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Author Archives: George Gruhn

Dan Fogelberg’s Gretsch White Penguin

 
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Dan Fogelberg’s success as a singer and songwriter far overshadows his reputation as a musician, but the man whose tenor voice and sentimental songs ruled the Adult Contemporary charts in the early 1980s was actually quite an accomplished guitarist. Evidence is on The Innocent Age and Windows and Walls – the albums that yielded his […]

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Vintage Instruments and the Ban on Ivory Trade

 
Vintage Instruments and the Ban on Ivory Trade

A presidential executive order issued February 11 proposes a wide ban on trade in ivory has widespread implications for trade in vintage musical instruments as well as antique art, furniture, firearms, swords, knives, and jewelry. U.S. Fish & Wildlife Service has been tasked with writing and enforcing new regulations for import, export, and domestic trade […]

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Gibson Style R Harp Guitar

 
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Harp guitars with a standard six-string guitar neck and varying numbers of sub-bass harp-style strings have been made by a variety of American builders. Some of the best-known include Gibson, Joseph Bohmann (of Chicago), Knutson (Seattle), and the Larson brothers (Chicago), who made them primarily under the brand of Dyer (a distributor based in St. […]

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1934 Gibson F-7

 
GIBSON F-7 1934

Prior to Gibson’s innovations, mandolins were bowl-back instruments with a lute-like back usually constructed with rosewood or maple back ribs and a bent spruce top with an oval sound hole. Earlier guitars typically had flat tops and backs, and were designed for gut strings. In 1898, he received a patent for the concept of (more…)

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The 1912 Martin 000-28

The 1912 Martin
 
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      By 1912, players of fretted instruments were familiar with steel strings. Mandolins, which were enjoying their period of greatest popularity, were strung with steel. Guitars made by Gibson and by the Larson Brothers were strung with (more…)

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Rosewood Dobro

 
Rosewood Dobro

In the 1930s, the original Dobro company went through a series of ownership changes and licensing agreements. It did not regularly publish catalogs, and its model numbers were typically also the price of a model, which may have varied from one distributor to the next. Specifications (more…)

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Martin Elegant, a.k.a. “Lula”

 
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It’s an extraordinarily rare event to find a high-grade, historically significant mid-1800s guitar in a pawn shop, but that is indeed where this Martin was discovered. When found in Nashville in the mid 1970s, it was recognized as an exceptional instrument with ornamentation far in excess of any (more…)

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Gibson Style J Mando-bass

 
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Decades before Audiovox or Leo Fender dreamed of making a fretted electric bass, Gibson started manufacturing fretted acoustic mando-basses that were tuned the same as an upright bass. Joe Spann, author of Spann’s Guide to Gibson 1902-1941 has assembled serial and work-order number information documenting Gibson’s production prior to World War II, which indicates mando-bass […]

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Gibson Super Jumbo 100

 
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The Super Jumbo 200 is Gibson’s most celebrated flat-top model, and deservedly so, thanks to its use by cowboy movie stars in the pre-World War II years and by country music stars in the post-war years. The Super Jumbo 100, on the other hand, is one of Gibson’s more obscure models – a status it […]

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’62 Les Paul Rarity

 
'62 Les Paul Rarity

In its early years, the Gibson Les Paul Custom evolved through several body-style and spec changes and was the earliest Gibson solidbody to have a Tune-O-Matic bridge and stop tailpiece; the Les Paul model (a.k.a. “goldtop”) did not have them until late ’55. First appearing in Gibson catalogs in 1954, the company actually made a […]

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