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Author Archives: George Gruhn

The Martin 000-18HS

 
Martin 000-18HS

According to Martin company records and research by late Martin Historian Mike Longworth, Cable Piano Company, in Atlanta, special-ordered at least three Martin 000-18HS guitars in 1937. Two others have previously emerged – serial numbers 67197 and 67198 – and this one recently found its way to Nashville for a Martin event featuring company historian […]

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Gibson Super Jumbo 100

 
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The Super Jumbo 200 is Gibson’s most celebrated flat-top model, and deservedly so, thanks to its use by cowboy movie stars in the pre-World War II years and by country music stars in the post-war years. The Super Jumbo 100, on the other hand, is one of Gibson’s more obscure models – a status it […]

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’62 Les Paul Rarity

 
'62 Les Paul Rarity

In its early years, the Gibson Les Paul Custom evolved through several body-style and spec changes and was the earliest Gibson solidbody to have a Tune-O-Matic bridge and stop tailpiece; the Les Paul model (a.k.a. “goldtop”) did not have them until late ’55. First appearing in Gibson catalogs in 1954, the company actually made a […]

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National Bel-Air

 
National Bel-Air, Photo courtesy George Gruhn Big thmbnail

The idea of Gibson providing guitar parts to another prominent guitar maker is laughable today, but in the 1940s and ’50s, relationships were cozier between some of the major instrument companies. The evidence lies in this 1960 National Bel-Aire, one of several Nationals of the postwar era to feature a body made by Gibson. Outsourcing […]

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Custom-Order Gibson B-45-12

 
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The term “rare” is applied to guitars in far too many instances. Usually an appealing term, its overuse can be attributed in part to the fact it’s particularly catchy to the eye of anyone fond of a collectible vintage instrument. The subject here this month, however, is truly deserving of the label. A custom-order Gibson […]

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The Martin 0-42

 
Martin 0-42

Through the years, Martin’s dreadnought, OM, and 000 guitars may have gained the most notoriety. But for the sweetest and best-quality sound, Martin itself recommends the size 0, exemplified by this 0-42. There’s obviously a catch to that statement, since only two of Martin’s current offering of over 200 models are size-0 guitars. The recommendation […]

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An Odd Gibson EH-150

10 Strings, Lap-Style
 
Gibson EH-150

Lap-steel guitars were the first commercially available electrics – ancestors of the guitars we plug in today, regardless of their shape. The popularity of Hawaiian music in the 1930s had a great deal to do with a surge in popularity of lap steels – and quickly after, the introduction of Spanish-style steel-string and electric guitars. […]

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The Gibson J-185

 
Gibson J-185

The J-185 is regarded by many players and collectors as the finest-sounding Gibson flat-top made after World War II. The only flat-top of its size and shape made by Gibson in the 1950s, the company offered nothing comparable even in its pre-war catalogs, and though it is in many ways similar to the J-200, it’s […]

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1905 Gibson F-2

 
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In the opinion of most American mandolinists, Gibson brought mandolin design to a level of perfection in 1922, with the introduction of the Master Model F-5. It wasn’t much earlier – 25 years or so – that Orville Gibson created the F model as one of two mandolin body styles (the other being the symmetrical […]

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Three Larsons

 
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At first glance, these three guitars appear to be a straightforward collection of different sizes of the same model. A comparable set of three Martins would be a 0-40, 00-40 and 000-40. However, these are Larson Brothers guitars, and when it comes to Larson models, nothing is that simple. Aesthetically, these guitars are identical (more…)

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