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Author Archives: Willie G. Moseley

Gibson EB-2

Kalamazoo’s Biggest Bass Innovation?
 
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In the mid 1950s, Gibson president Ted McCarty was paying close attention to two new instruments impacting the musical-instruments market – the solidbody electric guitar and the electric bass. Both had been developed by an upstart company called Fender, and Gibson’s original solidbodies, the Les Paul guitar and Electric Bass (VG, February ’06) were introduced […]

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Jack Bruce

Shadows and (Erstwhile) Short-Scale Basses
 

Veteran bassist Jack Bruce is back in action with a new album and tour. Best known for his membership in the legendary British trio, Cream (with Eric Clapton and drummer Ginger Baker), Bruce has stayed active over (more…)

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Greg Lake

Recalling the Music
 
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Bassist/vocalist/songwriter Greg Lake came to notice in 1969 as member of King Crimson and his membership in Emerson, Lake and Palmer cemented his place in the pantheon of progressive-rock icons. He also recorded numerous solo albums; his most recent, Songs of a Lifetime, is a career retrospective. “The idea came during the writing of my […]

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Nick Moss

Musical Horizons Beyond Chicago
 
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Since 2007, guitarist/vocalist Nick Moss has released five albums on his Blue Bella label, including two live discs. And while Moss still loves his Chicago-style blues, his most recent effort, Here I Am, is an adventurous album. Though it begins with a raucous Windy City-type rave-up called “Why You So Mean,” by the third/title track, […]

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Kramer Aluminum-Neck Basses

 
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When it entered the music-instrument market in 1976, Kramer Guitars made a big splash with an aggressive marketing campaign, big-name endorsers, and – most importantly – an improved approach to the then-fresh concept of aluminum necks. In terms of stability, the aluminum neck was seen as an improvement over wood. And while Kramer Guitars followed […]

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The G&L El Toro

 
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At the beginning of 1983, Leo Fender was just more than three years into his last guitar-manufacturing venture when he decided to diversify the company’s bass lineup. Until that point, G&L had marketed the one-pickup L-1000, the two-pickup L-2000, and the no-frills SB-1 and SB-2 models – all with fairly traditional, straightforward designs. The brand’s […]

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The Guild Starfire Bass

 
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In the mid ’60s, Guild took its knocks for making guitars that looked “inspired by” Gibson models. Fans of the brand think the sterotype is unfair, of course, and certainly, many Guilds from the era have their own intrigue. One very good example is the Starfire Bass. Guild was founded by musical-instrument importer/distributor Al Dronge […]

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James Elkington

Windy City Diversity
 
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James Elkington tweaked the paradigm when he began working at a luthier shop before hitting his stride as a guitarist. Born and raised in a small English village northwest of London, his interest in the guitar blossomed relatively late. “It seemed the coolest instrument on offer and, as (more…)

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The Rickenbacker 4000

 
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The model 4000 was not only Rickenbacker’s first foray into the electric-bass market, it was decidedly different from Fender’s Precision – the original electric bass. Beyond frets, four strings, and their role in a musical combo, they have little in common. In the 1950s, F.C. Hall forged Rickenbacker into a modern guitar manufacturer. Striving to […]

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Fender Precision Bass

The “Final” Configuration
 
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The Fender Precision Bass was the first commercially successful solidbody electric bass. Played somewhat like a guitar and sporting a fretted neck, the “P-Bass” won over players in almost every genre who previously had to contend with the cumbersome upright bass. In its original configuration, the instrument, introduced in 1952, had a maple neck with […]

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