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	<title>Vintage Guitar® magazine &#187; Newswire</title>
	<atom:link href="http://www.vintageguitar.com/category/newswire/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.vintageguitar.com</link>
	<description>Published monthly since 1986</description>
	<lastBuildDate>Thu, 23 May 2013 17:54:17 +0000</lastBuildDate>
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		<title>Uriah Heep&#8217;s Trevor Bolder Passes</title>
		<link>http://www.vintageguitar.com/14059/uriah-heeps-trevor-bolder-passes/</link>
		<comments>http://www.vintageguitar.com/14059/uriah-heeps-trevor-bolder-passes/#comments</comments>
		<pubDate>Thu, 23 May 2013 13:45:34 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=14059</guid>
		<description><![CDATA[Bassist Trevor Bolder, who played with Uriah Heep for decades, died May 21. He was 62 and had been battling cancer. After playing on the local R&#38;B scene in the ’60s near his hometown in East Yorkshire, England, bolder scored a gig with The Rats, which included guitarist Mick Ronson. In 1971, re replaced Tony Visconti on bass in [...]]]></description>
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<div>
<div id="attachment_14060" class="wp-caption alignright" style="width: 298px"><img class="size-full wp-image-14060" alt="Trevor Bolder passes" src="http://www.vintageguitar.com/wp-content/uploads/Trevor-Bolder.jpg" width="288" height="349" /><p class="wp-caption-text">Photo: Maria Luisa Spagnuolo.</p></div>
<p>Bassist Trevor Bolder, who played with Uriah Heep for decades, died May 21. He was 62 and had been battling cancer.</p>
</div>
<div>After playing on the local R&amp;B scene in the ’60s near his hometown in East Yorkshire, England, bolder scored a gig with The Rats, which included guitarist Mick Ronson. In 1971, re replaced Tony Visconti on bass in David Bowie’s backing band, the Spiders from Mars, and played on Bowie&#8217;s <em>Hunky Dory, Alladin Sane, </em>and <em>The Rise and Fall of Ziggy Stardust and the Spiders from Mars </em>albums.</div>
<div></div>
<div>He joined Uriah Heep in 1976, and left for a brief time to play with Wishbone Ash, recording <em>Twin Barrels Burning</em> with that band before returning to the Heep, with which he continued to perform and record until his illness forced him to step down earlier this year. He was usually seen playing a well-worn sunburst Fender Precision Bass, modified with a Jazz-style pickup.</div>
</div>
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		<title>Levy&#8217;s Adds Hendrix Lyrics Straps</title>
		<link>http://www.vintageguitar.com/14053/levys-adds-hendrix-lyrics-straps/</link>
		<comments>http://www.vintageguitar.com/14053/levys-adds-hendrix-lyrics-straps/#comments</comments>
		<pubDate>Wed, 22 May 2013 14:19:49 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=14053</guid>
		<description><![CDATA[Levy&#8217;s Leathers Jimi Hendrix lyrics guitar straps are inspired by the style of the legendary guitarist and use his images and handwritten song lyrics exclusively licensed from Authentic Hendrix. Each sublimation-printed polyester strap has an original design, song title, and handwritten lyric excerpt on the front, with the full song lyrics printed on the back. [...]]]></description>
				<content:encoded><![CDATA[<div id="attachment_14054" class="wp-caption alignright" style="width: 298px"><img class="size-full wp-image-14054" alt="Levy's Hendrix Lyrics Straps" src="http://www.vintageguitar.com/wp-content/uploads/Levys-Hendrix-Lyrics-Straps.jpg" width="288" height="244" /><p class="wp-caption-text">Levy&#8217;s Hendrix Lyrics straps are available in six designs.</p></div>
<p>Levy&#8217;s Leathers Jimi Hendrix lyrics guitar straps are inspired by the style of the legendary guitarist and use his images and handwritten song lyrics exclusively licensed from Authentic Hendrix. Each sublimation-printed polyester strap has an original design, song title, and handwritten lyric excerpt on the front, with the full song lyrics printed on the back. Learn more at <a href="http://www.LevysLeathers.com/">www.levysleathers.com</a>.</p>
<div></div>
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		<title>Ray Manzarek, Keyboardist and Co-Founder of The Doors, Passes</title>
		<link>http://www.vintageguitar.com/14040/ray-manzarek-keyboardist-and-co-founder-of-the-doors-passes/</link>
		<comments>http://www.vintageguitar.com/14040/ray-manzarek-keyboardist-and-co-founder-of-the-doors-passes/#comments</comments>
		<pubDate>Tue, 21 May 2013 14:21:41 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=14040</guid>
		<description><![CDATA[Ray Manzarek, keyboardist and founding member of The Doors, passed away May 20. He was 74 and had been battling cancer. Manzarek  and singer/front man Jim Morrison formed The Doors in 1965 and it became one of the most successful rock acts to emerge from the decade. In 1993, the band was inducted to the Rock and Roll [...]]]></description>
				<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-14042" alt="Ray Manzarek" src="http://www.vintageguitar.com/wp-content/uploads/Ray-Manzarek.jpg" width="300" height="186" />Ray Manzarek, keyboardist and founding member of The Doors, passed away May 20. He was 74 and had been battling cancer. Manzarek  and singer/front man Jim Morrison formed The Doors in 1965 and it became one of the most successful rock acts to emerge from the decade. In 1993, the band was inducted to the Rock and Roll Hall of Fame. Manzarek&#8217;s keyboard work was one of the band&#8217;s key elements, carrying the melody of its biggest hit, &#8220;Light My Fire,&#8221; and other high-profile songs including &#8220;L.A. Woman,&#8221; &#8220;Break On Through,&#8221; &#8220;The End,&#8221; and &#8220;Hello, I Love You.&#8221;</p>
<p>Manzarek became one of the most influential keyboardists in rock and later was a best-selling author and Grammy-nominated recording artist in his own right. His most-recent album, 2011’s <em>Translucent Blues</em>, was a collaboration with slide guitarist Roy Rogers.</p>
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		<title>Tennant to Perform with Romero Collection Guitars</title>
		<link>http://www.vintageguitar.com/14026/tennant-to-perform-with-romero-collection-guitars/</link>
		<comments>http://www.vintageguitar.com/14026/tennant-to-perform-with-romero-collection-guitars/#comments</comments>
		<pubDate>Mon, 20 May 2013 15:24:40 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=14026</guid>
		<description><![CDATA[Classical guitarist Scott Tennant will stage a performance using seven guitars owned and played by the Romero family, June 1 at showroom of Guitar Salon, Santa Monica, California. The guitars – an 1886 Torres, 1970 Miguel Rodriguez reverse-fan, 1919 Santos Hernandez, 1958 Miguel Rodriguez flamenco, 1969 Hermann Hauser, the 1973 Miguel Rodriguez churchdoor known as [...]]]></description>
				<content:encoded><![CDATA[<div id="attachment_14027" class="wp-caption alignright" style="width: 370px"><img class="size-full wp-image-14027" alt="Scott Tenant" src="http://www.vintageguitar.com/wp-content/uploads/Scott-Tenant.jpg" width="360" height="232" /><p class="wp-caption-text">Scott Tennant</p></div>
<p>Classical guitarist Scott Tennant will stage a performance using seven guitars owned and played by the Romero family, June 1 at showroom of Guitar Salon, Santa Monica, California.</p>
<p>The guitars – an 1886 Torres, 1970 Miguel Rodriguez reverse-fan, 1919 Santos Hernandez, 1958 Miguel Rodriguez flamenco, 1969 Hermann Hauser, the 1973 Miguel Rodriguez churchdoor known as “La Wonderful,” a 2001 Blochinger, and a guitar by Antonio de Torres, the famed 19th-century builder – will be brought to the venue by Pepe Romero, Jr., a renowned maker who continues the family’s guitar tradition. He will introduce each instrument and provide background, technical, and historical information before handing it off to Tennant. Learn more at guitarsalon.com.</p>
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		<title>Jeff Hanneman Memorial Celebration Slated for May 23</title>
		<link>http://www.vintageguitar.com/14006/jeff-hanneman-memorial-celebration-slated-for-may-23/</link>
		<comments>http://www.vintageguitar.com/14006/jeff-hanneman-memorial-celebration-slated-for-may-23/#comments</comments>
		<pubDate>Thu, 16 May 2013 19:02:15 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=14006</guid>
		<description><![CDATA[An event dubbed The Jeff Hanneman Memorial Celebration will take place May 23 at the Hollywood Palladium, in Los Angeles. It will be free and open to the public. Hanneman, who passed away May 2 at the age of 49, co-founded Slayer with fellow guitarist Kerry King, bassist Tom Araya, and drummer Dave Lombardo in [...]]]></description>
				<content:encoded><![CDATA[<div id="attachment_14007" class="wp-caption alignright" style="width: 249px"><img class="size-full wp-image-14007" alt="Photo: Andrew Stuart." src="http://www.vintageguitar.com/wp-content/uploads/J.-Hanneman.jpg" width="239" height="360" /><p class="wp-caption-text">Photo: Andrew Stuart.</p></div>
<p>An event dubbed The Jeff Hanneman Memorial Celebration will take place May 23 at the Hollywood Palladium, in Los Angeles. It will be free and open to the public.</p>
<p>Hanneman, who passed away May 2 at the age of 49, co-founded Slayer with fellow guitarist Kerry King, bassist Tom Araya, and drummer Dave Lombardo in 1981. He stayed out of the spotlight, rarely did interviews, and when not on tour essentially went “incommunicado” so he could spend time with his wife and family; they were also the reason Slayer would not tour into late December, as Christmas was his favorite holiday.</p>
<p>Hanneman helped shape Slayer&#8217;s sound – and the thrash genre – through his songs, including &#8221;Angel of Death,&#8221; &#8220;Raining Blood,&#8221; &#8220;South of Heaven&#8221; and &#8220;War Ensemble.&#8221;  For more, visit www.slayer.net.</p>
<p>&nbsp;</p>
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		<title>Seymour Duncan Offers Nazgûl Pickup</title>
		<link>http://www.vintageguitar.com/14004/seymour-duncan-offers-nazgul-pickup/</link>
		<comments>http://www.vintageguitar.com/14004/seymour-duncan-offers-nazgul-pickup/#comments</comments>
		<pubDate>Thu, 16 May 2013 18:35:30 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=14004</guid>
		<description><![CDATA[The Seymour Duncan Nazgûl pickup was designed for high-output, chug-heavy distortion. The company calls its tone “heavy and aggressive” but says it retains articulation and provides precise pick attack. “The Nazgûl gives chords heavy saturation and produces a lightning-fast response… Perfect for all high-output metal needs in which sonic obliteration needs to be accomplished.” The Nazgûl [...]]]></description>
				<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-14005" alt="Duncan The Nazgûl pickup" src="http://www.vintageguitar.com/wp-content/uploads/Duncan-The-Nazgûl.jpg" width="360" height="180" />The Seymour Duncan Nazgûl pickup was designed for high-output, chug-heavy distortion. The company calls its tone “heavy and aggressive” but says it retains articulation and provides precise pick attack. “The Nazgûl gives chords heavy saturation and produces a lightning-fast response… Perfect for all high-output metal needs in which sonic obliteration needs to be accomplished.” The Nazgûl is available for 7- and 8-string guitars and in active-mount (soapbar) size. For more, visit <a href="http://www.seymourduncan.com/">www.seymourduncan.com</a>.</p>
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		<title>Dunlop Readies MXR Prime Distortion Pedal</title>
		<link>http://www.vintageguitar.com/14000/dunlop-readies-mxr-prime-distortion-pedal/</link>
		<comments>http://www.vintageguitar.com/14000/dunlop-readies-mxr-prime-distortion-pedal/#comments</comments>
		<pubDate>Wed, 15 May 2013 19:51:36 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=14000</guid>
		<description><![CDATA[Dunlop&#8217;s MXR Prime Distortion pedal is designed to provide a hard-clipping signal that is highly responsive to player attack and with an articulate sound that is easy to dial in. It has controls for Output, Tone, and Distortion, and an all-analog circuit that uses low-noise op amps. It will be available exclusively at Guitar Center [...]]]></description>
				<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-14001" alt="Dunlop Readies MXR pedal" src="http://www.vintageguitar.com/wp-content/uploads/MXR_M69.jpg" width="288" height="240" />Dunlop&#8217;s MXR Prime Distortion pedal is designed to provide a hard-clipping signal that is highly responsive to player attack and with an articulate sound that is easy to dial in. It has controls for Output, Tone, and Distortion, and an all-analog circuit that uses low-noise op amps. It will be available exclusively at Guitar Center stores or online. Go to jimdunlop.com.</p>
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		<title>Les Paul Foundation Helps Guitars For Vets</title>
		<link>http://www.vintageguitar.com/13998/les-paul-foundation-offers-guitars-to-vets/</link>
		<comments>http://www.vintageguitar.com/13998/les-paul-foundation-offers-guitars-to-vets/#comments</comments>
		<pubDate>Wed, 15 May 2013 19:03:00 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=13998</guid>
		<description><![CDATA[The Les Paul Foundation supports Guitars For Vets, a program headquartered in Milwaukee, by providing funding so Guitars for Vets can purchase guitars requested by veterans who graduate from the program. Throughout his life, Les Paul was interested in music education, engineering, and medical research. For more, visit guitars4vets.org and lespaulfoundation.org.]]></description>
				<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-13999" alt="Les Paul Foundation offers guitars to Guitars for Vets" src="http://www.vintageguitar.com/wp-content/uploads/guitarvets.jpg" width="360" height="181" /></p>
<p>The Les Paul Foundation supports Guitars For Vets, a program headquartered in Milwaukee, by providing funding so Guitars for Vets can purchase guitars requested by veterans who graduate from the program. Throughout his life, Les Paul was interested in music education, engineering, and medical research. For more, visit <a href="http://www.guitars4vets.org/">guitars4vets.org</a> and <a href="http://www.lespaulfoundation.org/">lespaulfoundation.org</a>.</p>
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		<title>J.C. Harper Luthier Intros Buck Dharma Signature Guitar</title>
		<link>http://www.vintageguitar.com/13994/j-c-harper-luthier-intros-buck-dharma-signature-guitar/</link>
		<comments>http://www.vintageguitar.com/13994/j-c-harper-luthier-intros-buck-dharma-signature-guitar/#comments</comments>
		<pubDate>Wed, 15 May 2013 16:12:29 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=13994</guid>
		<description><![CDATA[J.C. Harper’s 40th Anniversary Buck Dharma signature guitar has an alder body with a forearm bevel and “tummy cut.” It has a maple neck, walnut fingerboard, mother-of-pearl dot inlays, a 25½&#8221; scale length, 24 stainless-steel frets, 16&#8243; fingerboard radius, 1 11/16&#8243; bone nut, a custom BOC Kronos inlay on the headstock, and Dharma&#8217;s signature on [...]]]></description>
				<content:encoded><![CDATA[<div id="attachment_13995" class="wp-caption alignleft" style="width: 110px"><img class="size-full wp-image-13995" alt="J.C. Harper Buck Dharma" src="http://www.vintageguitar.com/wp-content/uploads/J.C.-Harper-Buck-Dharma.jpg" width="100" height="288" /><p class="wp-caption-text">The J.C. Harper Buck Dharma with optional Kronos fingerboard inlays.</p></div>
<p>J.C. Harper’s 40th Anniversary Buck Dharma signature guitar has an alder body with a forearm bevel and “tummy cut.” It has a maple neck, walnut fingerboard, mother-of-pearl dot inlays, a 25½&#8221; scale length, 24 stainless-steel frets, 16&#8243; fingerboard radius, 1 11/16&#8243; bone nut, a custom BOC Kronos inlay on the headstock, and Dharma&#8217;s signature on headstock. It uses two DiMarzio humbuckers, Sperzel Trim-Lok tuners, a HipShot fixed bridge, and its finish is white with optional album-cover graphics. Learn more at jchluthier.com.</p>
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		<title>Rice University Students Design New Capo</title>
		<link>http://www.vintageguitar.com/13992/rice-university-students-design-new-capo-2/</link>
		<comments>http://www.vintageguitar.com/13992/rice-university-students-design-new-capo-2/#comments</comments>
		<pubDate>Wed, 15 May 2013 14:08:59 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=13992</guid>
		<description><![CDATA[A team of engineering students at Rice University has designed a new capo for guitar they say allows players to more easily make certain chords without cramping their fingers. The attempt was inspired by John Jaggers, a Rice alumnus who plays in an acoustic duo. “I thought, ‘This is a mechanical-design challenge,’” Jaggers said. “So I [...]]]></description>
				<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-13988" alt="Rice University students design new capo." src="http://www.vintageguitar.com/wp-content/uploads/Rice-U.-capo.jpg" width="288" height="190" />A team of engineering students at Rice University has designed a new capo for guitar they say allows players to more easily make certain chords without cramping their fingers. The attempt was inspired by John Jaggers, a Rice alumnus who plays in an acoustic duo.</p>
<p>“I thought, ‘This is a mechanical-design challenge,’” Jaggers said. “So I thought [it] might be a great project.”</p>
<p>The students, A.J. Fenton, Eric Stone, Lisa Sampson, Nicki Chamberlain-Simon, and Amber Wang, took four months to design and build a series of prototypes that flatten the capo, sweeping the mechanical elements back and out of the way of the fretting fingers while retaining the qualities of better commercial capos including speed of placement and the ability to clip it to the headstock when not in use.</p>
<p>Few think about the problems the guitar poses for a capo maker. The device acts as the barre, taking the place of the index finger that spans the neck in a barre chord and depressing the strings just enough to create solid contact with the frets but not so much as to throw the tones off-pitch. That lets a player change the key of a song to match one’s vocal range without changing the basic chord shapes.</p>
<p>The capo also has to be forgiving enough to accommodate a variety of guitar necks, which not only change from guitar to guitar, but also along the neck of a single guitar. Finally, it had better not dig into the woodwork.</p>
<p>“Most people figure out how to make do and curse a little bit while they play, but it’s pretty awkward,” Jaggers added.</p>
<p>“There are a lot of nuances we didn’t think about before we started, like the curvature of the guitar neck or the materials we had available,” Wang said. “Every part of the prototype, we had to make ourselves. So we had to be creative.”</p>
<p>The students’ final prototype has a two-piece, spring-loaded plastic framework created on a 3-D printer with a hard-rubber strip that contacts and gently clamps the strings. While it’s not yet perfect – the capo has to be placed just so – the team feels they’ve come a long way in four months toward the guitarists’ goal.</p>
<p>They expect the capo project will continue next year, perhaps with a new team of students to work with advisers Ann Saterbak, a professor in the practice of engineering education, and Matthew Wettergreen, a lecturer in engineering.</p>
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		<title>Nick Lowe Slates Tour</title>
		<link>http://www.vintageguitar.com/13985/nick-lowe-slates-tour/</link>
		<comments>http://www.vintageguitar.com/13985/nick-lowe-slates-tour/#comments</comments>
		<pubDate>Tue, 14 May 2013 13:54:04 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=13985</guid>
		<description><![CDATA[Nick Lowe has confirmed a string of solo acoustic headlining tour dates starting late this summer. The tour will kick off in Philadelphia August 8 and cover the northeast. On all but two dates, fellow Yep Roc recording artist, Kim Richey will join Lowe as an opener. Richey is a two-time Grammy-nominated Nashville-based singer/songwriter who [...]]]></description>
				<content:encoded><![CDATA[<div id="attachment_13986" class="wp-caption alignright" style="width: 298px"><img class="size-full wp-image-13986" alt="Nick Lowe and Kim Richey to tour." src="http://www.vintageguitar.com/wp-content/uploads/NickandKim.jpg" width="288" height="176" /><p class="wp-caption-text">Nick Lowe and Kim Richey</p></div>
<p>Nick Lowe has confirmed a string of solo acoustic headlining tour dates starting late this summer. The tour will kick off in Philadelphia August 8 and cover the northeast. On all but two dates, fellow Yep Roc recording artist, Kim Richey will join Lowe as an opener. Richey is a two-time Grammy-nominated Nashville-based singer/songwriter who made her Yep Roc Records label debut in April with the release of her seventh studio album, <i>Thorn In My Heart</i>.</p>
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		<item>
		<title>AXL Intros Hand-Aged Bulldog</title>
		<link>http://www.vintageguitar.com/13981/axl-intros-hand-aged-bulldog/</link>
		<comments>http://www.vintageguitar.com/13981/axl-intros-hand-aged-bulldog/#comments</comments>
		<pubDate>Fri, 10 May 2013 22:05:10 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=13981</guid>
		<description><![CDATA[AXL USA’s Hand-Aged Bulldog has a solid mahogany slab body and one-piece set neck, a Lindy Fralin P-90, TonePros Featherweight wraparound bridge, CTS pots, Orange Drop Capacitor and TonePros Kluson vintage-style tuners, and the company’s Bite Switch, a push/pull pot that bypasses the tone pot. The guitar is assembled in California. Learn more at www.axlguitars.com.]]></description>
				<content:encoded><![CDATA[<p>AXL USA’s Hand-Aged Bulldog has a solid mahogany slab body and one-piece set neck, a Lindy Fralin P-90, TonePros Featherweight wraparound bridge, CTS pots, Orange Drop Capacitor and TonePros Kluson vintage-style tuners, and the company’s Bite Switch, a push/pull pot that bypasses the tone pot. The guitar is assembled in California. Learn more at <a href="http://www.axlguitars.com/guitars/usa-aged-bulldog">www.axlguitars.com</a>.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Busker Bags Offers Instrument Covers</title>
		<link>http://www.vintageguitar.com/13976/busker-bags-offers-instrument-covers/</link>
		<comments>http://www.vintageguitar.com/13976/busker-bags-offers-instrument-covers/#comments</comments>
		<pubDate>Fri, 10 May 2013 15:06:53 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=13976</guid>
		<description><![CDATA[Busker Bags covers are U.S.-made from a lightweight, breathable polyester that protects instruments from dust and other hazards when they’re not being played. They fit most stringed instruments and have a corded closure. Machine washable, they can also be used as a polish cloth. Learn more at www.buskerbags.com.]]></description>
				<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-13977" alt="Busker Bags AG-1" src="http://www.vintageguitar.com/wp-content/uploads/Busker-Bags-AG-1.jpg" width="117" height="268" />Busker Bags covers are U.S.-made from a lightweight, breathable polyester that protects instruments from dust and other hazards when they’re not being played. They fit most stringed instruments and have a corded closure. Machine washable, they can also be used as a polish cloth. Learn more at www.buskerbags.com.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Siegel Snags Five BBA Nominations</title>
		<link>http://www.vintageguitar.com/13974/siegel-snags-five-bba-nominations/</link>
		<comments>http://www.vintageguitar.com/13974/siegel-snags-five-bba-nominations/#comments</comments>
		<pubDate>Fri, 10 May 2013 13:27:24 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=13974</guid>
		<description><![CDATA[Ian Siegal has an unprecedented five nominations in the 2013 British Blues Awards, announced earlier this week. Siegal is nominated for Male Vocalist, Band, Acoustic Artist, Album, and Song. This is the first time one act has received five nominations, and it caps a year in which Siegal gained a second nomination in the American [...]]]></description>
				<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-13975" alt="n Siegal nominated for five BBAs." src="http://www.vintageguitar.com/wp-content/uploads/Ian-Siegal-2012.jpg" width="300" height="300" />Ian Siegal has an unprecedented five nominations in the 2013 British Blues Awards, announced earlier this week. Siegal is nominated for Male Vocalist, Band, Acoustic Artist, Album, and Song. This is the first time one act has received five nominations, and it caps a year in which Siegal gained a second nomination in the American Blues Music Awards for Best Contemporary Album. He is the only British artist ever to have been nominated in that category.</p>
<p>Siegal is midway through a solo tour of the U.K., Holland and Belgium. He also played six European shows with his band, The Mississippi Mudbloods, culminating May 8 in London. Siegal has won British Blues Awards for Band (2010), Male Vocalist (’11 and ’12), Acoustic Artist (’12).</p>
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		<item>
		<title>Verheyen, LsL Instruments Team Up on CV Studio</title>
		<link>http://www.vintageguitar.com/13969/verheyen-lsl-instruments-team-up-on-cv-studio/</link>
		<comments>http://www.vintageguitar.com/13969/verheyen-lsl-instruments-team-up-on-cv-studio/#comments</comments>
		<pubDate>Tue, 07 May 2013 15:12:10 +0000</pubDate>
		<dc:creator>Ward Meeker</dc:creator>
				<category><![CDATA[Newswire]]></category>

		<guid isPermaLink="false">http://www.vintageguitar.com/?p=13969</guid>
		<description><![CDATA[Carl Verheyen has teamed with LsL Instruments to create the CV Studio guitar. It has a lightweight alder body, 9.5”-radius rosewood fingerboard with LsL&#8217;s Lowered Apex edge, and a hand-carved C-shaped neck based on Verheyen’s personal &#8217;61 Fender Stratocaster. It’s strung with DMS Balanced Bridge strings and uses with the company&#8217;s Carl-Verheyen-designed floating bridge setup, [...]]]></description>
				<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-13970" alt="LsL Instruments CV Studio" src="http://www.vintageguitar.com/wp-content/uploads/LsL-Instruments-CV-Studio.jpg" width="288" height="248" />Carl Verheyen has teamed with LsL Instruments to create the CV Studio guitar. It has a lightweight alder body, 9.5”-radius rosewood fingerboard with LsL&#8217;s Lowered Apex edge, and a hand-carved C-shaped neck based on Verheyen’s personal &#8217;61 Fender Stratocaster. It’s strung with DMS Balanced Bridge strings and uses with the company&#8217;s Carl-Verheyen-designed floating bridge setup, its Seymour Duncan Stack Plus hum-canceling pickups are custom-voiced for Verheyen and individually tuned in a noise-inducing chamber, then modified with resistors to cancel noise including 60-cycle hum.</p>
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