted to featuring a vast and unique collection of album cover art, poster art, fine art and photography that chronicles rock 'n' roll's rich heritage.  Gallery events have included notable book signings with Neil Zlozower and Barney Hoskyns;  exhibits featuring the Art of Jerry Garcia, a Hendrix album cover photography show with Karl Ferris, and The Album Cover Art of Storm Thorgerson, and fine art exhibits with Incubus' Brandon Boyd and British Illustration legend Alan Aldridge. In 2010, the gallery was chosen as the premiere music related art gallery for MusiCares Person of the Year Awards honoring Neil Young, charitably donating thousands of dollars of artwork for their silent auction at the event. Owner and founder Sam Milgrom established himself in Detroit as a cutting edge, influential music retailer and live concert venue owner who has now set his sights specifically on the L.A. music/art scene. He has curated photographic exhibits of Bob Gruen, Barrie Wentzell, and Henry Diltz.

Check for further details at mrmusichead.com.]]></description>
<pubDate>Thu, 21 Jan 2010 00:00:00 GMT</pubDate>
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<title>Grammy Museum to Host &quot;Mississippi Night&quot;</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2347</link>
<description><![CDATA[The State of Mississippi's continuing &quot;Birthplace of America's Music&quot; campaign gets a big boost next week with Mississippi Night at the Grammy Museum&amp;reg; in Los Angeles. The evening of Thursday, January 28 is a preamble to Sunday's Grammy Award ceremonies, and will be highlighted by a program featuring performances from some of the state's brightest musical lights, a reflection of the great diversity of Mississippi music.  Earlier in the day, Mississippians will take part in an educational program for the benefit of visiting Los Angeles high school students.

For the past three years, Mississippi has presented performance galas, hosted by Governor Haley Barbour, that have underscored the fact that Mississippi artists have been disproportionately represented among Grammy nominees and winners spread out over a wide variety of categories. This year's Mississippi Celebrates Its Grammy Legacy gala will take place May 27 at Biloxi's Hard Rock Casino.  Peavey Electronics, based in Meridian, MS and The Mississippi Development Authority, have sponsored those events and are, similarly, supporting next week's Grammy Museum program.

The artists participating in Mississippi Night at the Grammy Museum underscore the broad spectrum of Mississippi's musical legacy. Learn more at msgrammy.com.
]]></description>
<pubDate>Wed, 20 Jan 2010 00:00:00 GMT</pubDate>
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<title>Peavey Announces ReValver MK III.V Software</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2348</link>
<description><![CDATA[Peavey proudly announces the next version of its acclaimed ReValver amplifier modeling software, ReValver MK III.V, which debuts nine new amplifier and effects models. Developed by veteran tube-amp maker Peavey Electronics, ReValver is a revolutionary amplifier modeling software that captures the true characteristics of vacuum tubes while allowing users unprecedented control over their tonality and gain structures.

Peavey ReValver MK III.V will feature the debut of the Peavey 3120, Peavey Masterpiece, Peavey Sensation, Budda SuperdriveII, and Budda Superdrive V Series amplifier models. New effects models in ReValver MK III.V are the classic Peavey VCL-2 tube compressor and the Budda Budwah expression pedal. All of the amp and effects models and deep editing popularized by ReValver MK III are also available in MK III.V.

Learn more at peavey.com.]]></description>
<pubDate>Wed, 20 Jan 2010 00:00:00 GMT</pubDate>
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<title>Luther Allison's &lt;em&gt;Songs from the Road&lt;/em&gt; Due Feb. 9</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2342</link>
<description><![CDATA[Ruf Records announces a February 9 release date for Luther Allison's &lt;em&gt;Songs from the Road&lt;/em&gt;, a live two disc CD/DVD that documents a magical night of blues music from the legendary guitarist/singer, recorded at the Montreal Jazz Festival by Canadian Television on July 4, 1997. Distributed in the U.S. by the Allegro Corporation, the new release will retail for a special low price, essentially getting both the CD and DVD for the price of one.

&lt;em&gt;Songs from the Road&lt;/em&gt; was filmed just four days before Luther Allison was diagnosed with the terminal cancer which took his life one month later; thus, this document represents his last live recorded performance. The CD includes 80 minutes of the 90-minute set he performed that night, while the DVD features the 56-minute video version that was aired originally on Canadian TV. The CD includes 11 Luther Allison standout songs, including &quot;Cherry Red Wine,&quot; his 1996 award-winning Song of the Year, &quot;Serious,&quot; &quot;Will It Ever Change,&quot; &quot;Move from the Hood,&quot; and &quot;It Hurts Me Too.&quot; The DVD also includes bonus footage of an interview with Allison, as well as a documentary on his life.

For a man with only one month to live, Luther Allison showcases an amazing performance on &lt;em&gt;Songs from the Road&lt;/em&gt;, with blistering guitar runs, passionate singing and amazing showmanship, demonstrating why to this day he is still one of the most beloved bluesmen of all time. Melding blues and gospel, with rock and soul, Luther Allison's music transcended boundaries - musical, sociological, and geographical - with an appeal that endeared him to audiences all over the world. The CD captures all the raw energy that made his shows so special; and the beautifully filmed DVD brings the audience right up on stage with the legend, as the beads of sweat drip from his head and collect on his guitar, right before your eyes.]]></description>
<pubDate>Wed, 20 Jan 2010 00:00:00 GMT</pubDate>
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<title>Umphrey's McGee on Rock Band Network</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2343</link>
<description><![CDATA[Umphrey's McGee will be among the first group of bands to offer songs at the just-launched (beta testing period) &lt;em&gt;Rock Band Network&lt;/em&gt;.  The much buzzed-about video game platform works with Xbox video game systems to allow bands to Xbox users, and to offer fans a way dig into their favorite band's music in ways they have never been able to before.

Umphrey's McGee has been working with former Harmonix Music Systems employee - and now &quot;Rock Band&quot; freelancer - Andrew Buch. An alumn of Berklee College of Music, Buch has author several Umphrey's McGee songs for the new program, including &quot;1348&quot; and &quot;Miss Tinkles Overture.&quot; These songs and others will be made available within the next few months - when the first wave of the Rock Band Network releases are scheduled to hit upon the release of the new Xbox 360 system.

Buch, whose video/music &quot;claims-to-fame&quot; include the underground release of his mind-numbingly difficult &quot;Trippolette&quot; in the original &lt;em&gt;Guitar Hero&lt;/em&gt;, has worked on several games in the &lt;em&gt;Guitar Hero&lt;/em&gt; and &lt;em&gt;Rock Band&lt;/em&gt; franchises, making him a likely choice to prepare the music of Umphrey's McGee for the game. Additional work by Buch can be found at http://www.andrewbuch.com, including video footage of both Umphrey's McGee's music and the &lt;em&gt;Rock Band Network&lt;/em&gt; re-release of &quot;Trippolette.&quot;

Umphrey's McGee's participation in the Rock Band network is one of many ways this band continues to prove themselves truly a band of the 21st century. The band's innovative, interactive Stew Art Series (S2) has been hailed as a ground-breaking fan experience.Hosted as individual events before that evening's already scheduled show, Umphrey's Stew Art Series is a crowd-sourced improvisation experiment, in which all the music performed by the group on stage are entirely directed by S2 audience members. Check out this S2 video from the inaugural S2 event in Milwaukee: http://www.youtube.com/watch?v=XYJn64XRGXU. 

Look for Umphrey's McGee on tour now.

For more information on Umphrey's McGee and on &lt;em&gt;Rock Band Network&lt;/em&gt;, please visit: www.umphreys.com]]></description>
<pubDate>Wed, 20 Jan 2010 00:00:00 GMT</pubDate>
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<title>New School Spring Events</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2344</link>
<description><![CDATA[This spring, The New School for Jazz and Contemporary Music, a legendary conservatory within a renowned university setting, will present collaborations among prominent New School Jazz faculty joined by eminent players from the jazz community, alumni, and students. These spring events promise to showcase new talent emerging on the jazz scene today.

The New School Jazz performance series has moved to a new home at the Fat Cat on Christopher Street. Beginning in February on the first Monday of each month and ending with two performances in May, a host of dynamic jazz performances will take place, ranging from the classic to the iconoclastic, featuring Junior Mance with his students from The New School on April 5.

This semester, the school's annual series featuring faculty and alumni, Jazz Presents, will include Charli Persip Supersound on Thursday, March 10, and Droid on Thursday, April 8

For more, visit jazz.newschool.edu.]]></description>
<pubDate>Wed, 20 Jan 2010 00:00:00 GMT</pubDate>
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<title>Peavey Premieres 6534+ Amp</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2345</link>
<description><![CDATA[The Peavey 6534+ Head is a two-channel, 120-watt amplifier designed with EL34 power tubes to give this American legend a British flavor. The extreme high gain and legendary tone of the 6505 Series is here in excess, but with a special new design to minimize the noise that high-gain tube amps generate. In addition, the amp's Rhythm channel is voiced to clean up nicely while still retaining its raw saturation.

Six select 12AX7 preamp tubes provide the tonal foundation for the 6534+. Both the Lead and Rhythm channels feature independent three-band EQ, pre and post gain controls and Peavey's patented Resonance and Presence controls, which provide low-end enhancement and high-end boost, respectively. The Rhythm channel also includes a bright switch and footswitchable Crunch boost. Additional features include footswitchable effects loop and preamp output.

The Peavey 6505 artist roster includes Machine Head, Trivium, Bullet For My Valentine, The Devil Wears Prada, Black Tide, Evergrey, All That Remains, Story of the Year, Bleeding Through, Job For A Cowboy, Black Stone Cherry, In Flames, The Black Dahlia Murder, Daath, Divine Heresy, The Red Chord, Bury Your Dead, Demon Hunter and many more.

The Peavey 6534+ Head will be available from authorized Peavey retailers in Q1 2010.

Features:
    * 120 watts RMS into 16, 8 or 4 ohms
    * Six 12AX7 preamp tubes and four EL34 power amp tubes
    * Footswitchable Lead/Rhythm channel select
    * Three-band EQ on each channel
    * Resonance and Presence controls on each channel
    * Pre Gain and Post Gain on each channel
    * Footswitchable Crunch boost on Rhythm channel
    * Bright switch on Rhythm channel
    * Preamp output
    * Effects loop
    * Bias test point
    * Footswitch included
    * Made in the U.S.A. ]]></description>
<pubDate>Wed, 20 Jan 2010 00:00:00 GMT</pubDate>
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<title>Swell Launches V.2 Series Pedals </title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2351</link>
<description><![CDATA[Swell Pedal Co announces the launching of its new V.2 Series for 2010. Besides an easier to read new look all drive models now feature a bass cut switch (boost on bass models), three-position Push/Level switch and a Remote Boost Jack (another Swell first). In addition, all models have been re-voiced to be even more amp-like. See them at swellpedals.com.]]></description>
<pubDate>Tue, 19 Jan 2010 00:00:00 GMT</pubDate>
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<title>Hofner Offers Jazz Guitar Series</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2337</link>
<description><![CDATA[H&#246;fner has released two hollowbody guitars in its German Jazz Guitar Range. The HCT-J17-N and HCT-J17-SB are made in Hofner's Chinese workshop, with setup in Germany. They have
single-cut 17&quot; bodies, spruce tops with flame-maple back and sides, floating humbucker with Volume and Tone controls, and accent touches including ebony pickguard, tailpiece and bridge. Both are available in natural or sunburst finish.

The HCT-J17 is a non-cutaway cello-style guitar with a 17&quot; body, spruce top with flame-maple back and sides, a H&#246;fner humbucking pickup mounted on the top with Volume and Tone controls, tortoiseshell scratchplate, and H&#246;fner Lyre tailpiece. It is available in sunburst finish.

The HCT-J17 is a 17&quot; single-cut jazz guitar with two H&#246;fner humbucking pickups. Individual Volume and Tone controls with three-way switch, spruce top with flame-maple back and sides, tortoiseshell pickguard, and H&#246;fner Lyre tailpiece. It's available in sunburst, transluscent red or cherry sunburst. Learn more at hofner.com.]]></description>
<pubDate>Tue, 19 Jan 2010 00:00:00 GMT</pubDate>
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<title> Jeff Beck Releasing New Studio Album</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2338</link>
<description><![CDATA[For his first studio album in seven years, Grammy-winning guitarist Jeff Beck returns with an eclectic mix of tracks that find the guitar virtuoso accompanied by a handpicked cast of talented musicians, as well as several songs accompanied by a 64-piece orchestra. Rhino unleashes the Rock and Roll Hall of Famer's restless genius with &lt;em&gt;Emotion &amp;amp; Commotion&lt;/em&gt;. The album will be available on Atco Records, an imprint of Rhino Entertainment, on April 13.
 
Beck recorded &lt;em&gt;Emotion &amp;amp; Commotion&lt;/em&gt; late last year at Sarm Studios in London with award-winning producers Steve Lipson and Trevor Horn. To create the album's diverse sound, Beck used a number of musicians, including appearances by frequent collaborators Vinnie Colaiuta (drums), Jason Rebello (keyboards), and Tal Wilkenfeld (bass). The album also includes contributions from a trio of singers: Imelda May (&quot;Lilac Wine&quot;), Olivia Safe (&quot;Elegy For Dunkirk&quot;), and Grammy-winner Joss Stone (&quot;I Put A Spell On You&quot; and &quot;There's No Other Me&quot;).
 
To complement the innovative tones he coaxes from his guitar, Beck recorded with a 64-piece orchestra on songs that range from Puccini's immortal aria &quot;Nessun Dorma&quot; and &quot;Elegy For Dunkirk&quot; from the film Atonement to &quot;Somewhere Over The Rainbow&quot; from The Wizard Of Oz and Jeff Buckley's interpretation of &quot;Corpus Christi Carol.&quot; 
 
Beck says the idea of pairing his guitar with an orchestra evolved from the version of Gustav Mahler's Symphony No. 5 he recorded a few years ago. &quot;It turned out amazingly well, but I didn't want to commit to an entire album of classical music. What appealed to me instead was the idea of bringing together these seemingly contradictory sounds on different kinds of nonclassical music.&quot;
 
In addition to the orchestral pieces,&lt;em&gt;Emotion &amp;amp; Commotion&lt;/em&gt; showcases a number of original compositions. For &quot;Hammerhead,&quot; Beck fires the rocker's opening salvo through his wah pedal before falling into a deep groove carved out by the rhythm section and horn arrangement. At the opposite end of the sonic spectrum, the airy arrangement that elevates &quot;Never Alone&quot; provides a wide-angle soundscape for Beck's imagination to freely explore the high-flying melody.
 
Before launching a world tour to support &lt;em&gt;Emotion &amp;amp; Commotion&lt;/em&gt;, Beck will unite with Eric Clapton in February for a series of exclusive shows in London, New York City, Toronto, and Montreal. The guitarists-both former members of the Yardbirds-will play separately before taking the stage to perform together.
 
After the shows with Clapton, Beck will play South Korea, Hong Kong, Australia, and Japan before returning to America for the U.S. leg of the tour starting mid-April and including an appearance at the New Orleans Jazz Festival on May 1.
 
For Beck, the new album and tour follows in the wake of a triumphant 2009-his most successful year ever. Among the many highlights were a sold-out world tour; his second induction into the Rock and Roll Hall of Fame; the release of the platinum-selling Performing This Week... Live At Ronnie Scott's, which earned a Grammy nomination for &quot;A Day In The Life&quot;; and magnificent performances with his band at the 25th Anniversary Concert of the Rock and Roll Hall of Fame at Madison Square Garden.]]></description>
<pubDate>Tue, 19 Jan 2010 00:00:00 GMT</pubDate>
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<title>Folk Singer Kate McGarrigle Passes</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2339</link>
<description><![CDATA[Canadian folk singer and songwriter Kate McGarrigle, best known for performing with her sister Anna, has died of cancer. She was 63. The singer died at her Montreal home Monday surrounded by her sisters, Jane and Anna, and her children, Rufus and Martha Wainwright (from her marriage to singer/songwriter Loudon Wainwright III). McGarrigle had been battling cancer since the summer of 2006. 

Kate and Anna performed as the McGarrigle Sisters in the 1960s after starting with the Mountain City Four. In the '70s, their songs were covered by artists including Linda Ronstadt, Emmylou Harris, and Judy Collins. They recorded their first album as a duet in '75, bringing critical acclaim and worldwide recognition. Kate sang and played accordion, banjo, guitar and piano and throughout her career worked with J.J. Cale, Lowell George, Joan Baez, Lou Reed, Nick Cave, and others. ]]></description>
<pubDate>Tue, 19 Jan 2010 00:00:00 GMT</pubDate>
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<title>Bonamassa, Bonham Help Form Supergroup</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2340</link>
<description><![CDATA[A new super group has been formed with Jason Bonham, Glenn Hughes, Joe Bonamassa and Derek Sherinian. They are calling themselves Black Country, taking their name from the industrial area in England from which Bonham and Hughes both hail. The band is currently in the studio with producer Kevin Shirley (Black Crowes, Aerosmith, Led Zeppelin) cutting tracks for an upcoming album to be released in late 2010 or early 2011.

With Bonham on drums, Sherinian on keyboards, Hughes on bass and vocals, and Bonamassa on guitar and vocals, the band already has six tracks cut. The next recording session will take place in March and the band hopes to finish recording in early April. Shirley made the announcement on his website: &quot;So there it is folks - the cat is out the bag! This is Black Country. The songs are all original and what a lineup. They are all the very best players in the world, for my money!&quot;

Shirley added, &quot;Jason Bonham is a totally unique drummer and a supreme, yet oh-so-tasty powerhouse. Derek Sherinian is super versatile, and is playing mostly overdriven Hammond organ in this ensemble and is the color on the palette. Glenn Hughes plays bass and sings with a range very, very few can even get close to, and Joe Bonamassa, perhaps the best Blues Rock guitarist around, plays hard riffing guitar as well as adding his signature vocals alongside Glenn. You'll just have to wait - we're planning to get this out late summer, and it's promising to be phenomenal!&quot;

For more, go to jbonamassa.com.]]></description>
<pubDate>Tue, 19 Jan 2010 00:00:00 GMT</pubDate>
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<title>Santana's &lt;em&gt;Supernatural: Legacy Edition&lt;/em&gt; in stores Feb. 16</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2341</link>
<description><![CDATA[With a chart record that now spans five decades and one of the most best-selling catalogs in recording history, Santana's torrid gumbo of blues-rock, rhythm and soul, Afro-Cuban jazz, Mexicano, and world music flavors is an enduring wonder of contemporary popular music. 

Iin June, 1999, Santana released an album destined to be the biggest of their career.  &lt;em&gt;Supernatural&lt;/em&gt;, a long-overdue reunion between producers Carlos Santana and Clive Davis, brought fresh collaborations with (in alphabetical order) Cee-Lo, Eagle-Eye Cherry, Eric Clapton, Everlast, Lauryn Hill, Mexican supergroup Man&#225;, Dave Matthews and bandmate Carter Beauford, producers the Dust Brothers, KC Porter, Wyclef Jean, and others. The album spun off two huge RIAA platinum #1 hits - &quot;Smooth&quot; featuring Rob Thomas of Match&#173;box Twenty, and &quot;Maria Maria,&quot; produced by Wyclef Jean, featuring his hip-hop prot&amp;eacute;g&amp;eacute;s the Product G&amp;amp;B - the first Hot 100 #1 hits of Santana's career. They spent a cumulative half-year at #1 and paved the way for the album to amass chart honors and generate Grammy Awards&amp;reg; beyond anyone's imaginations or expectations (except, of course, Clive's).

In commemoration, &lt;em&gt;Supernatural: Legacy Edition&lt;/em&gt; presents the album's first new remastering - personally supervised by Carlos - since its original release.  In the tradition of the prestigious Legacy Edition series, the new package adds a second disc of rarities - 11 tracks, eight of them songs that were not contained on the album, seven of them previously unissued, including outtakes, dance club mixes, and instrumental material.  A 24-page full-color booklet includes rare photo graphy and memo rabilia from the Santana archives.  The specially-designed double-CD package, encased in the distinctive Legacy Edition mylar slipcase, will be available February 16.

]]></description>
<pubDate>Tue, 19 Jan 2010 00:00:00 GMT</pubDate>
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<title>H&#246;fner Launching Solidbody Line</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2336</link>
<description><![CDATA[Loosely based on solidbodies of the 1960s, H&#246;fner has introduced four new guitars in its line. The Galaxie has three H&#246;fner pickups with individual on/off switches, master Volume and Tone controls. and a new H&#246;fner vibrato with roller bridge. Its bolt-on maple neck has a rosewood fingerboard with Hofner stripe inlay, and small-button tuning-machine heads. The Galaxie short-scale bass has two H&#246;fner &quot;staple&quot; pickups, bolt-on neck, rosewood fingerboard, and vintage-style machine heads with pearl buttons. The long-scale H185 Bass also uses the Galaxie body with two pick-ups. The Colorama II is a double-cut guitar with two P90 pickups, rosewood fingerboard, and a classic H&#246;fner headstock shape. See more at hofner.com.




]]></description>
<pubDate>Mon, 18 Jan 2010 00:00:00 GMT</pubDate>
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<title>GuitarMatz Guitar Hanger System</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2333</link>
<description><![CDATA[The GuitarMatz Guitar Hanger System incorporates a solid-welded guitar hanger mounted to a frame that also holds a graphic panel. A non-marking protective rubber goes through the graphic and completes the look. Learn more at showoffgear.com.]]></description>
<pubDate>Sat, 16 Jan 2010 00:00:00 GMT</pubDate>
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<title>Reprotone Picks Made from Post-Consumer Recyclables</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2332</link>
<description><![CDATA[Reprotone Inc. announces production of their 100% recycled guitar picks available now in a variety of thicknesses and materials. 

Reprotone picks are manufactured in the United States of America with reprocessed raw materials. While this is a nice catch phrase and sentiment, it is also a fact that we at Reprotone Inc. take seriously and stand behind. When we say &quot;made in USA,&quot; we mean that the part and tooling design, the manufacture of the injection molds, the raw material reclamation and reprocessing, and the final molding of the picks were all done in the United States. We'd also like to point out that our picks are produced with 100% recycled materials. Aside from limiting the range of colors we can produce in our Nylon picks, there is no reason not to use recycled materials in our processes. 

We currently offer three styles of guitar pick in several thickness', indicated in millimeters below our logo on the &quot;A&quot; side of the pick. At this time we offer .50mm, .75mm, and 1.00mm thick picks. The embossed logo on the &quot;B&quot; side of the pick indicates the type of material used in molding the pick. Our &quot;100% Shag - PA66&quot; picks are made from 100% recycled nylon 6/6 carpet fibers. &quot;Re-PETE&quot; picks are made from 100% recycled P.E.T.E. &quot;Copperhead&quot; picks with the coiled snake engraved on the &quot;B&quot; side are produced from a copper filled nylon, these picks are the only copper filled nylon picks that we know of in the world. The copper gives the pick twice as much mass as an unfilled nylon pick, and produces unique tone. 

All three styles of pick are available with custom engraving on the &quot;B&quot; side for a relatively small set up fee and minimum run quantity. This engraving is limited to .750&quot; in diameter and will be embossed on the pick. 

Learn more at reprotone.com.
]]></description>
<pubDate>Fri, 15 Jan 2010 00:00:00 GMT</pubDate>
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<title>Derringer to Join Ringo's All-Stars</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2335</link>
<description><![CDATA[Ringo Starr &amp;amp; His All Star Band has announced tour dates for the 2010 incarnation of the band.

Starr will be accompanied by ASB returnees Edgar Winter and Gary Wright, as well as Rick Derringer, Mr. Mister's Richard Page, and Wally Palmar from The Romantics. Drummer Gregg Bissonette returns to help out on skins while Ringo plays host.

The tour starts June 24 in Niagara Falls, Ontario and concludes August 7 in Los Angeles. Learn more at ringostarr.com.]]></description>
<pubDate>Thu, 14 Jan 2010 00:00:00 GMT</pubDate>
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<title>Johnny A. Presents &lt;em&gt;One November NIght&lt;/em&gt;</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2330</link>
<description><![CDATA[Virtuoso guitarist Johnny A. announces a March 9 release date on Aglaophone Records for &lt;em&gt;One November Night&lt;/em&gt;, a two-disc DVD/CD set recorded live at Scullers in Boston. Filmed using five high definition cameras and recorded direct for amazing sound clarity, the new DVD/CD captures one of America's premier contemporary guitarists in an intimate setting for a truly special experience.

Both discs include many of his fans' favorites  taken from Johnny A.'s two previous studio albums, &lt;em&gt;Sometime Tuesday Morning&lt;/em&gt; (2001) and &lt;em&gt;Get Inside&lt;/em&gt; (2004), including such songs as 'I Had to Laugh,&quot; &quot;Tex Critter,&quot; &quot;Two Wheel Horse,&quot; Lullabye for Nicole,&quot; &quot;Ignorance Is Bliss&quot; and &quot;Get Inside.&quot; Also featured is the previously unrecorded &quot;Jimi Jam,&quot; a sonic salute to Hendrix and such other iconic guitarists as Jimmy Page and Eric Clapton.

The DVD also includes bonus interview segments, and concludes with his transcendent solo rendition of The Left Banke classic, &quot;Walk Away Renee,&quot; filmed outdoors against a vibrant New England mountain sunset. 

Bonus tracks on the CD include his take on Hendrix's &quot;The Wind Cries Mary&quot; and Jimmy Webb's &quot;Wichita Lineman,&quot; as well as two previously unrecorded songs:

The Beatles' &quot;The Night Before&quot; and Chuck Berry's &quot;Memphis.&quot;

&quot;Fans had been asking for a live album for some time now,&quot; says Johnny in the package liner notes, &quot;and I finally decided it was probably the right time to release it. This is an honest, no frills presentation of one night in the life of what I do.&quot;
&gt;
&gt; Playing his Johnny A. Signature Model guitar developed by Gibson in 2003 (which has become one of the company's most successful and popular models), he paints gorgeous aural portraits of each song, using tone, melody and dynamics ranging from shimmering single note patterns to ferocious rave-ups, which literally surround the audience in sound.

Since the release of his earlier CDs, Johnny A. has carved out a unique spot in music. His song, &quot;Oh Yeah,&quot; became the first number one instrumental in more than a decade on the Triple A radio charts. Along with his commercial radio airplay, feature segments on National Public Radio and other syndicated radio shows, plus extensive touring and the release of his instructional DVD, Taste, Tone, Space (2006), combined sales of Johnny A. discs are now approaching 150,000 copies.   

His previous work as a sideman with Peter Wolf (where he spent seven years and co-produced Wolf's 1996 solo album, Long Line), Bobby Whitlock and others helped set the stage for his solo career and developed his reputation as a guitar player extraordinaire. In the last several years, he's also been asked to appear at such prestigious festivals as Eric Clapton's Crossroads, the Montreal Jazz Festival and Tokyo's Fuji Rock Festival.

In addition to his extensive radio airplay, Johnny A's been recognized by the music press around the world as a very special talent. &quot;Devotion to melodies, tight dynamics and succulent tones perfectly temper Johnny's balance of fire and ice,&quot; said Guitar World. &quot;Johnny A. has eclectic musical vision and the skills to realize it...A.'s music is both accessible and sophisticated,&quot; said Jazziz magazine in its review.

For more, visit johnnya.com.]]></description>
<pubDate>Wed, 13 Jan 2010 00:00:00 GMT</pubDate>
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<title>Telarc signs Moreland &amp;amp; Arbuckle</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2325</link>
<description><![CDATA[Telarc International, a division of Concord Music Group, today announced the signing of an exclusive deal with Moreland &amp;amp; Arbuckle, whose debut recording for the label, &lt;em&gt;Flood&lt;/em&gt;, will be released on February 23, 2010. The rootsy, hard-driving group from Kansas performs their own potent brand of gritty, stripped down blues-rock with Aaron Moreland playing a cigar-box guitar that uses bass and guitar strings, and Dustin Arbuckle singing and playing harmonica, with Brad Horner on drums.

While Arbuckle was mostly influenced by the Mississippi blues, traditional country music and bluegrass, Moreland grew up listening to everyone from Led Zeppelin and Black Sabbath to Charlie Patton and Muddy Waters. Guitar Edge magazine wrote, &quot;The pride of Kansas plays Hill Country stomps like his life depends on it.&quot; The Edmonton Journal calls Moreland &amp;amp; Arbuckle &quot;one of the more inspiring young acts putting a new shine on music rooted in a century-old tradition.&quot;

Moreland &amp;amp; Arbuckle were nominated by BluesWax as 2008 Artist of the Year, and their previous release, &lt;em&gt;1861&lt;/em&gt;, won the Indie Acoustic Project 2008 CD of the Year Award. The band recently performed for U.S. troops in Iraq and Kuwait.

&quot;We're psyched to be with a label the quality of Telarc,&quot; says Moreland. Arbuckle agrees, &quot;Telarc gets who we are. It's a great fit.&quot;

&quot;This is such a vibrant group&quot; says Jason Linder, Vice-President of Marketing for Telarc. &quot;We really feel that Moreland &amp;amp; Arbuckle are ready to ride the trajectory upward, and we are glad to be part of that equation.&quot;

Moreland &amp;amp; Arbuckle have also signed an agreement with Monterey International, the top booking agency for blues and roots music]]></description>
<pubDate>Tue, 12 Jan 2010 00:00:00 GMT</pubDate>
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<title>Billy Bragg Discography Available Digitally</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2326</link>
<description><![CDATA[British rocker Billy Bragg is making available his complete solo catalog digitally, packaged with bonus tracks and b-sides. After years of on again off again digital availability, one of counterculture's most singular songwriting voices steps into the digital realm full force with this offering from Yep Roc Records. Learn more at YepRoc.com.]]></description>
<pubDate>Tue, 12 Jan 2010 00:00:00 GMT</pubDate>
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<title>Foley, Karp Collaborate</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2321</link>
<description><![CDATA[Blind Pig Records has announced the signing of U.S. singer/songwriter Peter Karp and Canadian Juno award winner Sue Foley for a joint recording project entitled &quot;He Said - She Said.&quot;

&quot;He Said - She Said&quot; is an inspired collaboration of original songs adapted from correspondence the two shared through letters written over a two year period. These letters started as a casual exchange between two committed performers sharing their common bond of the loneliness of the road, the pain of separation from family and home and above all, the drive to make music. But as time went on, the letters they shared became more poignant, more revealing, more intimate.   An account of the personal struggles and dramatic changes that were happening in their lives, they chronicle a crucial period of time of growth and struggle for them as artists and on a personal level.

Both art ists had no idea and no intention at the time that the letters would become an album.  Creatively, the creation of the album was an organic process, as the two songwriters eventually came to recognize that their letters provided the basic material for a series of songs.  Blind Pig Records will release the &quot;He Said - She Said&quot; CD in March.
  
Karp and Foley have also developed a compelling &quot;He Said - She Said&quot; live performance based on the album.  The show features the interpersonal dynamic that formed the genesis and evolution of the recordings.  The songs represent a meeting of hearts and minds, an interplay of shared artistic purpose and spiritual kinship. 

Whether they're performing as an acoustic duo or with their electric band, the music encompasses elements of folk, jazz, flamenco, and blues, resulting in a show that is moving, literate, romantic, rocking and exciting.  Blues Revu e magazine reviewed one of these shows, saying, &quot;'He Said - She Said' is a unique, daring idea beautifully executed by two talented, inspired artists unafraid to express themselves in songs of hope, longing, emptiness, love and frustration. A masterpiece.&quot;

HE: Peter Karp is a gifted American troubadour, a master songsmith with an art for spinning true-to-life emotions, humor, and candor. With an upbringing that was equal parts southern Alabama and the swamps of New Jersey, Karp's music is fueled by the Yankee-Rebel juxtaposition. He established himself on the national scene as a critically acclaimed songwriter, an accomplished guitarist and pianist with the release of his Blind Pig release entitled &quot;Shadows and Cracks.&quot; On the road across the U.S. and Canada, Karp repeatedly transfixes his live audiences. Critics compare his songwriting to John Hiatt and John Prine with impressive guitar and slide licks infuse d by his love of Freddie King and Elmore James. Peter Karp personifies the amorphous Americana sound, seamlessly blending blues, folk and roots music with a high sense of entertainment.

SHE: Sue Foley is considered to be one of the finest blues/roots artists working today. Born to a working class family, Sue spent her early childhood moving from Canadian town to town with her mother. At 16 she embarked on her professional career. By 21 she was living in Austin TX and recording for legendary blues label Antone's Records. Her first CD, &quot;Young Girl Blues,&quot; quickly established her unique talents as a blues guitarist and songwriter. Throughout the 90's she took to the road with her paisley Telecaster and honed her craft working/sharing the stage with such artists as B.B. King, Buddy Guy, Lucinda Williams and Tom Petty. After moving back to Canada, Sue won the prestigious Juno award for her critically acclaimed CD &quot;Love Coming Down.&quot;]]></description>
<pubDate>Thu, 07 Jan 2010 00:00:00 GMT</pubDate>
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<title>John Jorgenson Preps Two Albums</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2322</link>
<description><![CDATA[As one of the pioneers of American gypsy jazz music, Jorgenson is celebrating the father of gypsy jazz, Django Reinhardt, whose 100th birthday would have been January 23rd of this year, with two album releases and a touring schedule that takes him across the country and across the pond with the John Jorgenson Quintet. Widely known as the &quot;U.S. Ambassador of Gypsy Jazz,&quot; Jorgenson has earned a reputation as a world-class musician and guitarist and has collaborated with the likes of Elton John, Luciana Pavarotti, Bonnie Raitt and Bob Dylan. Both new releases see this legendary musician exploring new elements of world music, bluegrass, rock and classical as Jorgenson expands the range of gypsy jazz, captivating and enlightening fellow musicians and listeners along the way.

One Stolen Night, Jorgenson's first 2010 release, is the second album credited to the John Jorgenson Quintet, following up on the Billboard Jazz chart success of Ultraspontane. This collection contains a mix of standards and new compositions, with plenty of clarinet and swing, plus a vocal and the addition of the Greek bouzouki into the Quintet's instrumentation. The Quintet recorded all of the tracks in two days using minimal production, resulting in a &quot;live in the studio&quot; sound that is warm, rich and so crisp that it transports the listeners to an intimate private concert. 

The album features a driving rhythm section throughout as Jorgenson creates a classic gypsy jazz feel while pushing the boundaries with his arrangements and melodic content. &quot;Red on Red&quot; opens the album with fanfare and Django-inspired minor key swing, while &quot;Mediterranean Blues&quot; highlights a fiery jam session between violin and guitar. The title track, &quot;One Stolen Night,&quot; presents a captivating melody and showcases the enchanting sound of the bouzouki. Throughout the album the John Jorgenson Quintet creates a unique musical experience that equally enthralls the most discerning and the casual music fan with a sound that is all at once dynamic, romantic, driving, melodic and accessible.

Jorgenson's second album release in 2010, Istiqbal Gathering, is the culmination of a long relationship between Jorgenson and Paul Gambill, conductor of Orchestra Nashville, and was recorded live at Ocean Way Nashville and the Schermerhorn Symphony Center. Jorgenson and Gambill combined with a world-class team of musicians and collaborators to create the first collection of music specifically composed and recorded for gypsy jazz guitar and orchestra.

Jorgenson's brilliant guitar work leads the way, supported by the progressive and dynamic Orchestra Nashville. &quot;Concerto Glasso&quot; and &quot;Istiqbal Gathering&quot; feature a full orchestra, the latter showcasing the breathtaking talents of Alexander Fedoriuk on cimbalom and David Davidson on violin. &quot;Dieter's Lounge&quot; and &quot;Groove in the Louvre&quot; feature the unexpected blend of string orchestra along with the GRAMMY award-winning Turtle Island Quartet. The combination is a groundbreaking album full of soaring melodies and driving rhythms, and it is utterly one of a kind.

The John Jorgenson Quintet is the only American act to ever headline the prestigious Django Reinhardt Memorial Festival in France, and has been featured at other &quot;Djangofests&quot; in the U.S., UK, Germany and Canada. For the films Gattica and Head in the Clouds Jorgenson was tapped to recreate Django's music, and in the latter he even appeared onscreen as Django with stars Charlize Theron and Penelope Cruz.

Despite the levels of success Jorgenson has already attained, the acclaimed musician has no intention of taking it easy any time soon. Building on the legacy of Reinhardt, Jorgenson continues to expand the popularity of his beloved gypsy jazz by offering listeners an exotic yet familiar sound to which they can relate. If 2010 is any indication, we can expect Jorgenson to take gypsy jazz to new heights for many years to come.

Learn more, including tour dates, at johnjorgenson.com.]]></description>
<pubDate>Thu, 07 Jan 2010 00:00:00 GMT</pubDate>
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<title> Toadies' Herbert Forms Band</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2324</link>
<description><![CDATA[Guitarist and songwriter Darrel W. Herbert, best known for his tenure in the Toadies for their platinum selling &lt;em&gt;Rubberneck&lt;/em&gt; album which featured the '90s rock radio staple &quot;Possum Kingdom&quot;, has formed a new grou, DWH, he teamed up with drummer and fellow Texan Mitch Marine (Dwight Yoakam, Smash Mouth, Tripping Daisy, Brave Combo) and former Manic bassist Nate Perry to write and record 12 tracks over the last year.

Featuring some of the same distinct guitar moves he displayed with the Toadies as well as some newly-developed vocal skills; DWH is a melodic and heartfelt effort, eschewing the overwrought Sturm und Drang of Gen-X self-loathing.

Learn more at myspace.com/dwh-space.
]]></description>
<pubDate>Thu, 07 Jan 2010 00:00:00 GMT</pubDate>
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<title>Guyatone Launches New Mighty Micro Pedals</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2317</link>
<description><![CDATA[Guyatone has released three new pedals in its Mighty Micro series; the new CBm5 Cool Booster is clean boost with Gain, Tone, and Level Controls. The MOm5 Micro Octaver is an analog octave with one an two octaves down plus three-voice filter switch. The ODm5 Overdrive is an overdrive circuit with Drive, Tone, Level and three-way voice switch. The SSm5 Sonic Shaper is a harmonic exciter circuit with input attenuator. All have true-bypass switching. Visit guyatone.com.]]></description>
<pubDate>Wed, 06 Jan 2010 00:00:00 GMT</pubDate>
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<title>Stetsbar Intros S-Style Unit</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2318</link>
<description><![CDATA[Stetsbar's new S-Type vibrato system drops into Strat-style guitar bodies, being non-invasive and totally reversible.
It retains all the glories of the original Stetsbar Pro II design. Learn more at stetsbar.com.]]></description>
<pubDate>Wed, 06 Jan 2010 00:00:00 GMT</pubDate>
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<title>Recording Academy/EMI to Release Grammy Noms CD</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2319</link>
<description><![CDATA[The Recording Academy&amp;reg;'s  GRAMMY&amp;reg; Recordings has partnered with EMI Music to release the 2010 GRAMMY&amp;reg; Nominees CD, the 16th edition of the best-selling series highlighting artists and songs nominated for the 52nd Annual GRAMMY Awards. The 20-song collection will be available Jan. 19 and a portion of the proceeds from the sale of the CD will benefit the MusiCares&amp;reg; Foundation and the GRAMMY Foundation&amp;reg;, two charitable organizations established by The Recording Academy. For more information about the Foundations, please visit www.grammy.com.
                                                                                       
&quot;The diverse mix of tracks contained in this fine collection offer some of the great songs and artists that make up this year's talented crop of nominees,&quot; said Neil Portnow, President/CEO of The Recording Academy. &quot;We look forward to another successful chart-topping year and to providing further support to the important work that MusiCares and the GRAMMY Foundation continue to do year-round. And, we thank EMI Music for their collaboration on this exceptional album.&quot;
 
The disc contains many of the most widely recognized GRAMMY categories with the 20 tracks representing nominees for Record Of The Year, Album Of The Year, Best Female Pop Vocal Performance, Best Pop Vocal Album, Best Country Performance By A Duo Or Group With Vocals, and Best Rock Performance By A Duo Or Group With Vocals. The CD is made possible by a special arrangement with all of the major music distribution companies and rotates labels from year to year.
 
&quot;We're proud to be working with The Recording Academy to offer fans some of the year's most memorable music,&quot; said Ronn Werre, President of EMI Music Services and COO of EMI Music in North America. &quot;This GRAMMY nominees CD features hit after hit from an eclectic group of talented artists. As well as delivering great value, it also supports the very worthy causes of MusiCares and The GRAMMY Foundation.&quot;
 
The 52nd Annual GRAMMY Awards will be held Jan. 31 at STAPLES Center in Los Angeles, and will be broadcast live in high-definition TV and 5.1 Surround Sound on the CBS Television Network from 8 - 11:30 p.m. (ET/PT).
 
2010 GRAMMY Nominees CD Tracklist:
 
1.         THE BLACK EYED PEAS
&quot;I Gotta Feeling&quot;
Record Of The Year
Album Of The Year
Best Pop Vocal Album
 
2.         LADY GAGA
&quot;Poker Face&quot;
Record Of The Year
Album Of The Year
 
3.         KINGS OF LEON
&quot;Use Somebody&quot;
Record Of The Year
Best Rock Performance By A Duo Or Group With Vocals
 
4.         DAVE MATTHEWS BAND
&quot;You &amp;amp; Me&quot;
            Album Of The Year
 
5.         TAYLOR SWIFT
&quot;You Belong With Me&quot;
Record Of The Year
Album Of The Year
Best Female Pop Vocal Performance
 
6.         COLBIE CAILLAT
&quot;Fallin' For You&quot;
Best Pop Vocal Album
 
7.         THE FRAY
&quot;You Found Me&quot;
            Best Pop Vocal Album
 
8.         P!NK
&quot;Sober&quot;
Best Pop Vocal Album
Best Female Pop Vocal Performance
 
9.         KELLY CLARKSON
&quot;My Life Would Suck Without You&quot;
Best Pop Vocal Album
 
10.       KATY PERRY
&quot;Hot N Cold&quot;
Best Female Pop Vocal Performance
 
11.       BEYONC&#201;
&quot;Halo&quot;
Record Of The Year
Album Of The Year
Best Female Pop Vocal Performance
 
12.       ADELE
&quot;Hometown Glory&quot;
Best Female Pop Vocal Performance
 
13.       ZAC BROWN BAND
&quot;Chicken Fried&quot;
Best Country Performance By A Duo Or Group With Vocals
 
14.       SUGARLAND
&quot;It Happens&quot;
Best Country Performance By A Duo Or Group With Vocals
 
15.       LADY ANTEBELLUM
&quot;I Run To You&quot;
            Best Country Performance By A Duo Or Group With Vocals
 
16.       RASCAL FLATTS
            &quot;Here Comes Goodbye&quot;
Best Country Performance By A Duo Or Group With Vocals
 
17.       GREEN DAY
&quot;21 Guns&quot;
Best Rock Performance By A Duo Or Group With Vocals
 
18.       COLDPLAY
&quot;Life In Technicolor ii&quot;
Best Rock Performance By A Duo Or Group With Vocals
 
19.       U2
&quot;I'll Go Crazy If I Don't Go Crazy Tonight&quot;
Best Rock Performance By A Duo Or Group With Vocals
 
20.       ERIC CLAPTON AND STEVE WINWOOD
&quot;Can't Find My Way Home&quot;
Best Rock Performance By A Duo Or Group With Vocals]]></description>
<pubDate>Wed, 06 Jan 2010 00:00:00 GMT</pubDate>
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<title>Lick LibraryPink Floyd/Gilmour Instructional DVDs</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2320</link>
<description><![CDATA[Lick Library's range of guitar tuition DVDs has just got bigger with the release of &lt;em&gt;Learn to Play Pink Floyd Volume 2&lt;/em&gt;, &lt;em&gt;Learn to Play Dave Gilmour the Solos&lt;/em&gt;, and &lt;em&gt;Quick Licks in the style of Dave Gilmour&lt;/em&gt;. These new DVD sets give you the chance to study Dave Gilmour's legendary guitar solos, licks and riffs and are presented by Jamie Humphries who draws heavily from his own personal experience of playing with the Australian Pink Floyd.
 
Pink Floyd are one of rock music's most critically acclaimed acts and their songs have for a generation of guitarists given inspiration and ideas. Lead guitarist Dave Gilmour solo's and riff's have been central to the Pink Floyd sound and are often characterised by blues-influenced phrasing, expressive note bends and the sustain he uses.
 
&lt;em&gt;Learn to Play Pink Floyd Volume 2 &lt;/em&gt;-Jamie Humphries studies note by note five classic tracks in this guitar workshop including Time, Mother, Learning to Fly, On the Turning Away and Have a Cigar. Each track is explained and demonstrates the techniques used such as rhythmic chord variations, blues scales, time signature changes and much more. This double DVD set also includes an in depth analysis of David Gilmour's gear and its use, to help you get that Pink Floyd sound. An added bonus is actual footage of the Australian Pink Floyd live at the Royal Albert Hall.
 
&lt;em&gt;Learn to Play Dave Gilmour the Solos&lt;/em&gt; - Jamie takes you through the mighty solos from five timeless tracks, Comfortably Numb, Money, Another Brick in the Wall (Part 2), Time and Dogs on this double DVD set and CD of with jam tracks. This unique style of guitar lesson allows you to learn each solo at slow, medium, full tempo and play along with the tutor. You can practice these different tempos along with the accompanying CD of guitar jam tracks, further helping you study at your own pace.

&lt;em&gt;Quick Licks in the style of Dave Gilmour&lt;/em&gt;, this guitar tutorial helps you learn killer blues licks in the style of Dave Gilmour. Jamie studies chord progression, dynamics, vibrato, whammy bar techniques and a whole lot more as you look at licks based around famous Pink Floyd tracks. These can be picked up quickly and incorporated into your guitar playing. Each lick is taken in short sections, played and explained slowly, and built up into full tempo. After this, you can play along to the accompanying guitar jam track to practice your new licks and techniques.
 
Lick Library offers you a wide choice of types of guitar tutoring formats - Learn to Play.., Quick Licks... and Jam with... In each format you are guided through tracks and licks by expert tutors who break them down into uncomplicated bite size sections. The DVDs are easy to navigate with chapter points at key positions in the tutorials. Lick Library includes many more famous guitar legends, all are available to purchase through www.licklibrary.com along with over 20,000 other guitar tuition products. For the ultimate range of tuition products,www.licklibrary.com has the comprehensive and definitive professional guides to learning to playing the guitar.
]]></description>
<pubDate>Wed, 06 Jan 2010 00:00:00 GMT</pubDate>
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<title>Source Audio Launches Soundbox Pro Multiwave Bass Distortion</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2314</link>
<description><![CDATA[Source Audio's Soundblox Pro Multiwave Bass Distortion uses 56-bit DSP with 24-bit converters. It has 23 presets and clean boost/EQ mode, with tones from basic overdrive to synth-like. Each preset is customizable via the seven-band graphic EQ, Drive control, and separate Mix knobs for clean and distorted signals. Its six user presets are accessed via three footswitches, and a traditional expression pedal input facilitates morphing from one preset to another. Go to sourceaudio.net.]]></description>
<pubDate>Tue, 05 Jan 2010 00:00:00 GMT</pubDate>
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<title>Pretenders to release new live DVD/CD</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2316</link>
<description><![CDATA[E1 Music is set to release a new, live CD/DVD by legendary rock band Pretenders, &lt;em&gt;Pretenders: Live in London&lt;/em&gt;, on February 9th, 2010. This electrifying, 100-minute release will be available as a CD with a Bonus DVD, as well as a standalone Blu-ray disc. The Pretenders - Chrissie Hynde, Martin Chambers, James Walbourne, Nick Wilkinson, and Eric Heywood - perform their biggest hits, including &quot;Kid,&quot; &quot;Back On The Chain Gang,&quot; &quot;Middle Of The Road,&quot; &quot;Brass In Pocket&quot; and many more.  The DVD &amp;amp; Blu-ray feature 24 live tracks.  Pretenders: Live in London captures the band's energy at its purest form. 

Produced by FogoLabs, the concert was filmed at O2 Shepherd's Bush Empire by Grammy and Emmy Award winning producers and directors Pierre &amp;amp; Francois Lamoureux.  The video was shot without the use of cranes, dollies or steadicams to create movement.  Instead it is about the band, giving it all and not holding back any as they do any night when they hit the stage. The filmmakers' objective was to stay out the way and capture it within the frame.  The band played brilliantly that night and what can be heard &amp;amp; seen on this release is an honest reproduction of that moment in time.  There are no overdubs made to the music and no fake crowd noises added.  The editing is made to savor moments and the music was mixed and mastered for it to breathe. 
 
For more, go to www.ThePretenders.com.]]></description>
<pubDate>Tue, 05 Jan 2010 00:00:00 GMT</pubDate>
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<title>Radial's New PZ-DI</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2315</link>
<description><![CDATA[The Radial Tonebone PZ-DI pedal is designed for use with electric guitars equipped with traditional magnetic pickups and piezo acoustic transducers.&#160;It has class-A buffered inputs and silent switching from one pickup to the other. Its chassis 14-gauge steel and power is via external 15-volt supply.&#160;Learn more at redialing.com.]]></description>
<pubDate>Mon, 04 Jan 2010 00:00:00 GMT</pubDate>
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<title>Martin Guitar Intros Performing Artist Series</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2312</link>
<description><![CDATA[C.F. Martin &amp;amp; Co. is proud to announce the launch of the &quot;Performing Artist Series,&quot; an innovative line of acoustic/electric guitars set to debut in 2010. The three models that form the foundation of the new series include the &quot;DCPA1&quot; Dreadnought, &quot;OMCPA1&quot; Orchestra Model, and the new Grand Performance &quot;GPCPA1.&quot; These acoustic/electric models provide flexibility and professionalism for guitarists, from small coffee houses to large arenas to simply recording with your laptop or in a professional studio.
           
These new models combine Martin's legendary tone and styling, while adding player comfort and on-stage performance capability. The DCPA1, OMCPA1 and the modern Grand Performance GPCPA1 all share the same aesthetic blend of contemporary and traditional features. Additionally, all Performing Artist Series guitars are equipped with Fishman's newly designed onboard sound reinforcement system, the F1 Aura&amp;reg;.
 
&quot;A good percentage of the market wants to plug in their acoustic guitars, either for performance, studio or home recording,&quot; said Chris Martin IV, Chairman and CEO Martin Guitar. &quot;As musical trends evolve, we will remain committed to providing the finest acoustic guitars available in both acoustic and acoustic/electric configuration.&quot;
 
Each model in the Performing Artist Series offers its own distinctive acoustic and plugged-in sound for the discerning player. The DCPA1 offers the powerful and resonant Martin Dreadnought tone. The OMCPA1 is well balanced, offering warm bass response with crisp clear trebles. The new GPCPA1 shares characteristics from the big rich sound of the Dreadnought and the clarity of the Orchestra model and combines them into a new sonic signature all of its own. All three guitars share the same well-known Martin construction including solid East Indian rosewood back and sides, a solid Sitka spruce soundboard with hybrid scalloped bracing, a genuine ebony headplate, fingerboard and bridge, and a patented mortise and tenon neck joint.
           
The Performing Artist Series features many firsts for the company, including a more parallel neck profile with a slimmer taper at the 12th fret, giving the guitar comfortable width in the first few frets plus a faster feel for lead-work as you move up the neck. The new smaller bridge design reduces mass and increases the soundboard's tonal response.
 
Striking new aesthetic features include a pearl Martin block-style logo inlaid into the ebony headplate. New fingerboard inlays use traditional squares in colorful blue paua, flanked by arrow designs adding to the guitar's sleek modern style. A newly-designed two ring rosette borders the soundhole with a stunning combination of blue paua and wood fiber inlays. Finely polished gloss lacquer highlights the body's beauty, while a durable satin finish on the guitar's neck adds to the quicker feel and player's comfort.
           
The new Fishman&amp;reg; F1 Aura&amp;reg; features the stunning realism of award-winning Aura Acoustic Imaging technology in a distinctive and easy to use onboard preamp system. State-of-the-art features include: digital chromatic tuner, volume and blend controls, independent 3-band EQ for both pickup and image signals, compressor, phase control and an automatic anti-feedback filter with up to 3 notches. The heart of the F1 Aura is its ability to replicate the sound of nine different world-class studio microphones. Fishman engineers have carefully captured images of the sound that these high-quality microphones &quot;hear&quot; and allow you to blend it in with the legendary Gold+Plus under saddle pickup. The preamp design utilizes low-noise components, 32-bit internal processing and 24-bit audio conversion for an incredibly clean and quiet output.
 
A Limited Lifetime Warranty covers all &quot;Performing Artist Series&quot; models purchased from authorized Martin dealers in the U.S. and Canada. To protect your investment, each guitar includes a brown hardshell case.
           
For more, visit performingartistseries.com.]]></description>
<pubDate>Mon, 04 Jan 2010 00:00:00 GMT</pubDate>
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<title>D'Addario, Planet Waves Co-Sponsor Rock The Roxy Contest</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2313</link>
<description><![CDATA[The ROXY THEATRE in Los Angeles has teamed with D'Addario, Planet Waves and Evans on the hunt for hot, new, upcoming bands to &quot;Rock the Roxy.&quot;  Musicians everywhere can enter the &quot;ROCK THE ROXY YOUTUBE VIDEO CONTEST&quot; to win a chance to perform at the AustinRox showcase in Austin this March.  

Groups can simply post their music video to You Tube and watch the view-counter roll! Videos must be less than three minutes long and submitted as a video response. As long as the video shows the band rocking out at some point (electronic-based instruments are also allowed), videos can definitely get creative and feature fancy film work.

The top 50 bands with the most video views by February 9, 2010 will not only win a jam-packed prize package from D'Addario and other sponsors, but they'll also move on to the semi-finals!

In the semi-final round, bands will be judged for the chance to perform at a world-famous Austin Rox showcase in March 2010. Judges will include representatives from D'Addario, Evans, Planet Waves, The Roxy, Swing House Studios, partner companies, and even select celebrity musicians.
The winning band will receive the following incredible prize package worth more than $20,000:

&#8226;	Performance at The Roxy/Swing House Studios at an Austin showcase (All backline provided by the showcase)
&#8226;	$500 in cash
&#8226;	Gear from Zildjian, Tama, Ibanez, Marshall, Vox, Guitar World, and Korg
&#8226;	1 year endorsement with D'Addario, Evans, and Planet Waves valued at $5,000
&#8226;	Airfare for up to five band members
&#8226;	Two rooms for two nights in an Austin, TX hotel 
&#8226;	Transportation to &amp;amp; from the airport &amp;amp; hotel in Austin, TX 

For more, to to rocktheroxy.com.]]></description>
<pubDate>Mon, 04 Jan 2010 00:00:00 GMT</pubDate>
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<title>Carvin Founder Lowell Kiesel Passes</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2310</link>
<description><![CDATA[Lowell C. Kiesel, founder of Carvin, passed away December 28 in San Diego. He was 94.

Kiesel was born in Nebraska on February 22, 1915. As a young man, he spent time in Wichita, Kansas, where he developed an interest in musical instruments; specifically, Hawaiian steel guitars, resonators and the newly-emerging electronic aspects of these instruments. During his time in Kansas in the 1930s, he performed live on local radio stations with his Hawaiian steel guitar. However, like other innovators in the burgeoning industry of that era, he found that he had an equal passion for building instruments and equipment as he did playing them, and that passion would become his life's work. 

Following his time in the midwest, Mr. Kiesel relocated to Los Angeles, where he took a job with North American Aviation. It was World War II, and Mr. Kiesel was one of many men building aircraft for the war effort; notably, the legendary P-51 Mustang, which is often credited as turning the tide of the war for the Allies. Near the end of the war, in 1944, he married Agnes Dorothea, who would be with him until her passing in 2007.


He founded the L. C. Kiesel Company in 1946, and began winding guitar pickups on an old sewing machine. The company was initially located in Los Angeles, briefly relocated back to Mr. Kiesel's home state of Nebraska, and then moved back to southern California in 1949, by which time he had added amplifiers and steel guitars to his lineup of gear. There are still examples of these early Kiesel-badged steel guitars and amplifiers in existence today, underscoring the quality and durability of Mr. Kiesel's early designs. Originally, Kiesel pickups were sold through a distributor, but Mr. Kiesel felt he could do a better job by eliminating the middleman and selling his pickups directly to the customer, so an idea that would last until this day was born. He changed the name of the company to Carvin, after his two eldest sons, Carson and Gavin. In the earliest years of the company, he advertised in such magazines as Popular Mechanics, and began producing his own mail order catalog in the early 1950s. In the years that followed, the company expanded from pickups to guitars and basses, amplifiers, pro audio equipment and other musical accessories. Early Carvin steel guitars, amplifiers and electronics were made by Mr. Kiesel himself, and later by a few employees of the small company. In addition to his pickups, which were notably used by Semie Moseley in early Mosrite guitars, Mr. Kiesel designed and built many unique instruments, including an electric upright bass and an electric violin, which Agnes enjoyed playing. 

Learn more at carvinguitars.com/lowellkiesel.
]]></description>
<pubDate>Thu, 31 Dec 2009 00:00:00 GMT</pubDate>
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<title>Pete Wernick Slates Bluegrass Jam Camps</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2308</link>
<description><![CDATA[Pete Wernick (&quot;Dr. Banjo&quot;) will bring his renowned Bluegrass Jam Camps to several communities across the country in 2010. Jam Camp is geared to &quot;closet pickers&quot; of all bluegrass instruments. &quot;Many people want to start playing bluegrass, but they don't realize how easy it can be,&quot; says Wernick. &quot;It's available for anyone, 8 to 88. They just need a little help.&quot;

Pete and his wife Joan show inexperienced players how to fit into bluegrass jam sessions and develop confidence in making music together. Each camp (some of which precede bluegrass festivals) is a multi-day musical immersion, with hands-on instruction as students play in small groups. Participants are required only to be able to change smoothly between a few simple chords. A recent camper reports, &quot;One of the best experiences in or out of music I have ever had!&quot;

For intermediate players, Pete is also offering two intermediate level jam camp sessions this year: (1) an intermediate track as part of his North Carolina camp; and (2) a full-immersion intermediate/band skills camp in Loveland, Colorado. Topics covered include band dynamics and backup, ear skills, musicianship, harmony singing, practice techniques, performing skills, breakout sessions for instrument instruction, and more.

2010 Bluegrass Jam Camps
March 26-28-Boulder, CO, at the Boulder Inn
April 16-18-Loveland, CO, Intermediate/Band Skills Camp at Sylvan Dale Ranch
April 26-29-Boomer, NC, preceding MerleFest, includes Intermediate Track
May 11-13-Gettysburg, PA, preceding the Gettysburg Bluegrass Festival
(tentative) June 28-30--Owensboro, KY, at the International Bluegrass Museum
(tentative) July 12-15-Oak Hill, NY, preceding the Grey Fox Bluegrass Festival

For more, visit DrBanjo.com. ]]></description>
<pubDate>Wed, 30 Dec 2009 00:00:00 GMT</pubDate>
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<title>Guitarist Roland S. Howard Dies of Liver Cancer</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2309</link>
<description><![CDATA[Former Birthday Party guitarist Roland S. Howard passed away December 29 after losing a battle with liver cancer.

Howard was guitarist with the punk band the Boys Next Door, then Birthday Party. Led by singer Nick Cave, the Birthday Party left their native Australia for the U.K. in 1980.

After the Birthday Party's split in 1983, Howard lent his guitar skills to Crime and the City Solution and These Immortal Souls. He appeared in London with Cave and the Bad Seeds in 1991 for a partial Birthday Party reunion.
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<pubDate>Wed, 30 Dec 2009 00:00:00 GMT</pubDate>
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<title>Gibbons Takes &quot;Blackbird&quot; to Japan</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2306</link>
<description><![CDATA[The 18th annual Mooneyes Hot Rod and Custom Show took place earlier this month in Yokohama.  It's the biggest event of the year for hot rod and motorcycle enthusiasts in Asia, drawing more than 15,000 fans.  This year's edition starred ZZ Top's Billy F Gibbons who airlifted &quot;The Mexican Blackbird,&quot;  his latest automotive oeuvre, to Japan for the throngs to admire.  It's a '58 Thunderbird that was named after the ZZ Top song from the band's Fandango! album originally released in 1975 when the car was just 17 years off the assembly line.  The band's 40th anniversary is, by the way, is just a few days from now -- they formed on New Year's Eve, 1969 and played their first gig in February of 1970.

The Thunderbird was featured on a card Gibbons mailed to friends and acquaintances for the 2009 holiday season.]]></description>
<pubDate>Tue, 29 Dec 2009 00:00:00 GMT</pubDate>
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<title>Gibson Announces Keb Mo Signature Blues Master</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2307</link>
<description><![CDATA[The Gibson Keb Mo Blues Master model honors the three-time Grammy Award winner. The guitar is a flat-top acoustic made in the tradition of the great small bodied Gibson blues boxes with the added versatility of a built-in L.R. Baggs Element pick up with sound hole mounted volume control. The Keb Mo Signature model is available in a limited edition of only 300. Gibson's &quot;L&quot; series acoustic guitars were there at the very birth of blues played by the great blues originator Robert Johnson, among others. This inspiration follows through with the Keb Mo Blues Master.  The model packs all of the tonal nuance and sweetness you could hope for in a high-end, hand-crafted acoustic guitar while vintage specs include the 12th fret neck/body joint that positions the bridge right in the body's &quot;sweet spot&quot; for optimum resonance. The new model is reminiscent of the best of acoustic guitars from the 20s and early 30's.  Finishes include Antique Natural or Vintage Sunburst with double antiquing. The guitar has a cream top, back and fingerboard binding, herringbone trim, mother of pearl inlays and double-ring soundhole rosettes. It comes with a Gibson hardshell case, a personally signed interior label by the artist Keb Mo.]]></description>
<pubDate>Mon, 28 Dec 2009 00:00:00 GMT</pubDate>
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<title>Dropkick Murphys To Perform At 2010 Bridgestone NHL Winter Classic</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2304</link>
<description><![CDATA[The NHL announced today that the Dropkick Murphys will make a special appearance at the 2010 Bridgestone NHL Winter Classic&amp;reg; at Boston's Fenway Park on New Year's Day.  Dropkick Murphys will perform prior to the historic outdoor matchup between the Boston Bruins and the Philadelphia Flyers on Friday, January 1, 2010. NBC will provide live broadcast coverage of the game and the performance in the U.S. and CBC and RDS will televise the event live in Canada.  The Murphys will open the historic outdoor game at Fenway Park with a performance of their signature song, &quot;I'm Shipping Up To Boston.&quot;  
 
&quot;We are absolutely thrilled that Dropkick Murphys are performing at the 2010 Bridgestone NHL Winter Classic,&quot; said Don Renzulli, NHL Senior Vice President of Events &amp;amp; Entertainment.  &quot;As performers and as hockey fans, the Dropkick Murphys bring a new level of excitement to this historic game.&quot; 
 
Last year's NHL Winter Classic at Wrigley Field attracted the largest U.S. audience for a regular-season NHL game in 34 years. The 2010 Bridgestone NHL Winter Classic, a celebration of the sport of hockey and a return to its roots, will be the third regular season outdoor NHL game played in the U.S. and the fourth overall. 
 
There are multiple ways for fans throughout North America to tune in to the event on New Year's Day. In addition to live broadcast coverage via NBC (U.S.), CBC (Canada) and RDS (Canada), the NHL Network will offer all-access pre-game and post-game original programming. 98.5 The Sports Hub in Boston, WIP Radio in Philadelphia and SIRIUS XM Radio will carry live radio coverage, with NHL.com providing extensive and comprehensive digital video coverage.]]></description>
<pubDate>Mon, 28 Dec 2009 00:00:00 GMT</pubDate>
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<title> Redbone Guitarist Tony Bellamy Passes</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2305</link>
<description><![CDATA[Redbone guitarist Anthony Bellamy died December 25 in Las Vegas. He was 63. 

The band became established as a Native American rock group in the 1970s, reaching the Top 5 on the Billboard Hot 100 charts in 1974 with the song, &quot;Come and Get Your Love.&quot;

Reportedly, none other than Jimi Hendrix talked the musicians into forming as the all-Native-American rock group, which signed to Epic Records in '69. The band, which chose the name as a joking reference to a Cajun term for the mixed-race makeup of its members, consisted of Patrick Vasquez, Lolly Vasquez, drummer Pete DePoe, and Bellamy. Their self-titled debut album was released in 1970 and the band played primarily rock music with R&amp;amp;B, cajun, jazz, tribal and Latin roots. Their first commercial success was with the single, &quot;Maggie&quot; from their second album, &lt;em&gt;Potlatch&lt;/em&gt;, in 1970.  Two other hit singles would follow; &quot;The Witch Queen of New Orleans&quot; in 1971, which went to #21 on the &lt;em&gt;Billboard&lt;/em&gt; Hot 100, and their greatest hit song to date, &quot;Come and Get Your Love&quot; in 1974, which went to #5 on the &lt;em&gt;Billboard&lt;/em&gt; Hot 100. &quot;Come and Get Your Love&quot;, stayed in the &lt;em&gt;Billboard&lt;/em&gt; charts for 24 weeks, and was awarded a gold disc by the R.I.A.A. on April 22, 1974.

Bellamy, a Mexican-American Yaqui Indian who became the lead guitarist, pianist, and vocalist for the Native American band, grew up in a family of dancers and musicians and learned to play the flamenco guitar as part of his musical education. Before joining Redbone, he performed with Dobie Gray, and a was a member of the San Francisco band Peter and the Wolves, which evolved into Moby Grape.was inducted into the Native American Music Awards Hall of Fame with Redbone in 2008.

For more, visit nativeamericanmusicawards.com.]]></description>
<pubDate>Mon, 28 Dec 2009 00:00:00 GMT</pubDate>
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<title>Hottie Inc. Launches New Guitar Line</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2302</link>
<description><![CDATA[Hottie Inc., makers of the Hottie Amps and Hottie Pickups today announced it is introducing the Hottie 327 and the Hottie 454.

Inspired by '70s American muscle cars, features include:
&#8226; Master Grade Tonewoods
&#8226; Nitrocellulose Lacquer Finish
&#8226; Hand-carved set neck with soft-V or '59-C Profile
&#8226; Bone Nut - 11 11/16&quot;
&#8226; Ebony Fretboard - 24.625&quot; Scale/12&quot; Radius
&#8226; Nickel Hardware
&#8226; Hottie Pickups (Humbuckers or P90s) 
&#8226; TonePros Wrap-Around Bridge or Bigsby Vibrato
&#8226; Switchcraft and CTS Electronics
&#8226; Cedar Creek Custom Hardshell Case
 
Learn more at hottieguitars.com.]]></description>
<pubDate>Sat, 26 Dec 2009 00:00:00 GMT</pubDate>
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<title>Guitarists Join Benefit Concert For Sophia</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2297</link>
<description><![CDATA[Sweet will be performing at &quot;A Benefit Concert For Sophia&quot; to raise funds for the outstanding medical bills of the lead guitarist's baby daughter.  Sweet-&quot;Ballroom Blitz,&quot; &quot;Fox on the Run,&quot; &quot;Love Is Like Oxygen,&quot; &quot;Little Willy,&quot; &quot;Hellraiser,&quot; &quot;Teenage Rampage,&quot; &quot;Blockbuster,&quot; &quot;Action&quot;-will be joined by The Band From TV, Keith Emerson and his son Aaron Emerson, Foreigner's Kelly Hansen, The Howard Leese Band,  Andy and Tiffany Madidian, Toto's David Paich, DIO's Rudy Sarzo, AC/DC's Chris Slade, Bohemian Child's Robert Tuozzo and ThundHerStruck for the Wednesday, January 6th 7:30-11 p.m. concert at The Avalon in Hollywood, California. The Band From TV features Greg Grunberg (&quot;Heros&quot;), James Denton (&quot;Desperate Housewives&quot;), Hugh Laurie (&quot;House&quot;), Bob Guiney (&quot;The Bachelor&quot;) and Bonnie Somerville (NYPD, Gross Pointe.)  Other special guests will be added shortly.
 
Stuart and Christina Smith's daughter, Sophia Stormy, was born in Los Angeles pre-maturely on April 28th this year and needed immediate same-day life-saving surgery. On December 15, Sophia had a second surgery to correct other disorders. She is resting comfortably and, once again, came through surgery with flying colors!  The surgeries, of which she will need one more, have resulted in large medical bills that the benefit hopes to raise substantial funds for. 

To learn more, go to Help4Sophia.org.]]></description>
<pubDate>Tue, 22 Dec 2009 00:00:00 GMT</pubDate>
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<title>Gibson Launches Jimmy Page &quot;#2&quot; Les Paul</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2298</link>
<description><![CDATA[Gibson Custom announces the Gibson Custom Jimmy Page Number Two Les Paul Limited Edition guitar modified by the legendary Jimmy Page himself. Every musician knows that late '50s Sunburst Les Paul Standards are hard enough to come by as it is. Obtaining a pristine and exemplary '59 'Burst and modifying it for heightened performance and vastly expanded tonal options? Unheard of... unless, of course, you're Jimmy Page. That's exactly what the legendary Led Zeppelin guitarist, perhaps the world's most iconic Les Paul player, did with his own '59 Les Paul Standard, and now-thanks to the extreme efforts of Gibson's Custom Shop and the intimate cooperation of Jimmy Page himself-the artist's hallowed &quot;Number Two&quot; Les Paul is available to mere mortals, in the form of the Custom Shop Jimmy Page &quot;Number Two&quot; Les Paul. Produced in strictly limited numbers, with two levels of aging, this guitar captures the look, feel, sound, and versatility of one of the greatest artist-owned Les Pauls of all time, and it is likely to disappear from authorized Gibson dealers in record time.
 
The 1959 Les Paul that has come to be known as &quot;Number Two&quot; was purchased by Page in 1973 after trying for some time to acquire an exceptional second Les Paul. This was several years after having acquired his other legendary Les Paul-&quot;Number One&quot;, a '59 'Burst with shaved-down neck profile and no serial number-from Joe Walsh. &quot;Number Two&quot; was essentailly all original when he aquired it. Jimmy did have some modifications done to the neck shape so that it would more nearly match the feel of his &quot;Number One&quot;. The neck is certainly slim but not to such extremes as the now-ultra-slim neck on &quot;Number One&quot;. It had a strong, beautiful sunburst finish with a red element that had faded to a dusky amber-brown, along with a clear serial number dating it to 1959. Page played this Les Paul frequently through his days with Led Zeppelin, and in the early '80s decided to make it an even more versatile instrument. Page also added that he wanted to &quot;explore the full range of what the two humbuckers have to offer&quot; . He designed a switching system for coil splitting, series/parallel, and phase-reverse options for both pickups, and employed a skilled electronics technician to devise a working schematic and make his sonic vision a reality. The result comprised a push/pull pot on each of the guitar's four standard controls, plus two push-button switches hidden beneath the pickguard, all mounted on a '59 Les Paul Standard that is otherwise a superb example of the breed, both in tone and playability.
 
The Custom Shop Jimmy Page &quot;Number Two&quot; Les Paul was recreated with intense, inch-by-inch examination of Page's original guitar, inside and out. The process of getting it right involved the production of a number of hand-built prototypes, each of which was checked and critiqued in detail by Page himself. Approval of the final iteration was only offered after the legendary artist had intricately examined and extensively played this last prototype in his London home-after which it was given the thumbs-up, worthy of being the template for the Custom Shop Jimmy Page &quot;Number Two&quot; Les Paul. Only 325 examples will be produced in total: The first 25 instruments are to be aged by vintage-reproduction master Tom Murphy then inspected, played and hand signed and numbered by Jimmy Page personally. An additional 100 guitars will be given the extensive aging treatment and 200 will be finished to Gibson's VOS specs.

See more at gibson.com.]]></description>
<pubDate>Tue, 22 Dec 2009 00:00:00 GMT</pubDate>
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<title>Big Brother Guitarist Gurley Passes</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2299</link>
<description><![CDATA[Big Brother and the Holding Company's guitarist James Gurley, seen by his peers as one of the groundbreaking developers of what came to be called &quot;psychedelic rock&quot;, died of a heart attack Dec 20 in Palm Desert, two days shy of his 70th birthday.

Along with co-lead Sam Andrew, Gurley was responsible for laying down the musical foundation underlying Janis Joplin's unique vocal stylings in her original band. Country Joe &amp;amp; The Fish lead guitarist Barry Melton called Gurley &quot;the Yuri Gagarin of rock &amp;amp; roll - the first man in space.&quot; Melton added &quot;there was only handful of us that created our mini-genre of psychedelic guitar, and James was the avatar who blazed the path for the rest of us.&quot;
]]></description>
<pubDate>Tue, 22 Dec 2009 00:00:00 GMT</pubDate>
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<title>Gator Intros New TSA Cases, &quot;The Bone&quot; Pedalboard</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2300</link>
<description><![CDATA[Gator's new TSA Guitar Case has taken the GPE series to the next level. In June, Gator released the electric and bass guitar version of this case, and now they have expanded the line to include dread, Les Paul, 335 and classical sizes as well. The exterior of the case is constructed of the nearly indestructible military grade polyethylene construction with black powder-coated valance and hardware.  Gator has incorporated a surface mounted impact diversion latch housing with a TSA approved locking center latch to make this case ideal for airline travel. The addition of an ergo-grip injection molded handle makes for easy transportation of the case. An extended reach protective neck cradle, a crushed velvet luxury plush interior and a universal fit EPS protective foam open cavity design gives optimum performance teamed with style.

Gator's &quot;The Bone&quot; powered pedalboard has built-in 1700-milliamp power and fits four pedals plus A wah. The board sits on a slight angle to make it ergonomically correct for the guitar player.  It has a ballistic nylon carry bag with exterior zipper pocket and adjustable shoulder strap

For more, go to gatorcases.com.]]></description>
<pubDate>Tue, 22 Dec 2009 00:00:00 GMT</pubDate>
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<title>Fans Look to Honor Fogelberg</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2295</link>
<description><![CDATA[Longtime fans of Dan Fogelberg (1951-2007) are seeking to honor the late  singer/songwriter/guitarist in his hometown of Peoria, Illinois by constructing a memorial park overlooking the Illinois River.
 
Longtime Fogelberg fan Hugh Higgins is among the individuals who have undertaken the project, and recalled that the inspiration came from a radio station 90 miles southeast of Peoria.
 
&quot;Public radio station WILL, in Champaign, broadcast a program with interviews from friends, and rarely-heard tapes from Dan's coffee house days when he was a student a the University of Illinois,&quot; Higgins recalled. &quot;The only place I could get reception was on the high bluffs of Grand View Drive. Dan stated once in concert that the view of the river from this vantage point was inspirational to him.&quot;
 
The project has garnered approval from the Peoria Park District, the city's Economic Development Council, and the city council. Deborah Jelinek, DanFogelberg.com Communications Director and webmaster of Dan's endorsed fan site, thelivinglegacy.net, has created a third site that provides details on the proposed memorial park in addition to the other tributes Peoria has done in honor of their native son.
 
Higgins said that the memorial committee is considering a park similar to the John Denver Sanctuary near Denver, Colorado, and that donations have already been received from fans as far away as the Netherlands.
 
Fogelberg died in 2007 following an extended bout with prostate cancer. In 2001, Martin Guitars issued the D-41DF limited edition, based on Fogelberg's own Martin instrument.
 
Visit dfpeoria.com.]]></description>
<pubDate>Mon, 21 Dec 2009 00:00:00 GMT</pubDate>
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<title>Santana Aids the Fight Against World Hunger</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2296</link>
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<pubDate>Mon, 21 Dec 2009 00:00:00 GMT</pubDate>
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<title>Dailey &amp;amp; Vincent Received Eight SPGMA Noms</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2294</link>
<description><![CDATA[Dailey &amp;amp; Vincent have received eight nominations for the upcoming SPBGMA Bluegrass Awards: Entertaining Group of the Year, Bluegrass Band of the Year, Vocal Group of the Year, Gospel Group of the Year /Contemporary, Entertainer of the Year (Jamie Dailey), Male Vocalist of the Year/Contemporary (Dailey), Bass Fiddle Performer of the Year (Darrin Vincent) and Mandolin Performer of the Year (Jeff Parker). The SPBGMA Bluegrass Music Awards will take place on February 7 in Nashville.
 
Dailey &amp;amp; Vincent will perform at the Opry at the Ryman on Christmas night and December 26. They will join host Mike Terry during the Opry Warm-Up Show on December 26. Following their performance that night, from 9 p.m. until 10 p.m., they will make an in-store appearance at the Opry Originals store on Broadway to meet fans and sign autographs.
 
In a year that saw Dailey &amp;amp; Vincent taking home IBMA Entertainer of the Year, Vocal Group and Gospel Recorded Performance awards for the second time, they also released their second CD for Rounder, Brothers From Different Mothers. Currently, it tops the Bluegrass Unlimited National Bluegrass Survey album chart for the third consecutive month (December).  PopMatters, an online journal covering popular culture, included the album at #10 on its Best Bluegrass of 2009 list. Keith Lawrence at the Owensboro Messenger-Inquirer put Brothers at the top of his Best Bluegrass Albums of 2009 list, writing, &quot;This is some of the best harmony singing - and some of the best Southern soul - you'll hear this year.  Period.&quot;
 
For more, go to daileyvincent.com.]]></description>
<pubDate>Sat, 19 Dec 2009 00:00:00 GMT</pubDate>
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<title>Frusciante Quits RCHP</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2293</link>
<description><![CDATA[Guitarist John Frusciante (&lt;em&gt;VG&lt;/em&gt;, Aprilj '09) recently confirmed that he has amicably parted ways with the Red Hot Chili Peppers, using a Myspace blog to say &quot;...musical interests have led me in a different direction.&quot; 

The Peppers are reportedly working on a new album, and rumors have been circulating last week that he was replaced by Josh Klinghoffer, who toured with the band in 2007 and also appeared on Frusciante's 2009 solo album, &lt;em&gt;The Empyrean&lt;/em&gt;. Until now, representatives for the RHCPs would not confirm the news of Frusciante's departure to Rolling Stone. Frusciante clarifies in his MySpace post that he actually left the band over a year ago when they were on indefinite hiatus.

Frusicante  joined the band in the late 1980s, and played on its breakthrough 1989 album, &lt;em&gt;Mother's Milk&lt;/em&gt; and 1991's &lt;em&gt;Blood Sugar Sex Magik&lt;/em&gt;, before leaving for the time in 1992. He rejoined prior to the making of &lt;em&gt;Californication&lt;/em&gt;,

The band was recently nominated for induction to the Rock and Roll Hall of Fame, though it was not voted into the Hall's upcoming class.]]></description>
<pubDate>Fri, 18 Dec 2009 00:00:00 GMT</pubDate>
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<title>Lennon, Cook Relase Charity Single</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2291</link>
<description><![CDATA[Julian Lennon, son of the legendary John Lennon, and James Scott Cook have released their new digital single, &quot;LUCY,&quot; to raise funds for research on the disease lupus. From now until March 15, 2010, 100 percent of the proceeds from downloading &quot;LUCY&quot; at iTunes will be donated to the Lupus Foundation of America (LFA), and the Saint Thomas' Lupus Trust in Great Britain.

Both musicians have a personal connection to lupus.  Julian's childhood friend, Lucy Vodden, recently passed away at the age of 46 after long battle with lupus, and James' grandmother, Lucy Cook, has lived with lupus for many years.  Vodden was the subject of a drawing Julian created as a child which inspired his father to write the memorable Beatles hit song, &quot;Lucy in the Sky with Diamonds.&quot;   

&quot;We thank Julian Lennon and James Scott Cook for their generous support, which not only will help fund lupus research, but also will go a long way to help raise awareness and draw international attention to this perilous disease,&quot; said Sandra Raymond, LFA President and CEO.  &quot;The proceeds from the song will support LFA's comprehensive National Lupus Research Program, Bringing Down the Barriers, which addresses key barriers that have for decades obstructed progress of basic biomedical, clinical, epidemiological, behavioral, and translational lupus research. &quot; 

For more information about lupus, the story behind the song &quot;LUCY,&quot; or to make a donation to support lupus research, visit www.lupus.org.  

About Lupus
Lupus is an acute and chronic autoimmune disease in which the immune system is unbalanced, causing inflammation and tissue damage to virtually any organ in the body.  The health effects of lupus include heart attacks, strokes, seizures, miscarriages, and organ failure. Ninety percent of the people with lupus are women.

About the LFA
The LFA is the foremost national nonprofit voluntary health organization dedicated to finding the causes of and cure for lupus, and providing support, services, and hope to all people affected by lupus. 

About Julian Lennon and James Scott Cook
For more information about Julian Lennon and James Scott Cook, visit www.therevolution.com.
]]></description>
<pubDate>Thu, 17 Dec 2009 00:00:00 GMT</pubDate>
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<title>Foreigner Appearing on Conan</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2292</link>
<description><![CDATA[Foreigner will take the stage at &quot;The Tonight Show with Conan O'Brien&quot; this Friday, and treat fans to a performance of &quot;Hot Blooded,&quot; one of their seven Top 5 hits.  The performance comes as &quot;Can't Slow Down,&quot; the title track of the band's new 3-disc Walmart exclusive release, continues to gain traction on rock radio charts.  In addition to the success of the new album, Foreigner saw a sales jump last week of the 2008 greatest hits package No End In Sight, re-entering the Billboard sales charts for a record-breaking sixth time.
 
Foreigner released Can't Slow Down in September with an impressive #29 Billboard chart debut. Available from Rhino Entertainment exclusively through Walmart, Can't Slow Down features a new studio album from Foreigner along with an album of the band's re-mixed original hit recordings and a DVD featuring the band in concert.  The release, along with the band's 2008 greatest hits package No End In Sight, scored Foreigner the impressive honor of being the only classic rock group in recent history to have two albums, both featuring newly recorded tracks, in the Billboard 200 simultaneously. 
 
Foreigner also saw an increase in rock radio spins last week driven by new single &quot;Can't Slow Down.&quot;  The song is currently #14 with a bullet in the Radio &amp;amp; Records new music chart format.  Can't Slow Down's initial single, &quot;When It Comes to Love,&quot; continues its Top 30 run on adult contemporary airplay, charting in both Mediabase and Radio &amp;amp; Records.  This ranking and the band's consistent showing of Top 20 radio airplay puts Foreigner in the lead above other classic rock artists such as Bruce Springsteen, U2, Tom Petty, Bon Jovi and Journey.
 
Since the band's origin in 1976, Foreigner has sold more than 70 million albums and experienced multi-platinum success around the world.  With classic songs such as &quot;I Want to Know What Love Is,&quot; &quot;Waiting For A Girl Like You,&quot; &quot;Double Vision,&quot; and &quot;Urgent,&quot; the group has scored nine Top 10 and sixteen Top 30 hits.]]></description>
<pubDate>Thu, 17 Dec 2009 00:00:00 GMT</pubDate>
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<title>New Arcangels DVD/CD</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2303</link>
<description><![CDATA[Nearly eight years after headlining the Austin City Limits Festival, the Arcangels have reunited and released &lt;em&gt;Arcangels: Living in a Dream&lt;/em&gt;, a DVD/CD featuring their &lt;em&gt;Live at Stubbs&lt;/em&gt; performance along with three new studio tracks and a full length Documentary.

Formed in the musical hotbed of Austin, Texas, the Arcangels consist of some of the finest musical talents to ever play an instrument. With a devoted fan base, the Arcangels are known as a tremendous band with an equally remarkable story that began in 1992, after the devastating loss of their friend and fellow musician Stevie Ray Vaughan. The miracle that came from that loss was the unique sound of four musicians aptly named - the Arcangels: drummer Chris Layton and bassist Tommy Shannon (the veteran rhythm section of Stevie Ray Vaughan's Double Trouble) coupled with musical wonders Charlie Sexton and Doyle Bramhall II sharing lead vocal and lead guitar duties. The current band lineup consists of original members Bramhall, Sexton and Layton.

&quot;Charlie and I started to write together again and decided that we should get the band back together. The chemistry that we all have together is one entity and it's something very real. It's fun,&quot; said Bramhall. &quot;We're trying to take advantage and savor the good things and one of the good things is the Arcangels,&quot; added Charlie Sexton.

March 2009 marked the introduction of the band's new music and live tour launching at the South by Southwest Music Festival in Austin, TX. Next they opened for Eric Clapton on his European tour before embarking on their own U.S. tour during the summer. &quot;The stars kind of aligned once again. The band's back together and we're doing some new things,&quot; said Layton. The past few months on the road have only reaffirmed the band's strong bond and collective passion for music. The Arcangels are back and here to stay. The release of their new DVD/CD gives fans an all access look at the long road of hardships and challenges that the band has overcome to become the heralded Arcangels.

The Arcangels were formed at the Austin Rehearsal Center (ARC) which so aptly gave them a name. There, Sexton had a writing room to work on his next solo album, Bramhall was working under a development deal with Geffen Records, and Layton had a drum room where he would often practice. The initial idea had been quite simple; create a band that can jam when people happened to be in town or not on tour with Stevie. But Vaughan's death changed everything. When the foursome came together, press were quick to dub them a &quot;Texas supergroup,&quot; but the guys shunned that tag. The band was purely a musical outlet and inspiration to all of them.

Not intending to be a recording band, the guys played live and just for fun, opening for the likes of Robert Cray. But they soon found the excitement and challenges of being a band, worth the effort. Sexton and Bramhall tabled their solo projects and began creating music specifically for the Arcangels.

The band's 1992 debut album release, Arc Angels, on Geffen Records met with much critical acclaim and managed to break onto the Billboard Top 200 chart. The sound was unique - raw and intense rock and roll steeped in the roots of Texas blues, but still radio-friendly and widely appealing. The group toured heavily after the album and on Tuesday, June 9, 1992, the Arcangels made their network television debut on the NBC show The Late Show with David Letterman where they performed &quot;Living In A Dream.&quot; On Wednesday, January 6, 1993, they again performed on Letterman's show, this time playing &quot;Too Many Ways to Fall.&quot; It seemed that this Texas quartet was poised to explode onto the national scene.

But their name proved a harbinger of things to come; the Arcangels fell as quickly as they rose. Creative differences, heavy touring, and Bramhall's admitted descent into a deep and nearly deadly heroin addiction caused the breakup of the band in 1994. The Arcangels came to an abrupt halt in October of that year with a series of farewell concerts at Austin's Backyard outdoor venue.

They each followed their individual paths from there. Bramhall went on to solo projects as well as touring with Roger Waters and Eric Clapton's band. Sexton made two critically acclaimed solo albums, toured with Bob Dylan, and has produced numerous high profile artist projects. Meanwhile, Layton recorded three albums with the Texas soul quintet Storyville and has backed such artists as Buddy Guy and John Mayer.

Produced and designed by Mark Proct and Charlie Boswell, the DVD/CD was recorded using Advanced Micro Devices (AMD) cutting edge live-audio technology, designed to give users the highest quality experience.&quot; We wanted to give our fans more than they would have expected in both content and quality of content&quot; said Mark Proct &quot; From the Nuendo recording systems to the DVD rendering AMD played a major role in the production of the CD/DVD and the outcome exceeded all of our expectations.&quot; Now, after almost 5 years in the making, the DVD/CD is finally available to fans and rock &amp;amp; roll lovers of all ages. For your copy of Living in a Dream visit the Arcangels website.]]></description>
<pubDate>Thu, 17 Dec 2009 00:00:00 GMT</pubDate>
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<title>Satriani Set to Release New &lt;em&gt;Live in Paris&lt;/em&gt; CD, DVD</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2290</link>
<description><![CDATA[Joe Satriani, one of the world's most renowned instrumental artists, recorded &lt;em&gt;Live in Paris: I Just Wanna Rock!&lt;/em&gt; on May 27, 2008 at The Grand Rex Theater in Paris, France. The brand new live two-disc CD and DVD will be released on February 2, 2010 through Epic Records.
 
This very special recording captures Satriani's stirring performance with memorable songs such as, &quot;Surfing With The Alien&quot;, &quot;Flying in a Blue Dream&quot;, along with recent hits like &quot;Super Colossal&quot; and &quot;I Just Wanna Rock.&quot; The quality of music by the 15-time Grammy nominee is unquestionable, yet the extraordinary editing and artful stage lighting makes this Satriani &quot;live&quot; DVD a pleasure for the new viewer, as well as the long-time fan. The Live in Paris: I Just Wanna Rock! DVD will also include a very special bonus in-depth interview with Satriani as well as exclusive behind-the-scenes footage. 
 
The new year will find Satriani out on the road as part of the &quot;Experience Hendrix&quot; tour. Joe will join fellow musical peers, Billy Cox, Sacred Steel &amp;amp; Robert Randolph, Jonny Lang, Eric Johnson, Kenny Wayne Shepherd, Ernie Isley, Brad Whitford, Doyle Bram Hall II, Living Colour, Hubert Sumlin, and Chris Layton, on a full U.S. tour beginning March 4th in Santa Barbara and continuing throughout the month.
 
Joe commented &quot;I finally get to pay tribute to my hero the right way, on stage with an amazing, once in a lifetime, line up of musicians!&quot;

Over the last two decades, Satriani has traveled the world, playing to sold-out crowds as both a headliner and as founder of the all-star G3 guitar extravaganza. Of his 14 solo albums two went platinum and four gold with 15 Grammy nominations between them.  In 2009, Satriani joined with former Van Halen front man Sammy Hagar, former bassist Michael Anthony, and Red Hot Chili Peppers' drummer Chad Smith, to form the stand out rock collaboration, Chickenfoot. Their debut self-titled album was recently certified gold by the Recording Industry Association of America.]]></description>
<pubDate>Wed, 16 Dec 2009 00:00:00 GMT</pubDate>
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<title> Warwick Intros Bootsy Signature Model</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2287</link>
<description><![CDATA[The Warwick Bootsy Collins Infinity Signature Bass is as original as Bootsy himself. Bootsy Collins is the legendary bassist who left his mark on with James Brown in the '60s on such classics as &quot;Sex Machine&quot; and started a funky revolution in the '70s with Parliament and Funkadelic. Now you can bring on the funk just like Bootzilla has for the past four decades.  The Warwick Bootsy Collins Infinity Signature Bass is ideally suited to help you realize your own wildest musical dreams - from thundering grooves to cool, funky sounds.

Both Bootsy Collins Signature variants, Black Star and Orange Star, are based on the Warwick Infinity 4-string bass, thus offering the same warm characteristics as the Infinity serial model, which is known for its semi-resonant construction. The combination of a maple neck with an ovangkol body provides a tight and focused tone, while the rosewood fingerboard provides a touch of warmth.  Wild, flashy, and funky finishes - available with black stars on the Black Star model and orange stars on the Orange model - capture Bootsy's personal aesthetic with imaginative appeal. Black and silver flames dash out of the bass's distinct f-holes and the matching stars on the headstock and fingerboard immediately set this unique Warwick bass apart from all others, especially on stage.

The Warwick Bootsy Collins Infinity Signature Bass is equipped with active MEC Jazz- and Twin Jazz-pickups. The MEC 3-band EQ turns this bass into an extremely flexible beast! The bass was designed in cooperation with Collins and, like Bootzilla himself, represents the Funk genre like nobody's business.

See it at warwick.de.

]]></description>
<pubDate>Tue, 15 Dec 2009 00:00:00 GMT</pubDate>
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<title> Warwick Launches New Corvette Bass</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2288</link>
<description><![CDATA[&quot;Macassar&quot; is a dark, warm sounding wood belonging to the species of ebony woods and can be found on the Corvette $$ Special Edition Macassar. The body of this particular special edition is made from Swamp Ash with a 3/8&quot; Macassar top. Features include a matched headstock, Bolt-on Ovangkol neck and Tigerstripe Ebony fingerboard. The instrument is sealed with a Natural Oil finish. Black hardware adds a nice touch to the overall look of the instrument.

Two Bartolini MM-style pickups fueled by an MEC two-way EQ give this bass its thunder. Two mini switches allow the pickup inductors to be connected parallel, serial or in single coil mode, which adds some flexibility to the sound of the Corvette $$ Special Edition Macassar.

This Special Edition is available as 4- or 5-string versions, both fretted and fretless. Learn more at warwick.de.


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<pubDate>Tue, 15 Dec 2009 00:00:00 GMT</pubDate>
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<title>Framus Debuts Panthera, Diablo Guitars</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2289</link>
<description><![CDATA[In the past two years Framus' product developers have made an effort to redefine Diablo and Panthera series guitars. In close cooperation with our endorsers and Framus players, key points on the instruments were refined, both ergonomically and technically. Both series now include six base models all of which feature significant upgrades and improvements from their predecessors.

Considerable investments in machinery as well as actual the production process have resulted unmatched manufacturing quality. Among other things, a new lacquering-machine now allows a quality of lacquering unique in the modern world and does so while being much more ecologically friendly than traditional methods.

The new line is comprised of guitars ranging from vintage to versatile to heavy and leaves few wishes unfulfilled. The instruments will be unveiled at the NAMM show in Anaheim. The European public will get their first glimpse of all 12 new models at the Frankfurter Musikmesse. Learn more at framus.com.
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<pubDate>Tue, 15 Dec 2009 00:00:00 GMT</pubDate>
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<title>Nick Gravenites' &lt;em&gt;Bluestar&lt;/em&gt; Set for CD Release</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2280</link>
<description><![CDATA[Much sought after out-of-print solo LP by San Francisco/Chicago guitar legend Nick &quot;The Greek&quot; Gravenites, best known for his work with Janis Joplin, The Butterfield Blues Band, Big Brother &amp;amp; Holding Company and Quicksilver, gets its first CD release. Originally released on LP by the Line label in 1980, 'Bluestar' features John Cipollina (Quicksilver) on guitar and Huey Lewis on harmonica. Foremost reissue label Renaissance Records in conjunction with ItsAboutMusic.com will be releasing the digitally remastered CD on December 8, 2009.

Nick Gravenites grew up on the southside of Chicago hanging out in the mid-50's with fellow musicians Elvin Bishop, Paul Butterfield, Michael Bloomfield, who went on to form The Butterfield Blues Band. Learning first-hand from the southside blues greats like Muddy Waters, Buddy Guy, Howlin' Wolf, Jimmy Reed, Otis Rush, The Butterfield Blues Band burst onto the music scene redefining the blues. From the late 50's through the mid 60's, Gravenites travelled between Chicago and San Francisco, settling in the Bay Area in 1965. In addition to The Butterfield Blues Band, Gravenites has written and worked wth the likes of Janis Joplin (Nick wrote the song &quot;Buried Alive In The Blues&quot;, but sadly Janis died the night before her scheduled time in the studio and the song appeared as an instrumental on her album), Michael Bloomfield, the Electric Flag (of which Gravenites was a founding member), Pure Prairie League, Tracy Nelson, Roy Buchanan, Jimmy Witherspoon as well as blues legends Howlin' Wolf, Otis Rush, and James Cotton. He has appeared on over 40 albums as singer, songwriter, guitarist, and producer.

Nick is also responsible for writing the score for the film 'The Trip', and produced the music for the movie 'Steelyard Blues'. He produced the world hit &quot;One Toke Over the Line&quot; for Brewer &amp;amp;Shipley and the album 'Right Place-Wrong Time' for Otis Rush for which he was nominated for a Grammy Award. Nick also worked extensively with John Cipollina after producing the first Quicksilver Messenger Service album. They formed the Nick Gravenites-John Cipollina Band and completed several tours in Europe. Nick still performs live in northern California today. He was inducted to the Blues Hall of Fame in 2003 for his song &quot;Born In Chicago&quot;, and most recently toured with the Chicago Blues Reunion, and a new Electric Flag Band.

Visit itsaboutmusic.com.]]></description>
<pubDate>Tue, 15 Dec 2009 00:00:00 GMT</pubDate>
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<title>Mick Fleetwood Band Nominated For &quot;Best Traditional Blues Album&quot; Grammy</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2282</link>
<description><![CDATA[&quot;It's incredibly rewarding to know that I am being recognized for the music that really started me off in my career. Not many people realize that the original Fleetwood Mac was indeed a blues band, and to come full circle at this point in my career is extremely gratifying,&quot; says drummer extraordinaire Mick Fleetwood about the Grammy nomination for the Mick Fleetwoo Blues Band Featuring Rick Vito CD &lt;em&gt;Blue Again&lt;/em&gt; in the &quot;Best Traditional Blues Album&quot; category.

Being singled out in a category that has previously awarded such icons as B.B. King, John Lee Hooker, Etta James and Buddy Guy is &quot;obviously an unbelievable honor,&quot; says MICK, calling from Australia where he's on the massive Fleetwood Mac world tour. &quot;These artists are amongst the many that initially inspired me and could really be considered my mentors.&quot; 

Working with friend and former Fleetwood Mac guitarist and vocalist Rick Vito &quot;was incredibly comfortable and familiar. Not only because Rick and I had played together during his tenure in Fleetwood Mac, but also because his style is so reminiscent of [original Fleetwood Mac guitarist] Peter Green. Rick is one of the premiere slide players in the world and his uniqueness comes from his ability to marry both styles seamlessly.&quot;

Produced by Fleetwood and Vito, the &lt;em&gt;Blue Again&lt;/em&gt; album was recorded live in 2008 at the Sheldon Concert Hall in St. Louis and released this year via 429 Records. The band - with bassist Lenny Castellanos and keyboardist Mark Johnstone - digs in deep on Peter Green-penned Fleetwood Mac gems such as &quot;Stop Messin' Around,&quot; &quot;Rattlesnake Shake&quot; and &quot;Black Magic Woman,&quot; as well Vito originals like &quot;Red Hot Gal,&quot; Fleetwood Boogie,&quot; &quot;When We Do The Lucky Devil,&quot; and &quot;I Got A Hole In My Shoe,&quot; plus a cover of Elmore James' &quot;Shake Your Moneymaker.&quot; 

Learn more at 429records.com.]]></description>
<pubDate>Tue, 15 Dec 2009 00:00:00 GMT</pubDate>
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<title>Daisy Rock Marks 10 Years</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2283</link>
<description><![CDATA[Tish Ciravolo got the idea for Daisy Rock Girl Guitars from a drawing created by her daughter in early 2000. &quot;She was the cutest 1 year old, and her favorite thing to draw was daisies&quot; said Ciravolo. &quot;I was enjoying her being a child, not like so many other days when it feels like you are just trying to keep up. She drew a daisy, I turned it into a guitar, and my motherly, protective, musician self decided, in that frozen moment, to create a better experience for her in the music industry. Maybe one day she could walk into a music store and feel like she was welcome to be part of this &quot;club,&quot; this culture, this awesome community of guitarists-regardless of gender. A community that I never felt welcomed into while being a musician in the '80s and '90s. This was my chance-my duty-to change the culture and provide her and all girls with a better, more inviting experience.&quot;
 
Forging a new and unique path in a male-dominated industry, Daisy Rock Girl Guitars made an immediate impression. Receiving acclaim from artists, press, and others in the music field, Ciravolo knew Daisy Rock was on a successful path. &quot;Then, pink guitars popped up everywhere like wild weeds in the land of Daisy's.  Everyone tried it.  Everyone embraced it.&quot; Ciravolo continued, &quot;The guitar industry acknowledged the change, and the music store dealer gladly accepted a new customer.  And the artists believed in the passion and understood the mission.&quot;  The first artist to contact Daisy Rock was Wanda Jackson, &quot;Queen of Rockabilly&quot; and recent Rock and Roll Hall of Fame inductee who praised that Daisy Rock Girl Guitars &quot;fit girls in all the right places.&quot; Now 10 years later, the company boasts an artist roster of over 400 rockin' females, and that number is increasing every day.
 
Daisy Rock Girl Guitars has also become the leading sponsor of girl rock camps throughout the world. In 2000, Daisy Rock partnered with the Rock and Roll Camp for Girls, one of the very first rock camps specifically geared towards females, by donating instruments. Ciravolo remembered, &quot;I just wanted to try and inspire every single female to pick up a guitar or bass and play music.  Make it matter; make it a part of her life.  I wanted to help girls find their passion, live their dreams, and be part of this crazy thing that we all create... music. Girl rock camps have grown exponentially over the last 10 years, and Daisy Rock is a proud partner and main supporter of all girl rock camps worldwide. All in all, within the past 10 years, Daisy Rock has helped over 150,000 girls play guitar.
 
Available in 26 countries, Daisy Rock Girl Guitar continues to seek new ways to reach females around the world and support their dreams of playing guitar. &quot;The most important recognition through all the media buzz, the hype, the museum inductions, and the growth?  The GUITARS.  Daisy Rock's have always been really great playing and sounding guitars.  That is where the movement meets the sustain, and the passion continues to grow, because the guitars are built extremely well, play fantastic, and sound amazing,&quot; commented Ciravolo. &quot;A decade of Daisy's, and we've only just begun.&quot;
 
To learn more, visit daisyrock.com.]]></description>
<pubDate>Tue, 15 Dec 2009 00:00:00 GMT</pubDate>
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<title>&quot;T.A.M.I. Show&quot; Set For DVD Release</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2285</link>
<description><![CDATA[One of the rarest rock events ever captured on film, the 1964 concert known as &lt;em&gt;The T.A.M.I. Show&lt;/em&gt;, featuring performances by future Rock and Roll Hall of Famers the Rolling Stones, James Brown, Chuck Berry, the Beach Boys, Marvin Gaye, Smokey Robinson &amp;amp; The Miracles, the Supremes, and many others, will be officially released for the first time by Shout! Factory on March 23. &lt;em&gt;The T.A.M.I. Show Collector's Edition&lt;/em&gt; includes bonus features including new commentary by director Steve Binder, original &lt;em&gt;The T.A.M.I. Show&lt;/em&gt; radio spots, and a 20-page booklet with liner notes and rare photos and memorabilia.
 
&lt;em&gt;The T.A.M.I. Show&lt;/em&gt; was filmed live at the Santa Monica Civic Auditorium in 1964, a mere seven months after the Beatles appeared on &quot;The Ed Sullivan Show&quot; and introduced the swinging '60s. This legendary film has never been available on DVD and hasn't been seen in its entirety since it originally appeared in theaters, including its &quot;world premiere&quot; at 33 Los Angeles area theaters on November 14, 1964. Mastered from a new high-def transfer and restored to its original length, this complete version features the Beach Boys performances that were removed shortly after the film's initial theatrical run.
 
&lt;em&gt;The T.A.M.I. Show&lt;/em&gt; is the first concert movie of the rock era, capturing such superstars as the Rolling Stones (with the late Brian Jones), James Brown, Chuck Berry, the Beach Boys, the Supremes, Marvin Gaye, the Miracles (featuring Smokey Robinson), and many other Motown and British Invasion acts in their early prime. Aside from the five rock groups, all the performers are backed by a band that we've now come to know as &quot;the Wrecking Crew,&quot; famed for playing on all the Phil Spector-produced hits, and included future stars Glen Campbell and Leon Russell among others. Fanita James, Jean King, and future solo star Darlene Love, billed as The Blossoms, provide backing vocals.
 
This set is what music fans have been waiting for: the ultimate collector's edition of this long-unavailable landmark film. Critically acclaimed and long sought after, the film contains James Brown's legendary performance, which was a major influence on Michael Jackson, Prince, Mick Jagger, Sting, Beck and many others.
 
For more, go to dickclarkproductions.com.]]></description>
<pubDate>Mon, 14 Dec 2009 00:00:00 GMT</pubDate>
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<title>Metallica, Slayer, Megadeth, Anthrax on One Stage</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2281</link>
<description><![CDATA[Metallica, Slayer, Megadeth, and Anthrax will play together for the first time at this year's Sonisphere concerts in Poland and Czech Republic.

&quot;People have been talking about these four bands playing together since 1984. That's 26 years of expectation!&quot; said Anthrax guitarist Scott Ian. &quot;And the thing is, I believe not only will we live up to the expectations, we will shatter them! No other four bands as influential as the four of us have ever done this. As a fan, that's how big I feel this is.&quot;

The bands broke out of the underground thrash movement to dominate the metal world in the 1980s, selling millions of records and packing arenas across the globe. The metal giants have never before all shared the same stage, despite huge demand. But on June 16, Metallica, Slayer, Megadeth, and Anthrax will take to the Sonisphere stage at Bemowo Airport, Poland, to make the dreams of headbangers the world over become a reality. A second Big Four appearance is planned for Sonisphere Czech Republic three days later, with more Sonisphere shows featuring the awesome combo to be announced in the coming days and weeks.

&quot;This is a 'once-in-a-lifetime' opportunity for heavy metal fans to see the four greatest heavy metal bands in American history back together on one stage,&quot; concludes Megadeth main man Dave Mustaine. &quot;If there are any heads left at the end of this festival that haven't banged, they don't belong there.&quot;

Learn more at sonispherefestivals.com.
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<pubDate>Mon, 14 Dec 2009 00:00:00 GMT</pubDate>
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<title>The Devil Wears Prada Joins Killswitch Engage for US Tour</title>
<link>http://www.vintageguitar.com/newswire/detail.asp?newsID=2278</link>
<description><![CDATA[The Devil Wears Prada, whose blistering signature sound combined with a Biblical brutality has made them &quot;the next big thing,&quot; according to Absolute Punk, will join Killswitch Engage on their Winter U.S. tour as direct support beginning Thursday, February 4, 2010 in Boston, Massachusetts. Sweden's Dark Tranquility will open on all dates, and the tour will keep the threesome on the road over a six-week-plus period.

The Devil Wears Prada - vocalist Mike Hranica, guitarist/vocalist Jeremy DePoyster, guitarist Chris Rubey, bassist Andy Trick, keyboardist James Baney, and Daniel Williams on drums - is touring in support of their critically-acclaimed CD, With Roots Above and Branches Below (Ferret Records), which was released May 5, 2009. Two-thousand nine has proven to be a breakthrough year for the young Christian metalcore band that has developed a mainstream buzz and secular cred. Beginning with a 43-date, completely sold out headline tour this past Spring, TDWP went on to a Main Stage slot on the Vans Warped Tour, and is currently co-headlining (with All that Remains) the 27-date Napalm &amp;amp; Noise tour, which wraps up December 21 in Allentown, PA. Over the past few months, TDWP also found themselves on the covers of Outburn, Alternative Press, HM and AMP, to name a few, and covers for at least two other national music magazines are set for early next year.
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<pubDate>Mon, 14 Dec 2009 00:00:00 GMT</pubDate>
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